Guilds-a-palooza: More honors for La La Land, Moonlight, Arrival, and... Suicide Squad

Barry Jenkins (Moonlight) and Eric Heisserer (Arrival) each won a WGA last night. But they're in the same category at the Oscars.

Last night's Writers Guild Awards were a good sign that Moonlight will take Adapted Screenplay. Competing in Original with WGA (Oscar's writing branch put it in adapted) it blocked La La Land or Manchester from taking that prize. With less fearsome competition at the Oscars it should be able to win... although to do that it will have to fend off the surging Lion and the well regarded Arrival which took home the WGA prize for Adapted and is up for the same prize at the Oscars.

Extensive writing and makeup guild honors after the jump...

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8 Days Until Oscar. Do "Moonlight" or "Arrival" have Oscar twins from the past?

With 8 days to go until Hollywood's High Holy Night let's compare our two pictures with 8 nominations each this year, Denis Villeneuve's thinky sci-fi drama and Barry Jenkins' ravishing memory/identity drama. While both films might come up empty handed on Oscar night they each have a reasonable shot at one or two statues -- Moonlight could theoretically win Supporting Actor and/or Adapted Screenplay and Arrival's best Oscar shot is probably in one or both of the Sound categories unless it surprises with Adapted Screenplay itself in what could arguably be a five way race if Moonlight is not as strong as pundits suspect there.

ARRIVAL	MOONLIGHT
Their 8 Nominations
Picture	Picture
Director	Director
	Supporting Actress
	Supporting Actor
Adapted Screenplay	Adapted Screenplay
Cinematography	Cinematography
Production Design
Film Editing	Film Editing
	Original Score
Sound Mixing
Sound Editing

In the categories where they're competing which film do you prefer?

For extra fun, though, let's find out if the either of these films have any exact Oscar doppelgangers from the past shall we?

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The Last Oscar Week

In this weekly feature from Murtada we follow Oscar contender appearances and interviews

The Oscars are just 9 days away so this will be our last Oscar Week column of the season. Let’s look at how contenders are hustling in Phase 2. In this phase campaigns pivot their messages to try and secure the win. This gives us more pointed and sometimes bold messaging. Like the exploitative use of the Muslim Travel ban by Lion. Always happy to see Sonny Pawar's expressive face, but this message is a bit of a stretch. Arrival is going for the heartstrings, showing Amy Adams hugging Jeremy Renner and talking to her daughter, rather than talking up the sci-fi elements. This is smart messaging since the mother-daughter relationship is what most leave the theater talking about...

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The Furniture: Lost in Space and Time with "Passengers" and "Arrival"

"The Furniture" is our weekly series on Production Design. This is the second of two columns discussing this year's Oscar nominees. Here's Daniel Walber...

On the surface, Arrival and Passengers appear to be the most similar of this year’s Best Production Design nominees. They’re both science fiction films set in the near future. Yet the similarities end there. Passengers is set entirely on an extravagant, colorful spaceship. Arrival splits its scenes between the interior of a minimalist UFO and densely packed military tents.

There is also one more essential difference...

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Personal Ballot: Best Scores, Sounds, Songs...

Though my ears aren't as fine tuned as my eyes when it comes to the cinema, I take pleasure freely from every craft. The best films are the ones that try to engage all senses. (Well, not smell. They tried that with Smell-O-Vision and it didn't work out so well.) 

So here are my choices for Best Original Score, Best Sound Mixing and Editing, Best Original Song and a fifth category that's kind of "off-Oscar." The Film Bitch Awards have always had a Best Adapted / Combination / Song Score category for films where the original score is only part of the defining musical sensation and the rest comes from pre-existing material or songs that are woven into the sound mix. Films honored include in these various aural categories include The Handmaiden, Arrival, Moonlight, Lion, Jackie, La La Land, Sully, The Witch, Doctor Strange, Sing Street and more. Which movies did you love listening to this year?