Yes No Maybe So: "Belle" from Mamoru Hosoda

by Nathaniel  R

We recently debuted our first Oscar chart of the year for Best Animated Feature as well as an extensive overview of all the international animated films  which could be competing for the unofficial "foreign" spot in that particular Oscar race. Perhaps we underestimated Belle by Mirai director Mamoru Hosoda who we had the pleasure of interviewing a couple of years back. Here's the international trailer...

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74th Cannes. Un Certain Regard, Special Screenings, and More...

by Nathaniel R

Todd Haynes' first documentary is about the seminal band, THE VELVET UNDERGROUND

We've already looked at the competition lineup so here are the other key sections. It's worth noting that though the press mostly focuses on the Competition films, sometimes the buzziest titles come from other sections. There are some juries that pull from multiple sections too like the Camera d'Or jury (which honors first films), as well as two unofficial but exciting competitions, the Queer Palm and the fan favourite the Palm Dog (which names the best dog in the festival... and it's often much more competitive than you'd think with some years offering multiple win-worthy candidates). Director's Fortnight and Critics Week lineups haven't been announced yet but here are the rest of them...

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Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

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Animated Features of 2021... and first Oscar Predictions!

by Nathaniel R

This past year wasn't a particularly great one for animation but hope springs eternal and maybe we'll have a more competitive Oscar race next February? This will be the 21st year of the Best Animated Feature Oscar race. With 20 years of statistics we know what Oscar voters go for in this category and what they don't. They generally turn their noses up at sequels (unless they absolutely adored the first one). They will always honor at least one international title (but usually two) with a nomination, but they won't give them the win unless they absolutely have to. The animation studios Cartoon Saloon, Laika, and Aardman are widely respected by animators and will always be nominated if they're eligible... but it usually stops there as the wider voting body on the "win" defaults to big American studio animation and 70% of the time (literally) the wins go to the Mouse House for either Disney or Pixar titles. When it comes to animated titles from overseas they're a bit like they are with the Best International Feature category (even though it's different voters) in that they generally ignore Asian animation (with the exception of Studio Ghibli) and prefer European titles. 

With the recent announcement of the competitive line-up for the 2021 Annecy festival (one of the four most important animation events each year) we have a better sense of which international titles might crop up this year in the circles that love animated films. Surely at least some of these will submit to the Oscar race as well. So here's as many animated features as we could find that might delight animation-loving cinephiles this year

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"Crouching Tiger" and the Foreign Language Films of 2000

In preparation for the next Smackdown Team Experience is traveling back to 2000. 

Juliette Binoche and Jack Valenti announcing Best Foreign Language Film.

by Juan Carlos Ojano

Coming into the 73rd Academy Awards, the results of the Foreign Language Film category must have felt like the biggest lock of the night (this writer can only assume based on hindsight since he was only a five-year old bébé at the time). Crouching Tiger, Hidden Dragon was the perfect storm when it hit American audiences. The film came from an established filmmaker, Ang Lee, who had made several critical and commercial hits in English and otherwise, the storytelling was tailored to better suit Western sensibilities, it featured international stars known to the English-speaking film market, it received rave reviews and enormous box office returns, and it was both partially funded and widely distributed by a major American studio...

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