Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Disney (234)

Friday
Jan032014

Waiting For Link Man

efilmcritic Erik Childress's wonderful annual list of Blurb Whores of the Year
THR August Osage County wins big at the Capri festival in Italy, winning four prizes. Harvey Weinstein and Chris Cooper were also honored at the festival. In non Weinstein awards they honored 12 Years a Slave, Saving Mr Banks, and The Great Beauty as well as Valeria Golino (remember her?) as European actress of the year
EW Downton Abbey on the cover. Can't wait for its return this weekend
Variety 3 time Oscar winning producer Saul Zaentz (Amadeus, Cuckoo's Nest and The English Patient) has passed away
i09 Disney Princess themed lingerie from Japan! 

MNPP vicious but true takedown of Ron Howard's Rush
Cinema Blend The Rock for a new iteration of Green Lantern? There are worse ideas, casting-wise I suppose but DC movies are so hopeless!
The Guardian finds that The Wolf of Wall Street uses the naughty F word 506 times, which "breaks down to Scorsese giving 2.81 fucks a minute." LOL. But who spent the three hours counting? That's what I want to know.
USA Today Character actor Joseph Ruskin (Prizzi's Honor, The Magnificent Seven) has passed away
The Wire as we move into the dumping ground of each film year (that'd be new January releases, not platformed holdovers) Joe Reid looks back at ten January releases that didn't suck
Vanity Fair funny Proust questionnaire with T Bone Burnett whose latest movie music work I can't stop listening to. That'd be Inside Llewyn Davis

Hitchcock with Barbara Harris on "Family Plot"Finally...
My friend Matthew Rettenmund who writes Boy Culture has compiled a list of all of Hitchcock's leading ladies who are still alive. (Make sure to note the punny captions). I found this list of ten surprising even though I recently made that oldest 100 screen actors of note list. He's right though that at least two of the major leading ladies (Doris Day & Julie Andrews) don't seem like Hitchcock heroines at all. I forget every time that they headlined one. Those moments were just so atypical in their careers, don't you think? 

 

Friday
Jan032014

Cartoons for a cold winter's night

Tim here. With a huge portion of the United States either under a heavy cover of snow, or about to become that way, it’s been hard to think about anything else but the deepest, coldest kind of winter. And with Frozen in a shockingly good place to win the weekend box office (in its sixth weekend!), even the movies themselves seem in on the act.

So I figured, why not give in? Frozen reminds us, after all, that wintry conditions can make for some beautiful cinema in the hands of the right artists. Think of Roger Deakins’ unmatchable cinematography in Fargo, or the vivid frozen hell of The Shining. [more...]

Click to read more ...

Monday
Dec302013

Podcast: A Disney Double, "Frozen" and "Saving Mr Banks"

On a quiet Sunday Nathaniel & Katey get together for a Disney Double that we are surprised to realize we hadn't yet discussed as a group.

Is Saving Mr Banks a 'corporation knows best' propaganda nightmare or a rich investigation of artistic compromise or somewhere inbetween? Does the existence of Mary Poppins, automatically make Disney (Tom Hanks) the hero and P.L. Travers (Emma Thompson) the villain? We're more enthusiastic about Frozen. We see its gears and its formula and we don't necessarily love the song score but it transcends. Katey loves the message it's sending little girls.

Asides, as we do, to: Titanic, Tangled, The Hobbit, Blue Jasmine, and Meryl Streep in August: Osage County

You can listen to the podcast right here or download it on iTunes and let us know what you think of this Disney holiday double in the comments. 

Disney Double

Thursday
Dec262013

Previewing the animated features of 2014

Tim here. It’s the last edition of my weekly animation essay for 2013, which would ordinarily be the best time for a year-in-review piece. However, the year has been so rough for animation (remember Escape from Planet Earth? Are you happy about that fact?) that it seemed better just to quickly move beyond it and pretend it didn’t happen. Let us instead look with clear eyes and hopeful hearts to the future, and take a quick preview of the animated features that will be scattered throughout 2014. This isn’t meant to be comprehensive, but if I missed anything big, feel free to point it out in comments.

Films to maybe hold out hope for:

-The Lego Movie (February 7). The concept, and the cameos by DC superheroes, scream “branding exercise”, but with Phil Lord and Chris Miller on-hand as writers and directors, there’s reason to be hopeful. The duo has gone 2-for-2 so far with Cloudy with a Chance of Meatballs and 21 Jump Street, and that’s not a track record to idly dismiss. Besides, the trailer reveals that its laziest sins (a “Chosen One” narrative, celebrity voice cast) looks to be applied with a more playfully ironic touch than usual. And the random sense of humor looks different from the usual family fare, at any rate: the bit with Wonder Woman’s invisible jet gets me every time.

Dragons, Boxtrolls and more after the jump

Click to read more ...

Sunday
Dec152013

Year in Review: Box Office Bonanzas

YEAR IN REVIEW FESTIVITIES BEGIN NOW! 
Cue: confetti, trumpets, fainting women, ornery cinephiles, and orgasmic actressexuals™. This is Part One of Millions! Hundred$ of Million$

We'll start with the commerce and work our way to the art. So herewith the tops in various money categories for your mental ledgers.

Top Per-Screen Arthouse Opening
BLUE JASMINE $102,011 (6 Theaters)
Runner Up: INSIDE LLEWYN DAVIS $101,353 (4 Theaters)
* Disclaimer both AMERICAN HUSTLE & FROZEN beat these numbers but those were fake-outs clearly on their way to wide mainstream moviehouses, rather than intended as platform specialty films.

Woody Allen's 'Streetcar meets Madoff Scandal' hit started even stronger than his biggest modern hit Midnight in Paris. It didn't end up making as much but then Blue Jasmine was a fair bit more depressing and riches to less riches is elemental to its DNA. Meanwhile the Coen Bros, like Woody Allen but with more regular crossover potential, can always bank on a hardcore fanbase to sell out those initial shows.

Katniss, McConaughey & McCarthy, Iron Men and Naked French Lesbians after the jump

Click to read more ...