Toni Collette is a high-wire artist. Also loves "Roma"

by Nathaniel R

The Film Experience had the pleasure of a lengthy one-on-one chat with the inimitable Toni Collette yesterday after a screening and reception for her new horror classic Hereditary. We'll publish the whole interview in a few days but we thought we'd share a tidbit she thoughtfully e-mailed afterwards. You see during our chat, we had mentioned that they (the proverbial they) always say that actors are an insecure lot but this couldn't possibly be true of her. Wouldn't you have to be supremely confident about your gifts to attack high-wire material like Hereditary or the new miniseries Wanderlust? If you stop to think about it both of those provocative projects, one about multi-generational family trauma and the other about long-term intimacy and sexuality, essentially live or die based on the complexity of the central performance. 

Our conversation took a detour after that so she sent us this note...

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81 days til Oscar

by Nathaniel R

Diane & Warren / Don & Meryl at the 1981 Oscars

You know what I feel is tragic about online Oscar history, dear readers? It's the lack of abundance of Oscar night photos before, say, 2000. Oh sure you can usually find photos of the winners holding their Oscars but try finding complete gowns of all the Best Actress nominees if you (hypothetically) wanna fantasize about ordering custom doll sets of every vintage. You're out of luck for any year prior to the explosion of 24/7 media coverage and constant Oscar coverage. Take the 1981 Oscars for example...

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The Best of a Bad Lot: Oscar Winning Actresses in Bad Movies

by Seán McGovern

The shade of it all... the 1974 ceremony for the Best Actresses of 1973 (L-R from the bottom corner) Marsha Mason, Ellen Burstyn, Joanne Woodward, Glenda Jackson, Barbra Streisand

Christmas really brings out my contrarian side, and since it's the Most Wonderful Time of the Year (awards season), permit me to be a humbug. Those who truly appreciate the Oscars understand that sometimes it is about the politics and not the performance. Academy voters are not infallible, but we shouldn't underestimate their other important role in taking the cultural temperature to find out what and who was hot in cinema in any given year. Without getting into a discussion of who did and didn't deserve their award, there are definitely some great female performances honored in films that may otherwise not have been so deserving. Some potentially controversial opinions after the jump...

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Lunch with Amandla and Russell

by Murtada Elfadl

At a lunch to celebrate The Hate U Give at The Whitby Hotel in midtown New York, I got the chance to chat with the film’s stars Amandla Stenberg and Russell Hornsby about the film and their performances.

During the Q&A portion of the luncheon Amandla told the audience about how she read the book early on and pursued the project because it really spoke to her. So when I had a moment to speak to her later, I asked her what other ideas would she like to push forward with her upcoming projects. She informed me that she’s taking her time with a project she’s working on as a writer and director. However she also wanted to share the truth on screen:

I would love to be in a narrative that was not heteronormative where I don’t have to play straight where I could express myself  with authenticity.

As we discussed on a recent podcast, Russell Hornsby has the very difficult task of having to spell out the themes of The Hate U Give in a few speeches he gives to his onscreen children. In particular I asked him about the speech in which he tells his kids about how to behave if ever stopped by the police. Hornsby talked about doing research but then discarding it to be in the moment and finding the truth in the scene:

I looked at Amandla, I looked at those kids and in every turn I was talking to my kids. It wasn’t Maverick, it was Russell talking to his children. This is a passionate honest moment for me as a father, trying to hold my emotions at bay because it hurts so much that I have to do this.

The Hate U Give is still playing in a few screens nationwide so there’s still time to catch these two amazing performances! 

Fatal Distraction

This exquisite screengrab posted by Peter Knegt here.

All I see when I look at this picture is Glenn thinking of boiled bunny rabbits. She's not going to be ignored, Dan.