Hit Me With Your Best Shot: "MATADOR"

In the Hit Me With Your Best Shot Wednesday evening series we look at a pre-selected movie and choose what we each think of as its best shot. Anyone can play and we link up. (Links and next week's topic are at the end of the post.) This week, to coincide with the opening  of the Cannes film festival we thought we'd look at the one (or two) of the earliest Pedro Almodóvar / Antonio Banderas collaborations since the men are reuniting at Cannes to show off their first collaboration in two decades, The Skin I Live In (2011). I gave participants the option of either Matador (1986) or Law of Desire (1987) the films which elevated Banderas to Pedro Muse status, the only actor with a penis to hold that honor.

While Law of Desire (1987) is my all-time favorite Pedro, I chose to rescreen Matador (1986). Why? I thought this absurdist mystery about men and women who think of killing as an art form, might prove a fine companion piece to the director and star's new film, given the similarly violent and grotesque subject matter.

The title character trains new bullfighters in retirement.

So did I change my mind about Matador, my least favorite from my very favorite auteur? The answer is both No and Yes.

The opening credits of Matador seem to be challenging the audience to throw tomatoes and openly hate the movie as the title character, a retired matador named Diego (Nacho Martinez) masturbates to images of extreme violence against women. Moments later we see an explicit sex scene turn murderous. This time the corpse will be a man. All moviegoers have different levels of stamina with explicit material and I have the opposite constitution from the MPAA. Which is to say that I'm totally fine with sexually graphic imagery but I have a hard time watching people be brutalized. Pedro, a subversive artist and equal opportunity offender, is still working his way out of his "shock" phase. It's definitely a confrontational first reel but the rest of the film is much easier to watch.

The thing I forgot about Matador (I haven't seen it since... 1990?) is how completely erotic it is. Yes, all of the characters are either killers or caught up in the drama of death, but they're all horny about it.

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Cannes Cometh

It all begins tonight. That sounds like the future but it's actually the now since it's mid afternoon in France and photo ops and press conferences are under way. The Opening Night honor is Woody Allen's (just discussed in that quickies list) for the premiere of Midnight in Paris.

Several stars have already arrived -- and their numbers will only strengthen -- until they barely need any artificial lighting at the Palais from all the star glow.

Salma Hayek and Antonio Banderas (kicking off what could be a very big year for him) are already donning their mandatory star paraphenalia (sunglasses!) as they work the Puss in Boots promotional event.

Internationally Acclaimed Filmmakers and Global Beauties. Yep, it's Cannes Time.

Have you ever experienced a midnight in Paris?
Which films would be you queueing for at the 64th edition of the world's most famous film festival?

Reminder: Pedro & Antonio Cometh

I know I've been terrible about Hit Me With Your Best Shot lately but this Wednesday night we'll be celebrating the long time collaboration of Pedro & Antonio in Matador (1986) and Law of Desire (1987) -- take your pick as to which film you'll cover if you're joining us!

In the meantime enjoy this Cannes teaser for THE SKIN I LIVE IN

and here's some on the set footage for the extra curious among you (these props... que???). It's in Spanish but some of you will undoubtedly understand.

We might do a Yes, No, Maybe So when the full trailer arrives but it will all be reflexive as we're always a boisterous expectant "Sí" when a new Almodóvar rolls into town.