Review: "Alien: Covenant"
This review was originally published in Nathaniel's column at Towleroad
If the famed director Ridley Scott were in art school, his professor would be yanking the paintbrush out of his hand — “it’s perfect, stop adding brush strokes!” His wife probably has to pull spices from his hands as he cooks. If you’ve been playing along with this Hollywood giant’s career you know that he can never leave well enough alone. I’ve lost count of how many “versions” there now are of his early sci-fi masterpiece Blade Runner (1982) and, after years of threats, that film will have a sequel this October, Blade Runner 2049, though Scott opted to pass the directorial reigns over to Denis Villeneuve (Arrival).
Having exhausted returning to that particular sci-fi well, Ridley has moved back even earlier in his career to the film that made him famous, Alien (1979). He’s now directed two prequels to it (Prometheus and now Alien: Covenant) and more films are promised. (Perhaps the controversial ending of 1991’s Thelma & Louise is the only thing that’s kept that film, the third member of his holy trinity of masterworks, free of his tinkering!).
So how’s the new film?