Michelle Pfeiffer as Betty Ford? We're so ready!

by Nathaniel R

As all of you pfans now, Michelle Pfeiffer is not easy to pin down. She's been skittish about projects for her entire career, regularly turning down big deal stuff. That became especially true after the mid 90s when she turned her attention to raising her two children and only sporadically made movies, taking some very long breaks from cameras. With the kids left for college she finally started acting again. Her return has been pretty slow but it's now speeding up. Her renewed public profile began with the launch of her perfume line "Henry Rose" and a wonderful Instagram account (social media is not something we ever thought she'd embrace!). We're now in the middle of French Exit's awards run (we're crossing our pfingers hard for a Globe nomination as they've historically loved her more than Oscar voters have). There's so much Pfeiffer to enjoy lately including an amazing new interview with George Clooney in which she reveals she feels exactly the opposite as critics do when it comes to what she thinks are her best performances, and a long conversation with Scott Feinberg at the Hollywood Reporter.

Now comes news that she's signed on for the Showtime series The First Lady to be directed by Danish director and Oscar winner Susanne Bier. Emmy nomination #2 here she comes! The anthology series will reportedly focus on multiple first ladies per season...

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Showbiz History: 12 Years a Slave, Mama Rose, and More...

5 random things that happened on this day, January 4th, in history...

1853 New York born Solomon Northup regains his freedom after abduction and enslavery in 1841 in Washington DC. The abolitionist thankfully recorded his life story in the memoir 12 Years a Slave which became an instant best-seller. Over a century and a half later, the film version by the British auteur Steve McQueen deservedly won the 2013 Best Picture Oscar. 

1903 A horrific end to a story of animal cruelty and a shameful event in the then nascent film-industry, too. Topsy, a 27 or so year-old elephant, who was ripped from her family as a baby in Southeast Asia and never adjusted well to life in the America circus, is famously electrocuted in Coney Island...

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In 2020, what is a "theatrical film"?

by Juan Carlos

2020 is the year that altered the face of cinema as we know it. After cinemas closed all over the world, films were either delayed or released in modified platforms like virtual cinemas and VOD. Indoor gathering restrictions also led to a resurgence of drive-in theaters. Meanwhile, streaming became an even more vital way for films to reach audiences. Platforms like Netflix, Amazon, and Hulu all have Oscar contenders this season.

This shift in movie-watching was further validated by the Academy’s decision earlier this year to allow films released via streaming and VOD to be eligible for the Academy Awards, provided that they were previously intended for theatrical release and that they will be available in the Academy Screening Room. This amendment to the eligibility rules is major, especially given the Academy’s previous adherence to the traditional definition of what a “theatrical film” is. Pre-COVID eligibility rules state that...

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Nicole in HBO's "The Undoing"

by Eric Blume

There are few things in life more exquisite than watching Nicole Kidman unravel.  And she does so with her usual panache in the new HBO miniseries The Undoing, from director Susanne Bier.  

HBO is releasing the six episodes week by week, so we're currently only two episodes in, but what we have on our hands with The Undoing is a genuine potboiler!  The program slowly lays out its icy upper east side NYC terrain with careful deliberation, only to end the initial episode with a fun corker that sets Nicole into a fiery actressy spiral...

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The 'Cancel the Oscars' thing is just plain bulls***t. Here's why

by Juan Carlos

I’ve been itching to discuss this for quite a while now. Ever since the pandemic, the way we watch films has dramatically shifted. Cinemas are now either closed down or maintained with stringent health safety measures. Drive-in cinemas have experienced a resurgence in popularity due to their safer conditions. Meanwhile, we have seen films dropping on streaming platforms, VOD, and virtual cinemas at such a rapid rate that it is quite hard to even keep track of what is being released. 

Meanwhile, AMPAS made several changes in its rules to adjust to the current world we are living in. So for the first time, the Academy allowed streaming-only films in as long as there was an intention to exhibit them theatrically (I still don’t know how they would prove intention, but that's another discussion). Also, they have extended the eligibility period: from January 1 to December 31, 2020, it will now extend until February 28, 2021, a move that seemed hastily done months ago and now makes even less sense since majority of the films that were supposed to screen in the last months of the year in cinemas have now moved to late 2021 anyway. 

And then this opinion piece from the Washington Post happened.

In an article that adds itself to the chorus of people saying that the Oscars should be cancelled in its entirety, the writer asserts that the Oscars should be cancelled because...

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