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Entries in Bob Odenkirk (2)

Wednesday
Nov082017

"The Post" on Our Doorstep

Chris here. I was just mentioning the other day that we had yet to see any real goods on Steven Spielberg's The Post, and voila: we just got a new trailer and poster. And the promise of the film being a potential major Oscar player has just gotten a whole lot more intense.

If we thought this one aims to capture the zeitgeist, the first look makes good on that and then some. Gender equality, journalistic integrity, a lying government, etc. The Post seems to hammer all of these in a graceful way to make for what looks to be a richly entertaining drama. There has been steady buzz for this first look online (and not just from movie obsessed folk like us at The Film Experience) since dropping late last night, so we may also have a big box office hit on our hands.

So what Oscar questions might have been answered here? For starters, Streep is definitely a lead performance, landing both top billing and the majority of the trailer's attentions - so the Best Actress race just got definitively more crowded. Giggle at the various hairpieces, but it's worth pencilling this next to other Makeup and Hairstyling hopefuls.

Of course with any reveal, there is also inevitably more questions. In The Post's case, which of these featured supporting male actors could be a contender? Tracy Letts, Bradley Whitford, or Bob Odenkirk perhaps? Might Sarah Paulson's earnestness get her an awaited first nomination or is she more of a crucial bit player? Give us your first impressions and burning questions in the comments!


Thursday
Jun232016

"Mr. Robot", "People vs O.J." Lead Television Critics Association Conglomeration Nominations

The Television Critics Association announced the nominees for their 34th annual TCA Awards yesterday, as Emmy nomination ballot deadlines loom (Monday). For those unitiated into the organization's particular mode of aggregating accolades, it may come as a bit of a surprise to see Bob Odenkirk and Sarah Paulson mentioned in the same acting category. The TCA loves a good buffet. Rather than divvy up the love by format, they scoop a big heaping of pick-and-choose onto their nominating plate; the tip-toppest acting bona fides of series, miniseries, talk shows, TV movies, and different genders all taste great so why not load them all onto the same plate?

Granted, they break up serials and self-contained shows for their Best categories but there's something thrilling about weighing Samantha Bee's achievement in fervent fact-boiling against Aya Cash's honest exploration of depression in a way that feels less competitive than it does conversation-raising. In fact, there's not a straight white male amongst the Individual Achievement in Comedy group, which is 5/6 women; its selection of nominees balks at the idea of institutional placeholders in favor of true grit. Inclusion, it appears, garners a compellingly reflective list.

Individual Achievement in Drama

  • Bryan Cranston, All The Way
  • Rami Malek, Mr. Robot
  • Bob Odenkirk, Better Call Saul
  • Sarah Paulson, The People v. O.J. Simpson: American Crime Story
  • Keri Russell, The Americans
  • Courtney B. Vance, The People v. O.J. Simpson: American Crime Story

Individual Achievement in Comedy

  • Aziz Ansari, Master of None
  • Samantha Bee, Full Frontal with Samantha Bee
  • Rachel Bloom, Crazy Ex-Girlfriend
  • Aya Cash, You’re The Worst
  • Julia Louis-Dreyfus, Veep
  • Constance Wu, Fresh Off the Boat

Outstanding New Program

  • Crazy Ex-Girlfriend
  • Marvel’s Jessica Jones
  • Master of None
  • Mr. Robot
  • Underground
  • UnREAL 

Outstanding Achievement in Movies, Miniseries, and Specials

  • All The Way
  • Fargo
  • The Night Manager
  • The People v. O.J. Simpson: American Crime Story
  • Roots
  • Show Me A Hero 

Outstanding Achievement in Drama

  • The Americans
  • Better Call Saul
  • Game of Thrones
  • The Leftovers
  • Mr. Robot
  • UnREAL

Outstanding Achievement in Comedy

Program of the Year

What do you make of the TCA's kitchen sink approach to their nominations? By eliminating binaries, does its all-of-the-above inclusion cut straight to the heart of the talent, or does it winnow its window of worthy contenders?