Sunday, March 31, 2013 at 8:01AM Happy 42nd birthday to Ewan McGregor! The giants in Jack The Giant Slayer earlier this month were super gross and dumb but they were right about one thing.
Ewan McGregor is delicious!
Especially in blankets.
So herewith a (not entirely sfw) photo gallery of Ewan-in-a-blanket in semi chronological order. If you can add to the gallery, please do!
Tuesday, March 12, 2013 at 3:47PM 
tumblr screenshots without pausing of Zero Dark Thirty's hallway showdown scene
MNPP on responsibility in film criticism and Michel Gondry's The We And I
Unreality the Han Solo in carbonite business card case. I keep wondering if Patrick Bateman would love this
Pajiba sounds off on the official poster for Mad Men Season 6, which features an illustration of Don Draper looking at... himself? in passing. I cannot cannot wait. You?
Antagony... follows up that best oscar wins list with its evil twin counterpart: worst oscar wins
the greatest sitcom?
I've been really impressed with Vulture's #sitcomsmackdown which has made all sort of insightful points about the state of the situation comedy throughout the past quarter century, even if I wish Vulture had been more clear about how much rewatching they've asked their selected writers to do. Glenn at Stale Popcorn sounds off on the uproar that greeted Sex & The City's win over 30 Rock. But, as Glenn points out, if you read the actual original essay the writer clearly loves both series and makes really salient engaging points about why she chose Sex as the winner. But alas, people don't read. They just choose sides and fight. I'm thankful I don't have to choose the ultimate winner from the past 30 years but many of the shows battling it out for the top slot would make my top 10.
weird coincidence
So this week while instant-watch surfing a few films I'd seen before, which I do on occasion to refresh my memory, I watched a few scenes from both Head On (1998) and from Trainspotting (1996). Both films were critical hits and bold in-your-face indies about hard-living young men. The two films served as major launching pad for two exciting actors (Alex Dimitriades and Ewan McGregor, respectively) though their careers didn't exactly turn out the same. And then yesterday while link surfing, I chance upon a piece about how hard it is for men to turn 40 that featured Alex Dimitriades and the news that Danny Boyle still wants to do a Trainspotting sequel and that, finally, Ewan McGregor may say yes. The article suggests that one hurdle has always been residual director/star strangement dating back to the days when Boyle threw his young start-up muse (Ewan had also been with him for his debut Shallow Grave) overboard for Leonardo DiCaprio on The Beach? I felt like the internet was reading my mind!
Monday, November 19, 2012 at 4:15PM Variety's "The Vote" looks at all time great film scores
NYT remembers voice actress Lucille Bliss (RIP) the voice of Smurfette and Anastasia in Cinderella.
Art of the Title Sequence has a cup of fresh coffee with Cabin in the Woods
EW watch Anthony Hopkins become Hitchcock in under a minute (though in real life it took an hour and a half each day
In Contention Angelina Jolie campaigning for Ewan McGregor's work in The Impossible. Whoa
Unreality Marvel superheroines as Bond Girls
Salon uh oh Activists claim that 27 animals have died making The Hobbit films
Pajiba shows us Val Kilmer and Joann Whaley's kids all grown up. Think they'll be actors? I always wished that Whaley had had a better career. Loved her in Scandal and Willow.
Movie|Line Ryan Gosling's beat up face on the Only God Forgives poster
IndieWire first Joaquin and now Anthony Hopkins calling Oscar campaigns "disgusting"
French Premiere the semi-finalist list for the Best Newcomer prizes at the Césars in France. Expect a nomination at least for Matthias Schoenaerts for his awesome double attention-grabber Bullhead and Rust & Bone
The Playlist fun gallery of behind the scenes shots from Kill Bill
Awards Daily James Franco made a music video. Lindsay Lohan is in it
And finally here's Jeremy Renner making fun of Hawkeye on SNL...
It'd definitely been the year or archery what with Brave, The Avengers and The Hunger Games among the top blockbusters. And now we have gifted archers on two television series: Revolution and Arrow... which is also about a guy who shoots arrows. That's kind of his thing. Before this trend dies a swift death from ubiquity, can someone please give actual archer and awesome actress Geena Davis a good role and combine the two?
Wednesday, November 14, 2012 at 9:16PM 
<--- Remember last week when I shared that little AFM peak at August: Osage County? [Click on the photo to the left if you missed that post].
Well, anticipation means bread crumb madness; no matter how stale or tasteless they are, we have to nibble on them! Supposedly the movie is wrapping up filming on Thanksgiving weekend so it's all over but the post-production and the marketing and the re... okay, it's not remotely over.
So... bread crumbs: here's what the inside of the house might look like; here's what Ewan McGregor recently said about working with Meryl Streep and the director John Wells (not much but I devoured it); and here's what the text on the pamphlet to your left actually said:
Three-Time Academy Award winner Meryl Streep and Oscar winner Julia Roberts, star in the "fiercely funny and bitingly sad" big screen adaptation of Tracy Letts' Tony Award and Pulitzer Prize winning Play, AUGUST: OSAGE COUNTY. Coming on the heels of her latest Oscar win for The Iron Lady, Streep stars are Violet Weston, the sharp-tongued matriarch of the South's most dysfunctional family since Paul Newman and Elizabeth Taylor tore up the screen (and each other) in that other Pulitzer-Prize winning classic-Tennessee Williams' Cat on a Hot Tin Roof. Directed by John Wells, August begins on the night that Violet's husband of 30 years, Beverly, mysteriously vanishes without a trace. Beverly's disappearance draws the couple's three daughters, including eldest Barbara (Roberts), back to the family home, each returning with husbands and boyfriends in tow to comfort their mother and help solve the mystery of what happened to their father. as with all families, home brings out the best and worst in everyone, as each of the children settles back into their place in the unforgiving hierarchy of the family-all amid the palpable heat of the summer. Letts' work borrows its name from the famous Howard Starks poem, describing a month of August heavy with "heat-thicked air" and "no real breeze all day." And it's that stifling climate that will slowly force Violet and her family to face truths about themselves and each other until the secret of what happened that fateful night is revealed."
I almost balked at the comparisons to Cat on a Hot Tin Roof* -- so risky/shameless to compare yourself to a work of such unarguable genius and iconic stature -- but then I remembered that August: Osage County** the play is hardly lacking in genius or, it must be said, the potential for being thought of in the same hallowed way 60 years from now that we think of Cat now.
Will this movie do the play justice? We'll find out a year from now. Or thereabouts.
*incidentally, I sometimes --in fact quite often -- think Cat is actually Tennessee Williams single greatest work as a playwright (though the film version of A Streetcar Named Desire is unquestionably the single greatest adaptation of his oeuvre)
** If you've never seen August: Osage County on stage, you should. Readers living near Raleigh North Carolina have an opportunity this month through early December, readers living near Baltimore Maryland can see a production in January.
Friday, September 14, 2012 at 6:00PM 
The Oscar chart updates were temporarily stalled by my thwarted Toronto plans so just fixin' things up now. Enjoy the updates while I jaunt off to Fire Island for a 24 hour getaway. I've just seen The Impossible -- more on that soon -- so I'm accidentally living a rather perverse combo: tsunami picture then beach getaway.
As always predictions are for entertainment purposes only. They should never be interpreted as endorsements though occassionally deserve has something to do with it.
BEST ACTOR
The big story here is a common one. There are enough buzzing performances to fill out an entire Golden Globe nominee pool, 10-wide, which means there are twice as many contenders as Oscar voters will be able to choose. Am I crazy to wonder if even Daniel Day-Lewis is safe for Lincoln? The trailer does not impress.
BEST SUPPORTING ACTOR
Alan Arkin makes huge gains as he's singled out in many Argo reactions. Ewan McGregor's wounded father in The Impossible also rises though I have to wonder if this isn't wishful thinking. He's one of the world's best and most endearing screen actors but he never quite wins Oscar hearts. Still, nomination-less or not, come what may... we will love him, until our dying day.
Finally, add Kiki's new man Garrett Hedlund to your For Your Consideration fields for On The Road. He's the focal point of the film's considerable libido which might work against him (this is one of the most sexually-charged performances since, say, Jude Law in The Talented Mr Ripley) but they're campaigning him as supporting which will definitely work for him given his enormous amount of screen time.
Garrett Hedlund is "On the Road" with cinematography by Eric Gautier
VISUALS & AURALS
Gains for TIFF buzzing Cloud Atlas, On the Road and The Impossible.
FOREIGN LANGUAGE FILM SUBMISSIONS
You can add Romania's Beyond the Hills which is from Cristian Mungui, the director of the magnificent 4 Weeks 3 Months and 2 Days (better luck this time!) and Portugal's Blood of My Blood to the list of submitted contenders. May the best five films win nominations.
Which buzzing fall film are you desperate to get your eyeballs on? I chose the beach over The Master (perverse I know given the rarity of P.T. Anderson pictures) but I'll get to that one Sunday...
