La Pfeiffer Gets Waspy

No, not WASPy though perhaps she is that, too. As you've undoubtedly heard by now -- especially if you eagerly listened to the latest podcast -- Michelle Pfeiffer will co-star with Michael Douglas in Ant-Man and the Wasp (2018). While Paul Rudd and Evangeline Lilly are playing the title characters, so are Douglas and Pfeiffer in a way since their characters Hank Pym and Janet Van Dyne were the original heroes that went by those names. Douglas was introduced in the first movie if you'll recall and we were supposed to believe that Janet was dead.

Whether this means CGI-youngered flashbacks or merely exposition scenes with famous faces we won't know for some time but it's a nice treat for pfans and Pfeiffer's first superhero movie since her legendary work in Batman Returns (1992). If we have to hear about superhero movies every minute of every day now, it goes down so much easier if actresses we love are in the mix. See also Cate Blanchett being delicious in every single trailer released thus far from Thor: Ragnarok. 

So in case you've fallen behind on The RePfeiffal, here are your important dates to know

Photograph by Mikael Jansson for Interview Magazine, 2017

The RePfeiffal Calendar
Save the Dates

• July 29th, 2017 Our Pfeiffer series Pfandom returns after a long accidental hiatus. Catch up!
• Sept 15th, 2017 Darren Aronofsky Directs Michelle Pfeiffer opens in theaters (working title: mother!)
• Sept 17th, 2017 EMMY AWARDS. Michelle Pfeiffer and her husband David E Kelley are both nominated. (Wizard of Lies marks Pfeiffer's pfirst nomination. The script for Big Little Lies is Kelley's 29th nomination - 10 of which he won)
• November 10th, 2017 Murder on the Orient Express Starring Michelle Pfeiffer and Some Other People opens in theaters
• Jan 7th, 2018 GOLDEN GLOBE AWARDS. Cross your fingers that she'll be nominated / attend whether due to her movies or to Wizard of Lies.
• April 29th, 2018 Pfeiffer's 60th birthday
• March 4th, 2018 THE OSCARS. Cross your fingers that she'll be nominated or presenting.
• July 6th, 2018 Ant-Man and the Wasp (feat. Pfeiffer) opens in theaters 

Still no word on a release for Where is Kyra? though.

ACE Noms Ignore Spotlight, Love Joy. What is Happening?

The ACE Eddie Nominations are out and as usual there are some real head-scratchers. The guild nominations that precede Oscar noms tend to throw something or other for a loop in terms of perceptions of what the industry loves. Or perhaps it's less complicated than we always assume and it's merely that those who vote on awards just don't see that many movies. Guild types are often more busy making movies than watching them after all.

One head scratcher: I'm not sure how we've ended up in a world where Joy, David O. Russell's latest ode to Jennifer Lawrence, is nominated for its editing. I don't mean to pick on the picture as I actually think it's far better than its reviews imply and am happy to have company with Nick and Jose on this; it seems fairly obvious that the nation's film critics are working through their David O. Russell issues now that he's made a woman's picture. But for all of Joy's underdiscussed strengths the editing is not one of them. This is no mark against any of its four editors who've done great work in the past but it's fairly obvious that they're struggling with a film that is so multi-toned and multi-authored and possibly unfinished and trying to make the most of its competing impulses and weird detours. The picture struggles to find its rhythm throughout. 

But let's not pick on Joy because people have been way too mean to it. The nominees and more thoughts are after the jump. 

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Podcast: Ant-Man and Southpaw

We're spoiling you with two podcasts this week. Yesterday we talked 1995 (to tease the Smackdown). Now, conversations about Marvel's Phase Two ender Ant-Man with Paul Rudd, Evangeline Lily, Michael Douglas, and Michael Peña, and the new boxing drama Southpaw starring Jake Gyllenhaal and Rachel McAdams.

Contents (43 minutes)
00:01 Marvel's Ant-Man
27:55 Antoine Fuqua's Southpaw
40:00 Coming Attractions: Mistress America & The Finest Hours

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversation!

Southpaw & Ant-Man

but all I know-oh-oh is down inside i'm lii-iiin-king ♫

Empire exciting project alert! Writer/director Destin Cretton of Short Term 12 fame will guide Michael B Jordan in Just Mercy, a memoir adaptation about a young lawyer who fought for the wrongly convicted
Balder & Dash looks back on the exciting sci-fi curveball Attack the Block (2011)
Variety Alan Parker (Midnight Express, Bugsy Malone, Evita) receives BFI Tribute
Kenneth in the (212) is rewatching Woody Allen movies and has time for Diane Keaton singing
Cinematic Corner really loves Ant-Man and since I was kind of hard on it, I figure a more positive review should be shared
NPR talks about getting the ants right with the help of "myrmecologists" on Ant-Man
Pop Culture Crazy on Paper Towns (2015) and "Manic Pixie Dream Girl nonsense"
Comics Alliance Green Lantern Corps (2020) may feature Tyrese Gibson as the John Stewart iteration of Green Lantern and yes I feel dirty that I typed a sentence about a movie that's not due for another 5 years and might never even be made. Apologies. We really are living in a sick movie culture at the moment

LOL
Karen Carpenter Died For Your Sins finds Angie Dickinson in a "white mood" 
/Film Jake Gyllenhaal cried when his parents wouldn't let him star in The Mighty Ducks in 1992. Hee!  

Off Cinema (Sort Of)
The Hairpin on kissing and 'disgusting intimacy'. Interesting article but be warned of really gross photos that may or may not be from an X-Files episode that's name dropped. (I love kissing. I once toyed with starting a series on it with this classic post on Jake Gyllenhaal but good god that was a ton of work.)
i09 need some reading suggestions? Here are nominees for the British Fantasy Awards
Boy Culture 30 minutes (!!!) of unseen outtakes from Madonna's classic "Vogue" video have surfaced. It's so weird to see Madonna at the end of takes all dissatisfied with herself for milliseconds. Don't you miss David Fincher making music videos. He should do that inbetween his films
Playbill casting complete ono the West End production of "Photograph 51" starring Nicole Kidman. Her first time on the UK stage since "The Blue Room." Performances start in just 2 months. me want! me want! donate to the site (see sidebar) so I have funds to go see her. *sniffle* 

Showtune to Go...
Feeling oppressed by superheroes of late, I suddenly remembered one of my very favorite songs from The Rocky Horror Picture Show. I seriously love this song (Yeah, I went through a Rocky Horror phase one year as a teenager) and strangely YouTube has very little use for it. Is it because of its lack of fame since it was axed from the original cut of the movie? I found one good clip from a performance in Jacksonville Florida with Ross Frontz and Jessica Alexander doing Brad and Janet... good voices!

Review: Ant-Man

Tim here. Ant-Man is maybe the most typical film yet made in the now 12-picture Marvel Cinematic Universe. It is up to the individual viewer to decide if that's a compliment or a vicious & lacerating criticism. But it's really hard to think of it as anything other than a factory-pressed rebuild of the same basic story beats, character arc, gags, and conflicts that have become locked-in through Marvel's seven-year multifranchise experiment.

The film's distinguishing elements are all at the margins: in the hands of director Peyton Reed (who is much more in Yes Man-style "mercenary hack" mode than Down with Love-style "crafty stylist" mode), this is the most generously comic of all Marvel films to date, with the zippiest, silliest performances; the stakes are refreshingly low, and there's no aerial battle with the fate of nations and worlds at stakes in the final act. The cinematography by Russell Carpenter - an Oscar winner for Titanic - is distinctly more interesting than anything in any Marvel movie so far, with something resembling a thought-out purpose for the muted colors and rough lighting. It strips back some of the polish and gleaming surfaces in the Marvel movies of yore, to make a film that feels like it takes place in an actual world.

More...

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