Interview: Rising Star Boyd Holbrook ("Narcos")

Boyd Holbrook © Flaunt magazine, Fe Pinheiro, photographerI regret to inform you that I cannot begin this story with the sizzling lede I'd intended. But the redacted story, of where Boyd Holbrook called me from and the new project he's working on -- were nevertheless a good reminder that he's been an exciting talent to watch. That's not just because he's so engaging onscreen but because he doesn't want to get stuck in a rut; it's hard to guess where his creative muse will take him next.

So let's jump to our real topic. Boyd Holbrook was calling to discuss his role as DEA officer Steve Murphy in the Netflix series Narcos. The debut season was nominated for Best Drama Series at the Golden Globes and before its second season airs, it's undoubtedly hoping for Emmy to follow suit (balloting closes tomorrow). The story revolves around the drug lord Pablo Escobar (Wagner Moura, Globe nominated for Best Actor) and the attempts of DEA agents Steve Murphy (Boyd Holbrook) and Javier Peña (Pedro Pascal) to bring him down. Though it's somewhat of a three-lead series, Holbrook and Peña are both on Emmy's Supporting Actor Drama ballot since Escobar is the subject matter. Holbrook's character is our window to the story and a handy historical reference guide as narrator. The early episodes have to impart a ton of information we couldn't be expected to know about both Colombia and the US in the late 70s and early 80s as well as technological limitations of the time in hunting and surveillance of your prey.

I talked to Boyd about the peculiar demands of the part, half-exposition and half-character work, but we begin with what I suspect is his multi-hyphenate inner artist [Interview after the jump...]

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Emmy FYC: Amy Landecker in "Transparent"

Eric here, with a plea for Emmy consideration for a dark horse candidate for Best Supporting Actress in a Comedy:  Amy Landecker for Amazon’s Transparent.

Transparent is generous to all of its actors because it gives them dramatically complicated landscapes to play in with dialogue that doesn't always fill in those gaps for emotional transitions and arcs. It's the kind of hard work actors love to do.  This is, of course, how we all make realizations in “real life” so the actors in Transparent are key to the delicate naturalism of the show, and the creative team behind them have the grace and intelligence to capture the work without exploiting their vulnerability.

Amy Landecker, who plays the eldest sibling Sarah, does wonders with an extraordinarily difficult character.  In season one, Sarah leaves her husband Len for another woman (Tammy) in a sex-obsessed haze and a rebellion against her controlled, “perfect” existence.  But in the first episode of season two, under Emmy consideration this year, Sarah realizes that not only can she not go through with the wedding to Tammy, not only does she not love Tammy, in fact she HATES Tammy, and that all of her decisions have been wrong.  

The idea of realizing on your wedding day that you’ve made the wrong decision is a decades-old entertainment cliché, usually reserved for romantic comedies.  But Landecker has to carry the naturalistic weight of what that epiphany REALLY means.  This sense of loss, and of being lost, is her arc throughout season two, and the actress finds layers of anger, humor, and fear that are quite astonishing. Sarah may be a control freak, but she is constantly on the verge of falling apart.  After spending her lifetime building the ideal family, season two finds her completely alone.  Landecker’s natural appeal clues you into the fact that Sarah has always been popular and successful, and for the first time in her life she has driven full-force into a wall. She has no resources for being lonely.  Landecker calibrates Sarah’s unraveling in the way we see it in people we know:  bursts of anger, momentarily losses of control, casual cruelties to others she sees as weaker and less witty than herself.  

It’s also unerring to see such a sexually frank portrayal of a middle-aged mother in any medium.  Sarah not only talks about sex, she makes life decisions based on sex (as, of course, most people do).  She’s extra proud of her boobs (the character is costumed with subtle attention to them) and leads with sexual confidence.  Landecker is also smart enough to show us Sarah's spoiled streak - she comes from a family with money, and she’s accustomed to attention and accommodation, and she’s lost without those things,  too.  This is a fully fleshed-out character, etched by an actress in masterful control.  She makes many actresses getting nominated for sitcom work seem juvenile in comparison. 

Previous Emmy Pieces
Emmy Drama Ballots |  Emmy Comedy Ballots | Donna Lynn Champlin "Crazy Ex-Girlfriend" | Girls |  The People vs OJ Simpson | Gillian Jacobs "Love" | Riley Keough "The Girlfriend Experience" | Jeremy Allen White "Shameless" | Constance Zimmer "UnREAL" | Noah Galvin "The Real O'Neals" | "Mr Robot" leads TCA Nominations | Ten Nominees? 

Share Your Emmy (Drama) Ballots

We've already discussed our comedy ballots and though we've got a few more individual FYCs coming and are still trying to sample various new series we missed that others are rooting for before the nominations, let's talk Drama Series. Emmy is always loathe to change up its nominations so the actual nominees this year are likely to be the exact same as last year which means that you're looking at...

PREDICTIONS

Do you think GAME OF THRONES can repeat its win?

• Game of Thrones (Season 6 -- nominated for all previous seasons. 1 win for Season 5)
• Better Call Saul (Season 2 -- nominated last year, too)
• Downton Abbey (Season 6 -- nominated for all previous seasons. 1 win for Season 1 as "limited series")
• Homeland (Season 5 -- nominated for 3 of 4 previous seasons. 1 win for Season 1)
• House of Cards (Season 4 -- nominated for all previous seasons)
• Orange is the New Black  (Season 3 -- nominated for all previous seasons. though first was in "comedy")

Basically you're looking at the same lineup that's been going on for half a decade (since Better Call Saul just replaced its origin series Breaking Bad). But with Mad Men out of the picture there is exactly one slot free, which we assume will be taken by...

• Mr Robot (Season 1 -- since its won so much buzz, acclaim, and fandom in its debut season)

PREFERENCES

If I was in charge rare would be the series that was always nominated since nearly all series have some ebb and flow in terms of quality and there is (thankfully) so much quality competition out there. The only long-running television show of my entire life that I would have nominated every single year was Mad Men...

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Tweetweek: Skarsgård, Fences, and... yes... Politics

Time for a quick diversion - tweets that amused or edified this week, somewhat randomly selected.

Get it, Kangaroo. pic.twitter.com/ghyR1msaCJ

— Jason Adams (@JAMNPP) June 14, 2016

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Emmy FYC: Riley Keough in "The Girlfriend Experience"

We're sharing Emmy FYCs as nomination balloting continues. Here's our much missed contributor Matthew Eng (who now mostly resides at Tribeca Film)... 

Lodge Kerrigan and Amy Seimetz’s The Girlfriend Experience, the glossy and gripping new series loosely “suggested by” Steven Soderbergh’s 2009 feature experiment of the same name, has, in all honesty, about the same chance of becoming a serious Emmy contender as Fuller House. This is in no way a blight on the series so much as an indicator that a work like The Girlfriend Experience, which airs on STARZ, is at once too under-the-radar and, more significantly, too polarizing to appeal to the Television Academy, who probably wouldn’t even know how to categorize a half-hour drama that sports a restrained tone, a notoriously well-known premise, and a uniquely challenging connection between protagonist and audience.

It’s on this last front that The Girlfriend Experience has made its most provocative and absorbing strides. And that’s largely due to the perfectly-cast Riley Keough, who turns in the type of confident, commanding, and utterly distinctive star performance that immediately makes one question and reformulate every preconception ever held about this actress, still best known as one of Mad Max: Fury Road’s rebellious war-brides, although The Girlfriend Experience (and a well-received turn in Andrea Arnold’s American Honey) are destined to change that...

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