Sundance: Julianne Moore in the American remake of "After the Wedding"

Abe Fried-Tanzer reporting from Sundance

Danish director Susanne Bier won an Oscar for her incredible film In a Better World (2010), her second time contending for Best Foreign Language Film. The first was her equally involving and magnetic After the Wedding (2006). That earlier film is actually one of two popular foreign hits remade for US audiences with Julianne Moore in the lead role this year (recent Oscar winner Sebastián Lelio remade his own 2013 Chilean film Gloria as Gloria Bell, due in March this year). Taking over Bier’s duties on this other do-over is Moore’s husband Bart Freundlich, whose last film was the underrated 2016 Tribeca entry Wolves. In addition to bringing this story back on the screen, this is a reunion for the real-life couple with leading man Billy Crudup after the three of them collaborated on both World Traveler (2001) and Trust the Man (2005).

What’s most changed – of surprisingly few modifications overall – from the Danish original to the 2019 remake that premiered at Sundance are the genders...

Click to read more ...

Final Predictions: Best Actor & Best Actress

Other than the shorts, which we'll get to this weekend, we're all finished with our final Oscar predictions. Though we're at the top two most discussed categories, I regret to inform that this will surely be anti-climactic since I'm sticking with previous predictions in both cases. But here's why...

Click to read more ...

FYC: Nicole Kidman in "Destroyer"

Eric here, with a brief plea for Oscar consideration for a dark horse candidate for Best Actress:  Nicole Kidman for Karyn Kusama’s Destroyer. For harmony in numbers, here’s five reasons why Nicole should be one of our final five when nominations are announced next Tuesday...

Click to read more ...

Interview: Toni Colette on horror, grief, and her prismatic performances

by Nathaniel R

Toni Collette gives one of the year's great performances staring into the abyss of her own life in "Hereditary"Toni Collette doesn't like horror movies. We relate but there are exceptions: horror films starring Toni Collette are events. Her resistance to the genre,  she refers to both of her biggest horror hits as "classic dramas", may be the strange key to why she's so superb in them, grounding them in emotional truths while simultaneously having the kind of stylistic range as an actor that can lift right off with them into otherworldly places. 

We recently sat down after an encore screening and lively Q&A of Hereditary. Her sole Oscar nomination came early in her career as the grieving mother of little Haley Joel Osment in The Sixth Sense (1999) and in a way, twenty years later, she's bookended that great early success with another very different grieving mother. This one's much harder to love but the performance is even better. Even if you don't love horror movies, it's impossible to miss the fact that her Annie, a self-indulgent artist and resentful mother, is a tour de force performance from an actress at the top of her game. Annie's life is traumas stacking up on traumas but Toni's performance keeps stacking brilliance upon brilliance.

Though she's played her share of narcissists or flighty women, the actress herself comes across as generous and grounded, thrilled by the collaboration of filmmaking. She rolls her eyes about herself and other actors if anyone gets too precious or self-involved about the craft. Though she loves acting dearly, she hilariously refers to it as her "day job" as we're making small talk before the interview.

In a rare turnabout, as we sat down, Toni asked the first question. So we'll begin right there....

Click to read more ...

FYC: Thomasin McKenzie in "Leave No Trace" for Best Actress

by Abe Fried-Tanzer

A good number of pundits agree that Thomasin McKenzie has an outside shot at scoring a Best Supporting Actress nomination for her performance as a teenage girl living on the outskirts of civilization with her father in the critically-acclaimed Leave No Trace. I’d like to posit a different theory – that she may end up as a surprise nominee for Best Actress.

Now, I don’t think this is likely, but I’d be ecstatic if it happened. Nathaniel is very big on calling out category fraud when he sees it, and there’s more than enough of that to go around this year. It’s actually just as puzzling to see McKenzie called a supporting actress as it is to see her costar Ben Foster classified as a supporting actor. They’re both leads, sharing screen time and the focus of the narrative...

Click to read more ...