Wednesday, January 11, 2017 at 8:00AM Is it a crime to look at Lange look at photos from Golden Globe night over and over again? It is not! Join us...
Tuesday, January 10, 2017 at 6:00PM 
Jose here. Even though Cate Blanchett was in New York City on Sunday for the opening night of The Present, which marks her Broadway debut, the Golden Globes red carpet still found a way to happen (she was still Best Dressed person in the world that night).
No specific trends dominated the evening - other than strangely enough, long sheer sleeves as seen in Nicole’s harlequinesque McQueen gown, and one or two cases of pale dresses washing out the paler skin of their wearer - and everyone did their best to look as glamorous as possible. In fact it was hard to single out complete disasters other than once again, poor Nicole, who gets points for always being adventurous and who I know will make it up to us by looking astonishing at the Oscars, and SJP who also always tries hard to make a statement through fashion.
Now onto the 10 Best Golden Globe Looks
10. Natalie Portman in Prada
When you’re playing one of the world’s most beloved fashion icons, why would you bother paying homage to anyone else? Portman’s nod to Jackie O wasn’t surprising or groundbreaking, but it certainly paid off. The color and retro appliqués are bold and unforgettable, and the fit is rather lovely. Instead of looking like what we think of as maternity fashion, it’s truly a regal look.
Tuesday, November 8, 2016 at 3:00PM 
These showbiz peeps rocked the vote, today. Their next important vote: guild voting for Best Movies / Performances of the Year (or just continuing to be fabulous if they're not a guild member)!
Cute election day photos of Zoe Kazan, Mae Whitman, Justin Theroux, Drew Barrymore, Erich Bergen, Jonathan Lisecki (Gayby), Judy Greer, Neil Patrick Harris, Marisa Tomei, Adam Scott, Kelly Mantle (RuPaul's Drag Race), Anne Hathaway, Melissa McCarthy, Garrett Dillahunt, Chloe Bennet (Agents of SHIELD), Jason Ritter, and Nicole Kidman after the jump.
Which photo is your favorite?
Monday, April 18, 2016 at 11:46AM
Murtada here. Graham Norton always manages to coax stories out of his visiting guests that somehow they never divulge on this side of the Atlantic.This week his guests included Meryl Streep and Hugh Grant, selling Florence Foster Jenkins. Norton brings up a recent interview in which Grant claimed all his co-stars hated him. Julianne Moore, Rachel Weisz, Emma Thompson, Sandra Bullock and Drew Barrymore are name checked. Clearly the Music and Lyrics (2007) set was not a happy one as this is what Grant said about Barrymore:
She made the mistake of giving me notes. How would you take that?
Meryl's response is perfect and gets the biggest laugh. Deservedly. She knows how to land a line!
Meryl divulges the one movie in her oeuvre she isn’t happy with. I thought it would be Still of the Night (1982) which she has spoken about before. But it’s actually The French Lieutenant's Woman (1981).
It's a fun talk show moment. And wouldn't we all love to get a glimpse of Renee Zellweger's 48 pages long emails. Do it Hugh, put them on twitter! Is The French Lieutenant's Woman really Meryl's most dubious moment on screen?
Wednesday, November 4, 2015 at 2:00PM Manuel is working his way through all the LGBT-themed HBO productions.
Last week we looked at Outrage, the Kirby Dick documentary on outing U.S. politicians. It’s a fascinating, well-researched doc that, as many of you noted, is all the more groundbreaking for the way it revealed media biases when it came to reviewing the film (NPR famously refused to discuss the documentary’s subjects citing the rights to privacy of the politicians involved). This week, we’re talking about a staunchly camp classic that got the HBO prestige treatment and gave us perhaps the best Drew Barrymore performance to date, one which made great use of her charm and comedic timing shaded with some of the dramatic depth she so rarely gets to show off.
“Inside the incredible world of Jackie O’s relatives.”
Thus reads the film’s tag-line and that, one has to admit, is one way of selling the film. The other, of course, is “Inside the incredible world of one of the greatest documentary subjects ever committed to film.”
