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Entries in Brady Corbet (11)

Sunday
Aug122018

Say What? Natalie Portman in "Vox Lux"

Amuse us. Add a caption or dialogue to this first photo of Natalie Portman in Brady Corbet's Vox Lux. The movie is a 15 year long story of a young girl who survives a traumautic shooting and later becomes a pop sensation. Score by Scott Walker (Pola X!!!) and songs by Sia. Can't wait... though we might have to. No word on when it's coming out but it debuts in Venice next month. 

Saturday
Jul282018

Natalie Portman is going to Venice and to Space

by Murtada

Remember when Natalie Portman’s Jackie appeared seemingly out of nowhere in competition at the 2016 Venice Film Festival and put her on the top of the best actress Oscar list? Two years later Portman might have a similar scenario in store for us.

Vox Lux is her new film, directed by Brady Corbet and co-starring Jude Law, Jennifer Jason Leigh and Stacy Martin. It will be playing Venice next month in competition and will probably appear at some other fall festivals as well. While it remains without distribution, it will sure be snapped up if it's warmly recieved. This time however Portman is not playing an Iconic American but rather a pop star. The film charts its lead character's rise to superstardom.

Rooney Mara was first cast when the film was announced 2 years ago, with Sia providing the music...

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Monday
Dec122016

The Furniture: The Cruel, Curtained Childhood of a Leader

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

We love to collectively pore over the biographies of history’s most monstrous figures, usually in search of both meaning and sensationalism. Our fantasies are full of vindictive parenting, traumatic events and uncanny brilliance. It’s as if we want to reverse Freud, using psychoanalysis as a tool to craft new mythology. And they certainly are myths: Fascism can’t be blamed on paternal cruelty alone.

But what if the protagonist weren’t real? With The Childhood of a Leader, Brady Corbet has contributed a fictional allegory to this evergreen genre. Loosely based on a short story by Jean-Paul Sartre and a novel by John Fowles, the film chronicles a short period in the life of Prescott (Tom Sweet), a very moody child. The year is 1919, in the midst of the post-Armistice treaty negotiations. The boy’s father (Liam Cunningham) is an American diplomat, his mother (Bérénice Bejo) a “citizen of the world.” They’re both miserable...

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Thursday
Sep222016

Rooney Mara: Pop Star

by Murtada

Rooney Mara and Sia is the collaboration we didn't know we wanted, but which makes perfect sense. Mara's impenetrability meshes well with Sia’s desire to remain unknowable. Not that Mara is playing Sia..

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Wednesday
May062015

10th Anniversary of 'Mysterious Skin' and Joseph Gordon-Levitt: Actor

Glenn here. Look, we all know Joseph Gordon-Levitt was a child actor, and a pretty good one, too (that scene where he got skate in the face in Halloween: H20 is very memorable). But let's not kid around here. It wasn't until the release of Gregg Araki's Mysterious Skin in 2005 that most really started to take him seriously. One year later he starred in Brick and he's only continued to rise up the ranks as a popular and critically respected actor. Looking back, I can't recall if his presence was as exciting to me in this film as Michelle Trachtenburg from Buffy, but looking back now he's certainly one of the reasons the film holds up.

It's actually rather appropriate that the 10th anniversary of Mysterious Skin should occur now at around the same time as New York Magazine's article entitled “Why You Should Go to the Movies (and Do Other Stuff) Alone” has been getting shared around on social media. You see, Araki's film was the first film I ever went to see at the cinema by myself. I travelled to Melbourne all on my lonesome, without friends or family who I usually convinced to join me for a day at the arthouse, and caught a screening of the movie that had amassed so much controversy in the local media. There were threats of it being banned after a 'family organization' (code for fundamentalist "won't somebody think of the children" noddies) demanded a review of its already very restrictive R18+ rating which is the Australian equivalent of an NC-17. Given the history of sexually graphic films being banned after similar action - titles like Romance and Baise-Moi - I knew I had to see this film. And fast!

MORE...

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