FYC: "Pain and Glory" for Best Cinematography

by Cláudio Alves

Pedro Almodóvar might be known for his brilliant reds, but his latest and most autobiographical film starts in blue. Submerged in blue, as it happens. In the bottom of a swimming pool tiled in shades of cyan, we find our blue-clad protagonist, underwater, pensive as he is enveloped by diluted chlorine and the memories of a distant past. They are remembrances of maternal warmth and white linens drying in the sun, shots so beautiful they seem more real than the present life for which they are prologue. Color theory has its limitations, of course, and Almodóvar's brush is guided more by emotion than by dogmatic rules. José Luis Alcaine's photography follows the same logic…

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Podcast: A Beautiful Day, Knives Out, Waves, Atlantics

with Murtada Elfadl & Nathaniel R 

Index (61 minutes)

• 00:01 Happy belated Thanksgiving
• 02:01 Marielle Heller and Tom Hanks offer catharsis with A Beautiful Day in the Neighborhood
• 14:30 Knives Out and that yummy cast: Chris Evans, Toni Collette, etc...
• 21:30 Film Bitch Awards / Jennifer Lopez in Hustlers tangent
• 23:00 Exciting new voice: Senegal's Mati Diop and Atlantics
• 29:20 Waves divides people, including Nathaniel and Murtada, and we also discuss the rush to judgment on first screenings among pundits
• 38:00 Spirit Nominations - What did we make of them?
• 48:20 Best Cinematography - Roger Deakins for 1917... but who else? 
• 59:00 Can you believe it's December already? 

Related Reading
Murtada's interview with Mati Diop
Monica Castillo's Knives Out essay

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

A Beautiful Day for Podcasting