Psyched Over "Making of 'Psycho'"?

Jose here. Biopics are always a controversial topic. People get riled over the casting choices, the director, the time period they cover etc. (Anyone still remember when Julia Roberts was interested in playing Kate Hepburn?)

One of the biggest upcoming biopics officially begins production tomorrow. It's none other than Hitchcock (based on Stephen Robello's Alfred Hitchcock and the Making of Psycho) which will chronicle the making of one of the greatest movies of all time.  The movie will be directed by Sacha Gervasi (of Anvil! The Story of Anvil semi-fame) and as of now has one of the most fascinating casts assembled in recent history to pay tribute to this legendary movie,

Anthony Hopkins headlines as Hitch and Helen Mirren will play his wife Alma Reville. Scarlett Johansson and James D'arcy are set to play Janet Leigh and Anthony Perkins respectively (although the other way around would've been interesting too, where's Todd Haynes when you need him?)

Why don't we just take a look at them with their real life counterparts?

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Dangerous Expectations

For what it's worth...

I saw A Dangerous Method last night and enjoyed it. With the New York Film Festival press events in swing (the festival proper starts on the 30th) and other screenings happening to the side we've arrived at our favorite time of year... Prestige Picture let out of the gate! As we speak, Michael and Kurt are watching Lars von Trier's Melancholia (which I've already seen and found fascinating and difficult to let settle) so you'll be hearing about these two movies shortly and later on when they open, too. Fall season is best because even when the movies aren't perfect they offer plenty to talk (and argue) about.

This adaptation of The Talking Cure (a phrase used in the movie unlike its new title) won't hit until November so my proper review will wait but I wanted to note straightaway that it wasn't quite what I was expecting -- almost stately, subtle and one might even say uptight to the point of refusing catharsis. Keira Knightley handles her difficult role well and without vanity, jutting her jaw out grotesquely and contorting her body to the point that it's even more alien and angular than one might have ever found it before. It's as if she's never read any of the critiques of her beauty. (I would like to note that I don't take kindly to the common hateful screeds about the actual looks of actors that are so popular on the web but this is rather like Sarah Jessica Parker -- who I personally love to look at -- agreeing to co-star in a picture entirely about horses.)

Freud (Viggo) and Jung (Fassy)Loved Viggo as Freud but was quite surprised to have difficulty with Michael Fassbender for the first time. I'm guessing that repression is, like depression, difficult to act in a mesmerizing way. For what it's worth my favorite male portrait of stifling repression is probably Anthony Hopkins in Remains of the Day who I would have handed the Oscar to in 1993. I am not overly fond of Hopkins so maybe I just have issues with male repression onscreen? A point of comparison: I was similarly unwowed by Daniel Day-Lewis when he made The Age of Innocence which is the picture my mind kept drifting towards.

As to Oscar speculation: I suspect that if there is Oscar play then The Age of Innocence is a far better comparison than Remains of the Day. But I suppose it all depends on whether AMPAS is in a repressed well appointed 90s period piece mood (they've kind of moved away from that lately, right?) and how the competition holds up when all the game pieces are on the board. 

Curio: Sir Anthony Hopkins, Painter

Alexa here. I was lucky enough to vacation in Hawaii a few weeks ago. While walking down a particularly touristy street, a video projected in one of the shops caught my eye: there was Anthony Hopkins, standing in an artist's studio, talking about painting. Suddenly I was thinking of Surviving Picasso and how frustrating I found it that Picasso's paintings were only partially visible. Yet here was Hopkins, standing in front of a full canvas. Of course, this wasn't Guernica, but one of the actor's own alternately brooding and peaceful works. 

Hopkins has said that looking at his paintings, "what you're observing is my state of mind." He has also attributed himself a Van Gogh-type personality, especially during his drinking days.  Certainly something about his artwork mirrors his acting roles: alternating the garish (Instinct, Freejack) with the understated (84 Charing Cross Road, Howard's End). Here's a sampling. You can see more here.

More samples follow.

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Now Playing: Demonic Tony, Cancerous Javi, Brave Sibel

A brief snapshot of new releases (links go to trailers) because even though I always pretend the cinematic year doesn't begin until after the Oscars, the studios don't agree. 

 WIDE

The Rite ~ is there any legendary name actor more in need of a career makeover than Sir Anthony Hopkins these days?  Another character who the marketing department can pretend is Hannibal Lecter for the ads. That was 20 YEARS AGO! Move on. This one is about demonic possession because that horror trope never gets old. True story: during the trailer I was like "cat alert!" as I love my cats in the movie but then the trailer implies that cats are of the devil so I can't be having this movie.

poll by twiigs.com

The Mechanic - In which Jason Statham is too cool to look at explosions (twice in the trailer alone!) and Ben Foster tags along for the assassin-laced ride. Ben actually does look at an explosion in the trailer; Jason has much to teach him.

LIMITED 

Biutiful - You can now see what all the fuss is about. This film is nominated for Best Actor and Best Foreign Film and Bardem plays a Job... I mean Uxbal. He has cancer but what else can go wrong in his life? Alejandro González Iñárritu, Master of Miserabilism™, needs more than disease to bring a man down! He is a merciless god.

From Prada to Nada - a Latina spin on Sense & Sensibility.

Ip Man 2 - in case you saw Ip Man 1. I didn't. I'm saving myself for the Tony Leung Chiu Wai version of this same story which is still filming I believe. This version about the martial arts guru stars Donnie Yen.

Kaboom -Indie auteur Gregg Araki returns with another pansexual trippy oddity. Will Thomas Dekker be Araki's new James Duval or Jonathan Schaech? Araki hasn't settled on new muses in quite some time. He's been muse-hopping for the past few efforts (Mysterious Skin, Smiley Face and now this.)

When We Leave - Germany's Oscar submission from this past fall is also getting a micro release. The fine actress Sibel Kekilli (Head On) returns to US theaters in this story of a Turkish Muslim woman who breaks from tradition, leaving her abusive husband, to raise their child alone. Quite horrifically, her own family sides with the husband. Much heartbreak ensues. Sibel is predictably strong and won the German Oscar but my god this movie is sad.

Sibel Kekilli loves her family in When We Leave. They don't love her back.

OSCAR-SEEKING EXPANSIONS
127 Hours rehydrated by those six Oscar nominations adds over 800 theaters, in its last ditch attempt to be the breakout hit people initially thought it might be. The King's Speech, gaining confidence from a very impressive gross and a very impressive nomination tally, adds over 800 screens too. Blue Valentine, which is better than either of those films but only managed a Best Actress nod, adds 400 screens. A warning to those who are eager to see it: you will be very angry that Ryan Gosling wasn't nominated for Best Actor.

LAST CHANCE!
The Season of the Witch and Another Narnia Movie lost about half their screens this week so... if you've been dying to see the latest scraggly Cage weave or the latest in leonine CGI, have at it.

What will you be seeing this weekend?
Besides the SAG Awards on Sunday. Yes, we'll live blog it.