So many awards this weekend!

Designers, makeup artists, and personal stylists must be logging looooong hours this month. There's so many awards galas happening crammed in before Oscar night. We already covered the DGA and the Annies but that wasn't all that happened this weekend (and the Grammys are still to come tonight!). After the jump, a list of other prizes handd out this weekend to luminaries like Greta Gerwig and Roger Deakins.

USC Scripter Awards
Greta Gerwig won this prize along with the posthumous Louisa May Alcott and gave this lovely acceptance speech...

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FYC: Claire Mathon for Best Cinematography

by Cláudio Alves

Two years ago, Rachel Morrison made history when she became the first woman to be nominated for Best Cinematography at the Oscars. By no means does that imply Mudbound's wondrous DP is a pioneer. There are many awards-worthy female DPs working in cinema, past and present, and the Academy's sketchy record should be understood as nothing more than the industry's  internalized sexism and biases. Where were the nominations for Maryse Alberti, Agnès Godard, and Ellen Kuras, among others?

This year, critics have been united in their praise of a particular DP whose double dose of photographic genius could make History, just as Morrison did in 2018. However, Claire Mathon is fighting against even more of the Academy's treacherous biases, including their disinterest in African cinema, LGBTQ stories, and non-English speaking narratives…

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ASC Nominees and "Spotlight" Cinematographers

The Cinematographer's guild has spoken and they basically went with mainstream Best Picture frontrunners as is their habit. The five theatrical nominees are...

• Roger Deakins for 1917
• Phaedon Papamichael for Ford V Ferrari
• Rodrigo Prieto for The Irishman
• Robert Richardson for Once Upon a Time in Hollywood
• Lawrence Sher for Joker 

All but Sher are familiar to the Oscar race having been nominated before, particular Deakins (14 nominations / 1 win) and Richards (9 nominations / 3 wins).

Their "spotlight" nominees -- a fairly new category -- are always more interesting since they tend to be far removed from the Oscar race...

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Best Animated Feature Contenders: How to Train Your Dragon 3

by Tim

Only time will tell which five movies are going to receive nominations for the Best Animated Feature Oscar in January, but I can tell you this much with absolute certainty: there are going to be a lot of sequels in the mix. Each of the four biggest American animation studios released a single film in 2019, and each one of those was a franchise entry. Disney had the blockbuster hit Frozen II just a month ago, and their corporate cousin Pixar released the slightly smaller hit Toy Story 4 over the summer. Illumination Entertainment had a rare flop with The Secret Life of Pets 2. Before any of these, though, came my pick for the best major studio animated feature of the year, and a film we really haven't talked about very much at the Film Experience: DreamWorks Animation's How to Train Your Dragon: The Hidden World, third and final film in a trilogy that started in 2010.

The film was greeted without much enthusiasm, whether from critics, fans of the series, or audiences more generally; this seems horribly unfair to me. While it is more than a little bit of a retread of 2014's How to Train Your Dragon 2 in its plot and especially in its generic, forgettable villain (and one should never think "unforgettable" when watching a character played by F. Murray Abraham, but here we are), the emotional stuff is all new...

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Tweetweek: 1917, Movie Real Estate, and 'The Bad Place'

by Nathaniel R

So we were at the first screening of 1917 yesterday at the DGA theater in NYC and as you may have noticed if you were online, the Oscar pundits and online film press collectively went berzerk for it, immediately declaring it was going to win everything, it was best this and that... even of the decade! 'Nobody's ever done this before' (uhhhhh. people have been doing continuous take movies since at least Hitchcock's Rope in the 1940s and probably before that and one of 'em just won Best Picture five years ago!)  For the record we enjoyed it and it is quite technically impressive... but deep breaths people. "Consider" your opinions before tweeting them out before the credits of the thing you just watched have even stopped rolling!

Much is made in 1917 about the futility of medals and yet my dumb ass still wants one for noticing each and every invisible cut in this “one-take” movie

— Kyle Buchanan (@kylebuchanan) November 24, 2019

I'm not going to share the generically breathless super-hypey tweets (they all sound pretty much the same) but more 1917 reactions are after the jump, plus The Bad Place, A Beautiful Day in the Neighborhood, Dick Tracy, Cats, and Best Real Estate Envy movies. So read on for more curated tweets...

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