New Oscar Chart ~ Foreign Hopefuls Part 1

We won't start hearing about "official submissions" for Oscar's Foreign Language Film race until September but until then, it's speculation time! The first chart is up looking at countries from Afghanistan through Ethiopia.

The most high profile film from this batch, other than possibly another Austrian submission from Michael Haneke (Happy End), is Chile's A Fantastic Woman. It's a trans drama that took three prizes at Berlinale. If it's as good as director Sebastian Lelio's previous Oscar submission (Gloria) we'll have to riot if he's passed over again. 

Other intriguing prospects include the well reviewed black and white fairy tale November from Estonia and possibly another submission from Oscar winner Jan Sverak of the Czech Republic. Sverak won the foreign film Oscar for his art house sleeper hit Kolya  (1996) about a stepfather and his little boy and his latest called Barefoot is another childhood tale set in the countryside during World War II.

Check out the chart and report back

Have you heard of the Platino Awards?

Though The Film Experience likes to track key foreign awards (examples include the Césars, Goyas, and the Golden Horse, in addition to the massive Oscars circus, those groups proliferate just like American precursors do. I've lost track of how many awards that Asian cinema, for example, has. But how about South America? The Platino awards are relatively new. They're now in their fourth year honoring films from the Ibero-America region, which is to say primarily Spanish and Portuguese speaking countries, i.e. former territories of Spain and Portugal, plus those countries for good measure.

Here's why we should start paying attention to them: in their short existence they've given Best Film to a truly outstanding picture every single time:  Chile's Gloria (2014) an amazing study of a divorcee rebuilding her romantic life with an Oscar worthy performance by Paulina García (we nominated her here); Argentina's rowdy, funny, Oscar nominated and deeply pleasurable anthology Wild Tales (2015); and Colombia's mystical wonder Embrace of the Serpent (2015) which you already know we're wild about.

Penelope Cruz is one of 37 women vying for a Best Actress nomination (for her new film Queen of Spain)

We don't have the nominee list yet as the ceremony isn't until July. Like the Oscars, they only allow a certain number of contenders from each country (2 or 3 in their case as opposed to Oscar's 1 film per country rule) but their long list includes a lot of Oscar submissions from the past season. Some highlights include Chile's playful fictionalized biopic Neruda, Brazil's critical sensation Aquarius, Almodovar's Julieta, the fantasy A Monster Calls, Paraguay’s father daughter road trip movie called Guaraní, and at least three LGBT titles: Chile's Rara which is an LGBT family drama, the Venezuelan Oscar submission From Afar, and the Cuban political drama Santa & Andres. You can see the complete longlist for Best Film here which will be narrowed down to 5 nominees soon. There are 37 women vying for the Best Actress nomination but we'd be shocked if both Emma Suarez from Julieta and Sonia Braga from Aquarius didn't make it.

Review: Pablo Larraín's "Neruda" and "Jackie"

Nathaniel R reporting from the NYFF/TIFF as these films played at both fests... 

Fortieth birthdays don't get much better than this. In August Chile's most celebrated filmmaker Pablo Larraín turned the big 4-0 just after his excellent new film Neruda opened in his home country. One month later Jackie, his first English language picture, joined Neruda on the international festival circuit to even more excitement. Both are likely and deserving Oscar nominees come January. Pretty good year.

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Interview: Paulina García on Her Favorite Actresses and the Political Relevance of 'Little Men'

by Jose Solis

Audiences fell in love with Paulina García as the romantic heroine in Gloria, the Chilean sensation that won her the Best Actress award at the 2013 Berlin Film Festival and other honors along the way (including a nomination here). In that film she gave a delightful performance as a woman ready to find purpose in a life that others thought had lost all meaning. Where in Gloria she exuded a sincere need of approval and warmth, Leonor, her character in Ira Sachs’ Little Men is just the opposite. She’s a woman in full control of her emotions and moods, she seems a little bit too calculating to Brian (Greg Kinnear) who has just inherited a house from his late father Max, from whom Leonor rented a commercial space, and finds himself in the position of having to raise her rent. She’s also intimidating to her son Tony (Michael Barbieri) who lowers his head when asking her for permission to go hang out with his new friend Jake (Theo Taplitz) who happens to be Brian’s son.

But in García’s richly layered performance we see a woman on the edge, she’s about to lose everything she’s worked her entire life for and she refuses to go down without a battle. García is the kind of actor who is eloquent even when she’s not speaking, one of her glances can be more devastating than a Shakespearean soliloquy, a simple “no” from Leonor can contain an entire life history. I had the opportunity to speak to her from her home in Chile, to discuss her work with Sachs, actresses she loves, and why Leonor is such an important character for 2016...

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Pt 2: New Oscar Trivia, Stats, and Curiosities

Picking up where we left off after the headliner categories. But click not away. The below the line crafts and specialty categories are just as important and trivia-interesting. I promise.

FOR THE EYES

Production Design: Colin Gibson, Mad Max: Fury Road
Makeup and Hairstyling: Mad Max: Fury Road
Costume Design: Jenny Beavan, Mad Max: Fury Road

Jenny Beavan previously won the costume category for another perfect film A Room With a View. Not since arguably Dianne Wiest has a two time winner won for such polar opposite achievements. Yes both of Wiest's Oscars are from Woody Allen pictures but those star turns couldn't be more different stylistically / emotionally / pscyhologically. Mad Max Fury Road is also the first sci-fi winner EVER in this category... unless you count Star Wars (1977) though some people prefer lumping Star Wars into the fantasy genre rather than sci-fi... and there have been multiple fantasy winners.

I can't think of any interesting stats to go with the Makeup and Production Design Oscars but they were richly earned, don't you think?

More after the jump including further Star Wars coincidences...

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