the link i live in

Animation Magazine Have you heard that Steve Jobs wanted Aaron Sorkin to write a Pixar movie? It's be more interesting if he wrote a movie about Pixar. How would his sharp sometimes cynical wit mesh with Pixar's self-promoted internal cheer as the happiest workplace on earth?
Towleroad I say a few words about Pedro Almodóvar's latest
IndieWire interviews Elena Anaya on her role in The Skin I Live In. *mild spoiler alert*
New York Times "The Formula of Melodrama" brought on by Almodóvar's gripping The Skin I Live In.
My New Plaid Pants more pics from the set of Steven Soderbergh's flesh fest Magic Mike plus JA's hilarious commentary. 

Gold Derby finds fun elected trivia about Meryl Streep's upcoming nomination for The Iron Lady (what do you mean "if") 
Awards Daily pontificates about Olivia Colman's Oscar chances for Tyrannosaur. I saw the movie much earlier this year and she is brilliant in it. 
Culture Map Austin Kristen O'Brien shares memories of George Harrison, whose back in the cultural ether (not that the Beatles ever leave it) given Martin Scorsese's documentary. Love this bit about Madonna and Shanghai Surprise (which Harrison provided music for) of all things.

On this last visit to Friar Park we met first to view footage from the film Shanghai Surprise. I joined Dad to watch the dailies with Harrison and the principal actors in the film, Madonna and Sean Penn. After the screening, we went back to Friar Park for dinner. However, before dinner was served, we gathered in the TV room so that Madonna could get Harrison’s feedback on her latest as-yet-unreleased video. It was "Live to Tell," and she shyly played it for all of us, looking earnestly to George for his approval. After the video we watched The Muppet Show, and I remember thinking it was funny, but yet perfectly natural, to be sitting here with Madonna laughing over Miss Piggy and Kermit the Frog.

CBR has a list of unproduced superhero movie screenplays that might make good comic books. Though I knew that Tim Burton and Michelle Pfeiffer wanted to do a Catwoman movie after Batman Returns... I didn't realize that an actual screenplay was turned in (and rejected). Either that or I've just forgotten to block out the pain. 
Keyframe Nick, Timothy and Kevin (three of my four favorite Chicagoans) are arguing over the Chicago Festival fare in this ongoing conversation including The Kid With a Bike, Miss Bala, My Week With Marilyn, and The Artist, and Melancholia. I'm happy to see Nick appreciated Melancholia as much as I did. Where is my review? Funny you should ask. Why am I procrastinating it so? 

Finally, if you're young musical theater performer type -- I know TFE has readers of that persuasion -- you might want to consider auditioning for The Glee Project Season Two. In the past I've always been violently opposed to reality shows which cast productions of anything. Casting should not be a democracy. It should be left to the experts or the people who have to work with the people that are auditioning. I had NO intention of watching this show but I stumbled on it one day and was surprised at how interesting it was. The audience couldn't vote (yay!) and it became this behind the scenes expose (albeit heavily edited and undoubtedly self-censoring) of how show creators react to talent who would love to work with them, and what does or doesn't factor into their hiring decisions. It reminds you of how true it is that talent will only get you so far (i.e. a foot in the door) but there are so many intangibles in showbiz.

Faces of Future Movies, The Men

In this week's column at Towleroad, I meant to just type up a few words about The Ides of March and continue the possibly tired 2011 motif of drooling all over Ryan Gosling as he completes his ascendance to alpha dog of Hollywood's new pack.

What 's your take on Hollywood's male talent pool (under 35 division)?

Instead I went hundreds of words overboard and it morphed into a substantial but by no means complete summary of the male acting talent under 35. I figured why not since the movies currently in theaters are all about the male stars: Gosling, Gordon-Levitt, Jackman, Clooney, Pitt, etcetera.

In the article you can read about whose work I'm most looking forward to and who may have already peaked (though I hope not). There's also a brief bit about the overvalued that still need to justify Hollywood's faith in them... and my personal pleas for the grossly undervalued.

It's an extension of the conversation we started here a month ago about whether Gos' and Fassy had any competition as "Future of the Movies". (Naturally, this made me want to do a similar longer piece on the actresses but that's so much more expected and will have to wait.)  

Answer me these questions three
1. Who are you rooting for in the next five years of the movies?
2. If you were a casting director which undervalued lesser known player would you go to bat for?
3. Would you dig more Film Experience digging into the depth of the young(er) talent pool?  

Sandra Bullock on Octavia Spencer

Methinks Octavia Spencer, currently stealing The Help (reviewed) as pie-baking Minnie, already has one Oscar vote. Here's Sandra Bullock on her former co-star from A Time To Kill (1996):

Her energy and personality are so infectious that any room she walks into, everyone wants to be her friend, or just hang out with her and be in her space. Now, that doesn't always mean someone like that has a talent for the camera, but in this case it does.

When you meet her, you know she is destined to entertain. I know not all people with tremendous talent are given the opportunities that they so deserve, but in this case a lifelong friendship with Tate Taylor brought together two very talented people who deserve success and who are grateful for it. This opportunity will not go wasted or be abused by one fabulous Octavia Spencer.

That quote is from the new Backstage profile of Octavia Spencer in which Octavia's career thus far is mapped out. I didn't know this but it turns out that she was on the casting team of A Time To Kill before getting a role, her first. (I tried valiantly to find a photo of them together, but no luck). Spencer had previously intended to be a producer, not an actress. She credits Sandra Bullock for giving her the push!

The Sound of Mia

The hills are alive with the sound of minds-blown. Mia Farrow auditioning for The Sound of Music.

Thanks to The Broadway Blog for sharing this. Tom succinctly describes exactly how I'm feeling whilst watching this on loop right now.

The Sound of Music is so iconic, so ingrained in our collective consciousness, that it feels immovable, inviolate–a solid totem of granite clothed in floral-curtain lederhosen. It is, has been and always will be.

That’s what makes this brief audition video all the more shocking and hilarious and unsettling.

In my opinion the world would be a better place if every film were to hit DVD with failed auditions as extras. I realize it's not so great for the egos of actors but think of the fanssssssssss. Also: doesn't this only makes you love Mia more... and there's already so much to love about her.

Philip Seymour Hoffman Continues To Get Great Tail

As long as I live I'll be haunting by the opening shots of Before The Devil Knows You're Dead in which 'sex angel' Marisa Tomei is on all fours getting nailed by ... Philip Seymour Hoffman? This is the part in the accompanying score where the lovely romantic music deflates to a comic halt, throwing ice water on the "mood"

What?

This image came flashing back to me with the announcement that delicious honey AMY ADAMS will play his wife in The Master, a film that's supposedly about Scientology (however veiled) from the genius Paul Thomas Anderson.

The cast for that movie is looking topnotch: Laura Dern, Lena Endre, Adams, Joaquin Phoenix (and *just announced* Breaking Dawn's Rami Malek as the son-in-law of Adams and Hoffman. No word yet on who is playing his teenage wife.) 

But even geniuses like P.T. Anderson make inexplicable decisions somehow, since Hoffman will be playing a "charismatic leader", the kind of man people flock to, sex up, idolize or obey for reasons that will maybe defy human logic. [See also: Synecdoche New York.] Hoffman can conjure "charisma" onscreen as well as any confident actor -- if not the sexual kind -- but the ladies he snags on celluloid... Yeesh.

A sampling of beauties that PSH has sexed up onscreen (sometimes literally but usually just implied):

• Annie Morgan
• Anna Paquin
• Michelle Williams
• Marisa Tomei
• Catherine Keener
• Samantha Morton
• Sarah Jessica Parker
• Minnie Driver

I'm sure I forgot someone. Their numbers grow every film!

Synecdoche New York was the worst offender as PSH's miserably depressed "Caden", with his boils and bloody stool, the kind of man who would have a hard time finding even one woman in real life, was able to bed Catherine Keener, Samantha Morton, Emily Watson, and Michelle Williams all in the space of one film!

Women are just hot for him, okay?! Deal with it.

It wasn't always this way with PSH. In the beginning of his career, none of the hotties that he wanted to sleep with onscreen wanted him back: in Boogie Nights he pursued Mark Wahlberg to no avail and in Happiness he really wanted Lara Flynn Boyle but ended up in bed with Camryn Mannheim instead.

But then...  Was it State and Main where he managed to bed Sarah Jessica Parker as a bitchy starlet that changed it? Was it those gargantuan displays of actor/character ego in The Talented Mr Ripley or Cold Mountain? Somewhere along the line great filmmakers decided he was a ladykiller!

I realize that complaining about the looks of a revered actor wins me no friends, but please trust that I wouldn't say a word if they would only cast his wives and girlfriends differently. I can only suspend disbelief so far. By this coupling logic I should have slept with Ryan Gosling, Jake Gyllenhaal and Uma Thurman by now, you know? JUST SAYIN'.

P.S. End of rant. I'm still excited for The Master, no matter what. P.T. Anderson is a wondrous gift to the movies.