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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Entries in Emma Stone (134)

Monday
Feb272017

Emma Stone "I fucking love Moonlight"

Murtada here. If there is one thing we can take away from last night best picture announcement, hopefully it’s the love and respect the teams behind Moonlight and La La Land have for each other. La La Land producer Jordan Horowitz took charge of the situation on stage and announced Moonlight as the rightful winner while everyone else on stage was utterly confused. He’s already being hailed as “the truth teller we need right now”.

Both Barry Jenkins and producer Adele Romanski started their acceptance speeches by mentioning the La La Land team. Jenkins went further acknowledging the many months the teams behind both films spent together on the Oscar campaign trail:

I have to say — and it is true, it’s not fake — we’ve been on the road with these guys for so long, and that was so gracious, so generous of them. My love to “La La Land,” my love to everybody.

When Damien Chazelle understandably chose not to speak to the press post his best director win, it fell on the shoulders of this year’s best actress to address the situation backstage. Emma Stone of course handled it with aplomb and her usual charm. She landed her opening joke “Phew… you guys see that?”, delivered with a knowing wink. She sorta tried to start a conspiracy theory “ I was holding my best actress in a leading role card that entire time… I don’t mean to start stuff”. You totally did, Emma. At least for a few hours until Price Waterhouse Cooper took responsibility for the error and said that they had duplicate envelopes for all 24 categories and that they handed the wrong envelope to Warren Beatty.

The clincher though, as what she said about Moonlight.

 

And of course it was Emma who verbalized what everyone was thinking last night "Is that the craziest Oscar moment of all time?". Yes Emma, it was. We are still in shock. Comment away with your Monday feelings about the snafu and Emma's win, too.

Tuesday
Feb142017

Red Carpet Lineup: Best, Boldest, and Most Basic BAFTA Beauties

Nathaniel here since our fashion expert Jose Solis is unavailable to share his red carpet expertise. Argh! Unlike Jose I cannot tell you who these actresses are wearing -- my gawking is strictly actress-focused. But have I ever told you about my favorite "category" on red carpets? It's "Actresses Who Show up in Costumes as Fictional Characters Nobody Has Invented Yet" which is just what Noomi Rapace and Anya Taylor Joy did at this weekend's BAFTAs! 

Boldest: Noomi & Anya

What kind of fictional characters are these? Please help me write those character profiles in the comments won't you? More gowns from superstars like Emma Stone, Penélope Cruz, and Nicole Kidman follow after the jump...

Click to read more ...

Sunday
Feb122017

BAFTA Winners: La La Land, Daniel Blake, and... Lion's Dev Patel!

Dev Patel struggles to find "words words words" when he wins the BAFTA.

Confession: Despite The Film Experience's devout love of awards season, your host does not actually watch the BAFTAs. I gave up years ago when it was clear that they were never going to change their announce-the- winners and then tape-delay-broadcast-highlights-of-show. It's just not pure enough for my spiritual devotion to the holy act of passing out trophies. I can't stomach it.

The winners with commentary (and videos once they're available) follow...

Click to read more ...

Monday
Feb062017

The Furniture: Magical Unreality in "La La Land" and "Fantastic Beasts"

"The Furniture" is our weekly series on Production Design. This is the first of two columns discussing this year's Oscar nominees. Here's Daniel Walber...

At a pool party in La La Land, Mia (Emma Stone) is granted the unique misfortune of being introduced to a generic Hollywood screenwriter. “I have a knack for world-building,” he says, instantly conjuring spectres of a Game of Thrones economy. Mia quickly extricates herself, destined for a different man in love with his own talent.

The moment is fleeting, but it peels back the curtain on Damien Chazelle’s own view of world-building and filmmaking. His version of Los Angeles isn’t at all overstated, with the exception of its ever-present automobiles. The characters don’t quite inhabit an identifiable city. Rather, they exist against a backdrop of imagined Hollywood, built from relentlessly colorful skies and busy studio lots...

Click to read more ...

Saturday
Feb042017

I'm so glad we had this link together

Decider Joe Reid on the repetitive lie that Oscar shuns popular movies
Interview shared a Winona Ryder interview from 1990. I can't tell you how formative this was for me. I had the photoshoot plastered all over my bedroom. I was obsessed with her quotables.
Playbill Broadway aimed Moulin Rouge! will be trying to cast its Satine (!!!), or at least a temporary Satine for readings and such, on February 17th at an Equity-only audition
MNPP Great Moments in Movie Shelves visits The Royal Tenenbaums game closet 
AV Club IMDb is shutting down its message boards 

 

Deadline file this under "it's about time" - Sarah Paulson is finally getting lead roles in features! She'll headline Lost Girls, a serial killer drama in which she plays a mother searching for her daughter
i09 revisits Suspiria before the remake by Luca Guadagnino
The Guardian we need to be listening to Middle Eastern cinema right now 
Variety Leslie Mann and John Cho to host this year's Sci-Tech awards for the Academy 
Tracking Board Whoa. Carol Burnett, who is 83, might be coming back with a new sitcom. Come on Octogenarians! (See also: Rita Moreno, who is 85 and great on One Day at a Time)
Variety Oh, this is so sad. Sunday in the Park with George won't be eligible for the Tonys so no Jake Gyllenhaal for Best Actor despite the raves 
Boy Culture Patrick Wilson didnt get paid for this advertisement
Variety The Weinstein Co will distribute a new Diane Keaton / Brendan Gleeson drama Hampstead from the director of Last Chance Harvey
The Guardian "why I love Emma Stone"