Blueprints: "Mary Poppins Returns"

This week, Jorge explores how a movie reintroduces iconic characters to a new generation.

When a new Mary Poppins movie was greenlit, many sighed a sigh of relief when it was announced that it wouldn’t be a remake of the 1964 classic, but rather a sequel. This new story would bring Mary Poppins back to the Banks children, who are adults now, and would look after their own kids now. Perhaps she would straighten the mess in their lives once again. 

The writers of this continuation faced the challenge of not only finding a new take inside the rest of author P.L. Travers’ series, but also reintroducing a character that has become a staple of cinema. A character who, because of the 60-year gap between movies, would be a completely different person. It turns out their answer was to treat it as if Mary Poppins had never left at all…

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USC Scripter Noms & Final Screenplay Predictions

The USC Libraries, chaired by USC professor Howard Rodman, that began in 1988. Though they can signify strength moving into Oscar nominations, it's important to remember that they're a juried award from a college so not connected to the Oscar voting body, though perhaps Rodman himself is a member since he as once president of the WGA.  

Their nominations as well as our final predictions for Oscar's Screenplay categories are after the jump...

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Guild Nominations En Masse!

by Nathaniel R

Today is a big day. It's Globe fallout day but also the day when  the guilds start announcing en masse. Today we heard from the writers, the editors, and the art directors guilds to give us more clues as to which films the industry is gaga for. The only films that scored at all three guilds were A Star is Born and Roma, which NOT COINCIDENTALLY feel like the two most likely films to win Best Picture on Oscar night, give or take Black Panther.

The nominations are all after the jump...

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Blueprints: FYC, Adapted Screenplays

In this week's Blueprints, Jorge Molina looks into five adapted scripts that should be featured n the awards conversation. If you missed the Original Screenplay FYCs, they're here. 

While Original Screenplays tends to be where usually the Academy rewards more unconventional stories, the adapted screenplay category carries with it an air of respectability and prestige. Maybe it’s because it usually involves translation from a literary medium, respected novels or award winning plays. Maybe it’s because adaptations carry a built-in audience, something Hollywood values. Adapted screenplays have the advantage of arriving with an already fully formed and sometimes familiar story. But translating that into a cinematic medium is one of the hardest tasks for a writer: making the verbal into visual, compressing dozens of chapters into a two-hour story, learning what to leave in, what to take out, what to add or change.

Here are five screenplays that each took a previously published piece and turned it into an engaging, engrossing and cinematic experience....

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Blueprints: William Goldman In Memoriam

This week, Jorge's screenplay column celebrates the work of one of the most versatile and distinguished screenwriters in cinema, who passed away on November 16^th.

Most artists can only hope to leave at most one iconic piece of legacy behind after they pass way. One great novel, one fantastic painting, one life-changing movie. There are few who can produce more than one. I think we can count with one hang those whose body of work can be considered unequivocally influential and unironically iconic.

William Goldman was one of those artists. Winner of two Academy Awards for Best Screenplay (one original, and one adapted), he left behind an oeuvre that spans across decades, genres, and mediums that most writers can only dream of. Let’s take a look at his most well-remembered screenplays, most of which will be embedded in the collective cinematic culture for generations to come... 

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