John and Matthew are watching every single live-action film starring Meryl Streep.
#20 —Clara del Valle Trueba, paranormal matriarch of a prosperous South American family.
JOHN: Yes, paranormal. But please, take your expectations about Meryl Streep as psychic (and Glenn Close as her scorned, sexually repressed sister-in-law) that may be levitating midair and place them firmly on the ground. Actually, go ahead and place them below the Earth’s surface, and then you might be ready to endure one of the absolute worst films Streep has ever been caught in. The House of the Spirits, an adaptation of Isabel Allende’s titular novel, chronicles the tumultuous history of the Trueba family, a prosperous South American dynasty headed by Esteban Trueba (Jeremy Irons), a peasant turned plantation owner turned conservative senator, who marries Clara del Valle (Streep), the youngest daughter of a wealthy, liberal family, and did I mention that she can move things with her mind and predict the future?
It's Madonna's birthday!! Chris Feil looks back at one of her biggest soundtracks...
By the mid-90s, musicals were all but dead, even though Disney created their own resurgence in animated form. Madonna’s career however was always heading toward reviving it: she constantly reinvented the game for the music video and her Breathless Mahoney songstress was Dick Tracy’s genre flirtation device. With her divisive performance in Evita, she brought the cinematic musical back into the popular culture and delivered a hit soundtrack in the process.
And I should qualify that for emphasis: a hit soundtrack to a quasi-opera about propaganda and Argentine political figures when the popular music landscape highlighted Alanis, Tupac, and The Smashing Pumpkins. Madonna did that in arguably the least accommodating musical or cinematic climate, and perhaps only Madonna could have done it. Like it or not, much of the film’s success (even musically) is thanks to her star power, no matter how indelible Andrew Lloyd Webber and Tim Rice’s score remains.
It's a Pedro Party! Our Almodóvar week is extending a couple of days. You can click on the images from this production design feature to see them in magnified detail. Here's Daniel Walber...
El Cigarral is a mysterious, hidden estate that lurks on the outskirts of Toledo, Spain. Its gates are perpetually locked and its secrets are not easily pried loose. Its owner, Robert Ledgard (Antonio Banderas), keeps the outside world at a distance.
That said, more people manage to break in than he might like. It’s inevitable, at least in movies like these. Almodovar’s The Skin I Live In is part of a long tradition that winds its way from The Island of Lost Souls through Eyes Without a Face. And this house, which seems to be accessible only under cover of night or in disguise, is among the most dramatically conceived in the entire genre...
Two women talking: a recipe for witchcraft, an unnatural feedback loop, a cursed redundancy. Ingmar Bergman’s 1966 masterpiece Persona is a landmark for many reasons, but its legacy, which has show no signs of age in the 50 years since it was released in the U.S. and the U.K., is how it stared that anxiety in the face and opened up a loopy, meandering conversation that’s still going on to this day...
More Linkage Keyframe 'The Year of Nicole Kidman' don't force her to prove herself all over again Variety Cannes lineup is "high on "awards intrigue, low on safe awards bets" /Film Aquaman is overflowing with villains, 3 already for a first solo film? (not a good sign) and a fourth may have been added Coming Soon Antonio Banderas will headline Lamborghini -The Legend (working title) a biopic about the Italian entrepeneur of automobile fame. Alec Baldwin will play his rival Enzo Ferrari
Boy Culture "STREEPSHOW" a drag comedy about "characters one played by Meryl Streep" living together in the East Village will be playing NYC in June. Sounds hilarious but I have to admit that it took me quite some time to figure out the characters in the photo (and there seem to be two Miranda Priestleys?) which is maybe not a good sign. Shouldn't they be instantly recognizable? Guardian Mixed messages from Cannes as TV premieres from auteurs are happening but they've also banned Netflix from future competition unless they stop skipping theatrical releases Variety Gay gasp! The BBC is producing a series of 15 minute monologues called Queers which is set to star Ben Whishaw, Alan Cumming, and Russell Tovey and others Awards DailyGypsy teaser, a new series starring Naomi Watts Variety Hugh Bonneville will play Roald Dahl in a biopic set in the early to mid 1960s. This means they're going to have to cast someone to play both Dahl's wife Patricia Neal and her most famous co-star Paul Newman (see Hud) and both of those roles will be a Herculean casting task! The Guardian there's a documentary playing Cannes about Cary Grant's experimentation with LSD from 1958 through 196 Tracking Board Kenneth Branagh to direct himself in a movie about the father of Anne Frank The Keeper of the Diary
Not Remakes Though You Might Mistake Them For Such /Film Martin Scorsese starts filming mob drama The Irishman this summer with Robert De Niro, Al Pacino, and Joe Pesci Gothamist Leonardo DiCaprio will star in The Black Hand about an undercover mob cop... (Ummm, haven't all these people already made these movies? Why not mix it up with a romantic comedy or a sci-fi picture?)
Exit Video Look it's the first clip from Todd Haynes's Wonderstruck. It may be impossible to follow Carol but we're glad that he got back on the horse so quickly after that long time away from us. How does this clip strike you?
We're celebrating Pedro Almodóvar all week. Here's Spencer Coile on his first Oscar nominee...
Almodóvar is always at his best when also at his zaniest. Through a healthy mix of wacky characters and a unique color palette, he manages to imbue his stories with enough humor, drama, and wit to make any skeptic reconsider his artistry. Such is the case with his 1988 film, Women on the Verge of a Nervous Breakdown. Telling the story of TV actress Pepa (Carmen Maura, Almodóvar most-enduring muse), we are plunged into a world of absurdity, loss, and the cocktails we make to cure us of our loneliness. After serving as his international breakthrough, receiving a Best Foreign Language Film Oscar nomination and inspiring a Broadway musical of the same name, it is no surprise that Women on the Verge has secured its place in the top tier of Almodóvar's filmography...
Thursday, May 17, 2018 at 7:20PM 
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