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Entries in Carey Mulligan (65)

Monday
Nov162015

Red Carpet Lineup: 2015 Governors Awards

 

Jose here. Judging from her gleeful expression, it seems Dame Helen Mirren got the news I chose her as the absolute best dressed at the 2015 Governors Awards. On a night when Hollywood celebrated some of its most beloved legends, most people seem to have taken the informal/cocktail route and perhaps avoided stealing the spotlight from Gena Rowlands, Debbie Reynolds and Spike Lee. Not Dame Mirren though. Unsurprisingly, she went for yet another Dolce & Gabbana look, but can you blame her when they make her look so divine?

See all the looks after the jump.

Click to read more ...

Monday
Nov022015

"Suffragette" Shoulders into the Oscar Fray

Is “Suffragette” faltering under the weight of overly high expectations?  With its impressive pedigree and unimpeachable subject matter, Sarah Gavron’s historical drama about the militant wing of the British suffragist movement seemed poised to be a strong Oscar contender for this fall.  Now, as we move towards the holidays, its status is looking uncertain: reviews have been mixed, and it’s drawn criticism for everything from its limited narrative focus to the limited screen time of Meryl Streep, who receives top of the line billing for a role that’s essentially no more than a cameo.  

If there’s a common trend to the criticism, it’s that the critics seem mostly preoccupied with what the movie doesn't do rather than what it does.  “Suffragette” is less a historical chronicle of the suffragettes than a snapshot view through the eyes of one (fictional) working class woman who’s accidentally and at first reluctantly drafted into their ranks.  It’s a study of what circumstances would drive such a woman to join a movement that would seem to hold no immediate benefit or attraction for someone in her position.  [more...]

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Saturday
Oct312015

In Praise of Carey Mulligan in Suffragette

Murtada here, with a lot of love and respect for Carey Mulligan.

There's a scene late in Suffragette when Maud Watts (Carey Mulligan) realizes the devastating enormity of the separation from her son. Mulligan’s face, in a second, flickers many emotions, all so overwhelming that you feel this woman’s pain in your gut. Yet she doesn’t overplay or milk the moment for maximum effect. She remains understated.

This is just one of many moments in the film in which Mulligan transcends her movie and reaches her audience with clarity and without exaggeration. Set in London in 1912, Suffragette tells the story of Watts, her education and indoctrination into the suffrage movement. When the film starts, she is working in a laundry, trying to survive a hard existence alongside her husband and young son. A chance encounter introduces her to the suffragettes and she becomes a member of their embattled movement. 

It is through Mulligan that we enter this world. Her character is a composite of many working women who were part of the movement and is built to be the audience surrogate. Her performance is so strong that the plight of these women is not only depicted effectively, but comes alive. I could not control my emotions or my tears. Mulligan’s performance is an emotional marvel and delivered with technical mastery. Her working class English accent is impeccable, her weariness and defeat is visible in her hunched back and heavy walk, her defiance rises to crescendo and is delivered with skillful control of her voice. This is why there are awards for acting.

The film is dividing critics and its reception is unfortunately lukewarm. Some accuse it of being well intentioned but conventional. "Earnest", "formulaic" and "schematic" are words used to describe Suffragette.

But the film derives most of its power from the performance at its center. Mulligan is riding on a wave of acclaim, with co-star Meryl Streep recently praising her:

"I’m in awe of your talent . . . I really am. I’m also in awe of your voice, which is like warm caramel poured over the English language. I applaud your taste in material and how you hold out for stuff. Even when you were young and didn’t have any money, you just did things that mattered. I can’t wait to see what Carey Mulligan will give us next, what new woman she’ll give birth to”.

In her earlier 2015 release Far From the Madding Crowd, Mulligan as Bathsheba Everdeen says "It's my intention to astonish you all". And you do Carey. Always.

Do you think Carey Mulligan in on her way to a second Oscar nomination?

Friday
Oct232015

Posterized: Carey Mulligan

Carey Mulligan at the Women in Hollywood Awards earlier this weekTwo Oscar hopefuls will hopefully dominate the conversation. Steve Jobs went wide today and the scrappy fighting-for-our-rights British period piece Suffragette is finally starting its US release in select cities. The movie has whethered some controversy of late and unexpectedly muted reception critically... at least in its first round. But release is a different challenge than pre-release buzz. If audiences like it, expect the Oscar buzz to reheat. At least for its leading lady who, we should remind ourselves, already had a minor unexpected hit this year with Far From the Madding Crowd.

Which means it's time to think about Carey Mulligan again.  How many of Carey Mulligan's 14 films have you seen? The posters (and more commentary) after the jump...

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Friday
Oct092015

Pictures from a Rebellious Premiere

Here's Murtada on the opening night of the BFI London Film Festival.

The BFI London Film Festival opened Wednesday night with a gala premiere of Suffragette. Alongside stars Carey Mulligan, Meryl Streep and Helena Bonham Carter, protesters made their voices heard. The group Sisters Uncut chose this movie about suffragettes to protest the UK government’s recent cut of funds supporting victims of domestic abuse.

It was an apt choice and led to some interesting pictures. On the same red carpet the latest couture gowns mixing with color bombs and protest signs. Glamour and activism after the jump...

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Wednesday
Jul012015

Halfway: Oscar Chart Updates ~ Acting, Animation, Screenplay

½way mark - part 1 of ?
With the year half over (if not really the film year which is so backloaded) and the trailer to Grandma out -- good news, it doesn't remotely spoil the best jokes or character beats -- we are reminded that it's time to update the Oscar Prediction Charts. Consider this the start of a weeklong "½way mark year in review" 

BEST ACTRESS & SUPPORTING ACTRESS
More and more Carey Mulligan in Suffragette seems the one to watch. It was interesting to read at Deadline how well Far From the Madding Crowd has been performing in international markets, too. That's good news for her momentum for the future relaese. Build your case as a worthy star and not just for one movie since Oscars are almost never decided on performance alone; Career timing and momentum is nearly always at least as important. That's the chief reason I'm still waffling on whether or not Lily Tomlin traction can happen. If she gets an Emmy nod this month, we'll know that "Let's Celebrate Lily's career!" is in the air. She's so good in Grandma so if that's the industry mood, a nomination could well happen.

Meanwhile Carol's Cannes success affects both Actress charts and also dings my faith in Freeheld which will be competing directly with it, however unfair that is and however different the films are, given that they're both lesbian romances with co-leads in which big stars headline and the younger will probably pursue category fraud.

UPDATE 07/02 Serious shake-ups in both of these charts - Supporting Actress chart fix (lost tier)

BEST ACTOR & BEST SUPPORTING ACTOR
After Cannes, Paolo Sorrentino's Youth is seemingly like a real possibility in multiple categories. Even its detractors are inadvertently making a case for it. The reasons they hate it seem like "Oscar-will-love-this!" potshots. Plus: there are far worse filmmakers to crib from then Federico Fellini if your aim is Oscar gold. So, this is a long way of saying that I've boosted Michael Caine into the top five. I am weirdly resistant to his particular star charisma (yes, even from his heyday) and take issue with the past Oscar wins but I realize that this isn't true of the vast majority of movie lovers and if the film gets a big Oscar push, he'll be an easy sell.

In the supporting category mea culpa. Readers suggested that I was crazy to leave out stage giant Mark Rylance (an actor I love who rarely makes movies)  for Bridge of Spies. Once the trailer hit, I started losing faith in the movie and gaining faith in him. Funny that. In my defense, these things are anyone's blind pin the tail on the donkey gamesmanship before any footage has been seen (and even to a lesser degree after since so many other factors come into play). But why does the movie look so bland? It's Spielberg/Hanks/Kaminsky and they have 7 Oscars between them. Where were the memorable shots or instant-resonating storytelling beats? And yes you can squeeze those into a trailer.

ANIMATED FEATURESCREENPLAY CATEGORIES
The big news in both of these categories is the stellar debut of Inside Out. While total Best Picture nominee confidence may be a a case of wishful thinking situation with fans (it's possible but the Academy goes through phases and they might have moved since the animated feature category is so firmly established now and Pixar might be deemed well-enough rewarded over the past decade plus). That said, at this halfway mark it seems insane to imagine it losing the Animated Feature Oscar it's already so successful and acclaimed. Which means we could well see it in its screenplay category too where animated films can sometimes compete if they're beloved and clever enough (see: The Incredibles, Toy Story, Up) and this one is on both counts.

I've also added in The Program, Stephen Frears helmed story of Lance Armstrong's scandal now that it has a title and a trailer. We never shared the trailer (oops) but it looks pretty intense and the cast, especially Ben Foster, looks strong.

PREDICTION INDEX
Picture, Director, Sound, Visuals, Foreign are not yet updated but they will be within next couple of days

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