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Tim here. Age of Shadows is currently making its way around the U.S. art house circuit, giving Americans our change to catch up with one of the biggest hits at the Korean box office this year. It's a historical spy thriller, set during a period of time that I suspect most of us English-speakers haven't thought about much, or at all: the stretch of time from 1910 to the end of World War II when Korea was occupied by Japan.
The film, set in the 1920s, takes as its subject the Korean resistance to Japanese rule, and follows the career of a double agent named Lee Jung-chool (Korean superstar Song Kang-ho), a Korean-born police captain operating under strict Japanese control...
Boo! It's "Oscar Horrors". Each evening we'll look back on a horror-connected nomination until Halloween. Here's Dancin' Dan on a spooky Japanese beauty...
Have any of you ever seen Masaki Kobayashi's Kwaidan? I wouldn't be surprised if you hadn't. Even among Japanese films, it's not much talked about today, though it deserves to be. Kwaidan is a rarity in so many ways - an omnibus film made by one director, a truly artful horror film, a groundbreaking work of art. It was nominated for the Best Foreign Language Film in 1965 (losing to the heartrending The Shop on Main Street from Czechoslovakia), and it's a bit hard to imagine it getting that far today, even with its arthouse bona fides like a Special Jury Prize at Cannes...
The Asia Pacific Screen Awards has announced its nominations for the film year. The organization is in its 10th year -- and we should note that our own Glenn Dunks works for them behind the scenes. They basically cover the whole continent so that includes Asian countries, Australia, Russia, you name it. Their definition is loose enough that it even covers films with creative teams that qualify even if the film is a co-production made elsewhere. Their nomination procedure is elaborate -- 303 films from 43 countries were in the mix this year -- and whittled down throughout the year. The results are certainly a unique barometer of the region.
Cold of Kalandar, Turkey's Oscar submission, has 3 nominations
The nominations with commentary are after the jump...
Pt 2 All the Trailers (Japan through Vietnam) Here are all the trailers in one place! (Well two places. Part one has the first half. While you watch these we're sprucing up the Official Submission Charts right now to make them cleaner with the full list now that the Academy has made the list official. Which of the 85 films (a record!) are you eager to see? Which do you think Oscar might also warm to?
See more trailers than you can watch in one sitting after after the jump!
As we've noted many times the Official Foreign Film Submission List generally contains at least one surprise when Oscar announces it -either a switcheroo from a country who had second thoughts about their submitted film or a disqualification or a film we hadn't yet heard of. We don't know the date but it's any time in the next week or so. At the moment the list is 86 wide (a record if it holds!) thanks to the last few films we know of to announce including Costa Rica's romantic dramedy About Us, Malaysia's autism drama Redha, and the biopic Xuan Zang from China which is about a famous monk during the Tang Dynasty. That one sure looks pretty.
If you haven't looked at the Oscar charts in a while take a gander. We'll obviously break it down in several fun ways when the official list is announced.
What You Can Watch If you are eager to see the selections please note that Sweden's A Man Called Ove, UK's Under the Shadow, South Korea's Age of Shadows, and Israel's Sand Storm are now in select cities and Mexico's Desierto hits next Friday. The only three available to watch online right now in the US that we know of are Palestine's The Idol (for rental on Amazon), Venezuela's From Afar and Greece's Chevalier (which are both streaming on Netflix). If you know of legal options in your country to view these please let others know in the comments.
Friday, October 28, 2016 at 11:00AM 
Tim here. Age of Shadows is currently making its way around the U.S. art house circuit, giving Americans our change to catch up with one of the biggest hits at the Korean box office this year. It's a historical spy thriller, set during a period of time that I suspect most of us English-speakers haven't thought about much, or at all: the stretch of time from 1910 to the end of World War II when Korea was occupied by Japan.
