Laura Dern Week: INLAND EMPIRE.

We're celebrating the great Laura Dern all week in honour of her 50th birthday. Here's David on the film that sent her down a rabbit hole...

It would be easy for an actor to be a puppet in a David Lynch film, lost as they are in a labyrinthine maze of the mind. The chronology is distorted and the characters’ consciousness is constantly splitting and merging in a kaleidoscope fashion. Laura Dern, though, knows the director better than most, and their most recent collaboration, 2006’s INLAND EMPIRE., places at her at the centre of an intricate puzzle of which she is all of the pieces...

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Doc Corner: Slenderman, David Lynch and More at Doc NYC

By Glenn Dunks

Doc NYC begins this week in (where else?) New York City. This year's festival, running from November 10th to November 17th, features 110 feature titles (now on sale), 44% of which are from women directors proving that #52FilmsByWomen is perfectly achievable if you're a fan of non-fiction.

After the jump notes on four new titles including a horror movie ready documentary and a look at David Lynch's creativity offscreen...

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Mr. Robot's Season 2: Leap forward, or sophomore slump?

by Lynn Lee

USA’s Mr. Robot wrapped its second season this past week, just after star Rami Malek landed his first Emmy for best lead actor in a drama.  The timing couldn’t be better: with the show already renewed for a third season, it should help maintain the buzz factor and maybe pick up more curious viewers.

And yet, among existing fans, season 2 has been remarkably divisive...

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Blue Velvet at 30

by Jason Adams 

With our host Nathaniel off in Toronto seeing movies this week; some good, some bad... but which ones will last forever? It's a question I put forth because David Lynch's masterpiece Blue Velvet played at the Toronto Film Festival exactly 30 years ago today. Did those fortunate souls sitting there in that audience know they were seeing a stone-cold American classic unveiled unto the world. I can't imagine they didn't know they were seeing something unlike anything else they'd ever seen before, that much seems clear. The film made some noise!

Blue Velvet's one of my Top Five Favorites so let's celebrate its anniversary (it was released in US theaters one week after its screening in Toronto). In honor of 30 years here are 30 favorite Blue Velvety facts, figures, and fun stuff, starting with...

1. LAURA DERN'S FACE

2. But seriously this is Lynch's first collaboration with his muse and most important collaborator (so says me and that cow he stood on Hollywood Blvd with) and it's a pleasure to contrast the character of Sandy with the places the two would later go - the sweetness and naivete here evenautally giving way to all kinds of craziness; it's impossible not to look at this nice young lady now and not see the wild woman -- Lulu Fortune anybody? -- about to come beating out from underneath those fuzzy sweaters.

Ears and lots of the F-word after the break...

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"There is trouble until the robins come..."

After catching a restored, 30th anniversary rerelease of David Lynch’s psycho-suburban nightmare on the big screen last night, Blue Velvet has once again invaded my waking life with huffing menace, casting sinister shadows and nasty neon onto the innocuous surfaces of everyday existence. And it starts from the opening credits. Every time I see this curtain shimmer, I can feel my vision start to go soft as it flickers me into a dream state. The image hypnotically blurs the line between its politely decorative titles and the mysteriously unnerving surface breathing behind them. The strings of the score shimmy with sharp elegance and ironic doom. I’m already huddling inside the closet, unsettled and voyeuristic. Seeing candles dance in the dark. Coiling myself against the danger hiding in plain sight. Soaked in curdling Pabst Blue Ribbon.

Which of your favorite opening credits sequences instantly place you inside the mind and mood of the movie?