Horror Costuming: The Skin I Live In

In October, we'll be celebrating the excellence of costume design in horror cinema.

by Cláudio Alves

Pedro Almodóvar's 19th feature harkens back to a time two decades earlier when the Spanish director was one of European cinema's most shameless provocateurs, an enfant terrible willing to rub the face of polite society in utter tastelessness, jolly amorality, and lustful perversity. Adapted from a novel by Thierry Jonquet, The Skin I Live In is a sordid tale that mixes melodrama with horror, handsome mad scientists and beautiful Frankenstein monsters. More than anything, as its title suggests, this is a film about skin and the places people inhabit…

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The Furniture: Decorating Obsession in "The Skin I Live In"

It's a Pedro Party! Our Almodóvar week is extending a couple of days. You can click on the images from this production design feature to see them in magnified detail. Here's Daniel Walber...

El Cigarral is a mysterious, hidden estate that lurks on the outskirts of Toledo, Spain. Its gates are perpetually locked and its secrets are not easily pried loose. Its owner, Robert Ledgard (Antonio Banderas), keeps the outside world at a distance.

That said, more people manage to break in than he might like. It’s inevitable, at least in movies like these. Almodovar’s The Skin I Live In is part of a long tradition that winds its way from The Island of Lost Souls through Eyes Without a Face. And this house, which seems to be accessible only under cover of night or in disguise, is among the most dramatically conceived in the entire genre...

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"To Red Carpets With Love" - Gerwig, Pill, Cruz.

It's the new improved Red Carpet Convos. Faster, snappier, more focused... at least until the Oscars when it's impossible not to feel overwhelmed by gowns and veritably trampled by stilettos. For now, one event or theme at a time, all quick like. Today it's premiere time for Woody Allen. Welcome back Joanna from Pajiba.

Joanna: Okay, let's hit it!

Nathaniel: ‪Today we're going To Rome With Love by way of Los Angeles and New York.‬ 

Woody Allen, Allison Pill, Elena Anaya, Penélope Cruz, Greta Gerwig

Joanna:  ‪Bad fashion from 'round the world!‬

Nathaniel:  ‪Right. I hate to start with such a downer waaah-waaaaah but I almost feel like this LA premiere is actual stills from a Woody Allen movie. He kinda loves the beiges.‬ Since red carpets take place outdoors we'll call this Exteriors. Coming Soon!

Joanna:  ‪Not Alison's Getting Married?‬ 

Nathaniel:  ‪Marriage, Pill Style [pill being valiums]‬ 

Joanna:  ‪I love Pill and I think she looks swellegant from the waist up.  But the length is so bridal meets plastic shower curtain from Target.

Nathaniel:  ‪With ballet slippers? ‬I mean where is she going. 

Joanna:  ‪If this were a wedding, then Penélope Cruz would be the super aggressive Mother of The Bride.‬

Nathaniel:  ‪Right. Love the Power Bitch Shellacked Hair though it always reminds me of that time when Laura Linney got all "bad girl" at the Oscars.‬

 Joanna:  ‪Not loving the sparkly boob drape, but it's almost as if Penélope is narrowing her heavily lined eyes at me, daring me to question her "window treatment."  If you know what I mean.‬

Nathaniel:  ‪This red carpet is depressing and it's for a sunny Rome-set comedy. Greta Gerwig will play the role of Pill's Flower (Dress) Girl. Or wait. are those grapes?‬

Joanna:  ‪Rome? Grapes? A theme!‬ 

Nathaniel:  ‪To Bacchus With Love‬ 

 Joanna:  ‪I have to say, of all the pieces on this carpet, Elena Anaya's hot pink shoes are my FAVORITE.‬

Nathaniel:  ‪The Shoes She Lives In

Joanna: god I loved that movie.

Nathaniel: ‬Let's change cities like Woody do. (He should direct a James Bond movie since they're always globe hopping) 

Alvy Singer, Gerwig, The Real Mr & Mrs Don Draper, Cruz

Joanna:  ‪What is the delightful secret Woody is keeping? ‬Is it that Greta is expecting? Or that her shoes are secretly the Phantom Of The Opera? 

Nathaniel:  Hee. But that's why we were at a wedding earlier. Shotgun.‬ Woody, Greta, and Penélope are in NYC all of a sudden in this photo so out comes the black (shoes or dress or both)

Joanna:  ‪But Penelope is sticking to the grape theme.‬ 

Nathaniel:  ‪Days of Wine and Bardem-Cruzes -- I can't stop with the fake movie titles. Apologies.

poll by twiigs.com

I'd love to get complely drunk with her but I kinda hate this color on her. I'm not sure why. I think maybe it's because she looks so tan lately.‬

Joanna:  ‪What do we think of the Hamm Wesfeldt's? I love her dress and basically everything about her except for her Zellwegerian squint. And he, to me, is stubbly perfection.‬

Nathaniel:  ‪I love them. They strike me as a genuinely awesome happy couple, whether squinting or unshaven. And, not for nothing, I think they'd both be great in a Woody Allen movie. I hope they were handshaking and charming and bantering to sell that.‬

Joanna:  ‪<--- OH GOD GRETA'S WAIST FRINGE‬ 

Nathaniel:  ‪I knew I had to hit you with another Greta pic. It's just... what?!?

Joanna:  ‪Her waist looks like it's wearing false eyelashes.‬ The whole thing is just so staggeringly unflattering.  In every conceivable way. 

Nathaniel:  ‪waistlashes. lol. what an image.‬ I'm not sure how to end this Exteriors movie. ‬Gerwig has robbed me of speech.

Joanna:  ‪Then take a tip from Woody and, just, shhhhhhhhhhhh.‬ 

Nathaniel:  ‪[rolling credits with some jaunty 30s tune]‬ 

Previously on Red Carpet Convos...
Cannes dresses (Jose)
Rock of Ages and Prometheus premieres (Joanna & Nathaniel)
Hunger Games premiere (Guy & Nathaniel)

No Goyas for Pedro.

Jose here to report on Sunday night's Goya Awards.

The Goyas are always an unusually dull awards ceremony: imagine the Oscars without any commercial breaks or attempts at cheesy humor. Last night however there was something that made it one of the most interesting ceremonies in years: what was expected to be a clean sweep for Pedro Almodóvar's The Skin I Live In - which entered the race with an impressive 16 nominations - instead turned into yet another demonstration of the Spanish Academy members' apathy for their most famous prodigal child.

Pedro always becomes the center of discussion when it comes to these awards, particularly because while the rest of the world salivates over any new Almodóvar movies - just last week he upset A Separation at the BAFTAs - his fellow countrymen and women have only rewarded him three times in the past. [Continue...]

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The Art Direction I Live In

I always try to finish the "Oscar Categories" of my own Film Bitch Awards before the Oscar nominations. I was racing to the deadline, panting heavily, sweating profusely and then I collapsed. I am now crawling towards the finish line. If anything can revive me it's eye candy! So here are my nominees for Art Direction and Cinematography. I would post Costumes too but I'm still arguing with myself over 8 films. (So many worthy efforts!) 

But while I have your eyeballs, I want to talk about one film in particular. Film is a visual medium so you'd think it would be a given that filmmakers would convey their themes and moods and characters visually. But many of them don't, relying on dialogue as exposition or voiceover profundities or leaning heavily on the gifts of their actors to get themes and nuances across. In other words, we have too few Pedro Almodóvars behind the camera.

In the two stills above from The Skin I Live In (which went without any Oscar nominations and was not submitted by Spain for Best Foreign Film) you can see how visually rich and how carefully planned every beat in an Almodóvar film is [MORE AFTER THE JUMP]

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