France and the Oscar Race. Then and Now.

by Nathaniel R

As you've probably heard, France has altered their Oscar submission choice rules a bit. They'll now allow for "special screenings" (i.e. some variation of the common practice here in the US of the "qualifying run") to determine eligibility. In truth this wouldn't be news if it weren't France we were talking about. Most countries already allow some form of this practice so a film can be eligible for awards even if it isn't technically playing for audiences in time.

But France in the past has not allowed this given the country's very strict distribution rules. That's one of the reasons why, for example, that Blue is the Warmest Colour (2013) wasn't submitted in its year...

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Halfway Mark Box Office (Part 2: Of Special Interest)

As part of our midway through the year report (previously: top fives from the team , favourite male performances , and mainstream box office hits) here's a look at the box office year thus far but getting very niche with queer cinema, documentaries, movies with rave reviews, and other specialty interests. We all know that superhero movies earn a lot of money at the box office so it's more fun to dig deeper. Figures here are actuals as of Sunday June 30th for films released in the first six months of the year. We'd love to know what you make of the following lists so don't be shy in the comments, please.

BOX OFFICE IN EIGHT NICHE CATEGORIES
🔺= the movie is still in a decent number of cinemas so its numbers will go up.

TOP GROSSING FILMS THAT NEVER WENT INTO WIDE RELEASE

The Mustang

01 No Manches Frida 2 (Pantelion) $9.2 March 15th (472 theaters at widest)
02 Apollo 11 (Neon) $8.9 March 1st (588 theaters at widest)
03 The Wandering Earth (CMC) $5.8 Feb 5th (129 theaters at widest)
04 Gully Boy (Viva Pictures) $5.5 Feb 14th (270 theaters at widest)
05 The Mustang (Focus) $5 March 15th (527 theaters at widest)
06 Amazing Grace (Neon) $4.4 April 5th (263 theaters at widest)...

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Best LGBTQ Movies - Nathaniel's List

by Nathaniel R

At the beginning of the month we shared a collection of disparate lists from various websites on the "best LGBTQ films ever" and since that got such a good response let's return to the well for something more personal as Pride month winds down. Naturally when you make personal lists the order can be justifiably odd, even to your own eyes, so we must acknowledge first and foremost that this is by no means definitive: I haven't seen every queer movie ever made, and were the list to have been made on a different day or perhaps a different hour, it might be noticeably different, at least in ranking.

Nevertheless here's to hoping you enjoy this imperfect list of... 

Nathaniel's 125 Favourite Queer Movies

1. Cabaret (Fosse, 1972) 8 OSCAR WINS INCLUDING BEST DIRECTOR
2. Carol (Haynes, 2015)

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The New Classics - Y Tu Mama Tambien

Michael Cusumano here to add a title that is near and dear to my heart to the New Classics pantheon 

Scene: Epilogue
The Narrator in coming-of-age stories most often represents a grown-up version of the protagonist. Think The Sandlot or A Christmas Story, or the quintessential example, The Wonder Years, voices looking back, awash in nostalgia. In Alfonso Cuarón’s Y Tu Mamá También not only is the narrator not a character, but the voice is indifferent, even coldly clinical in its omniscience, as likely to note the fate of a passing group of wild pigs as to reveal the deepest secrets of the protagonists.

We get used to the voice as a welcome companion throughout the film. Its flat, objective viewpoint is a welcome respite from the main trio’s frequent emotional upheavals. Little do we realize we are being set up for the emotional gut punch of the film’s epilogue...

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Cannes Begins: Iñárritu and His Jury Arrive

by Nathaniel R

The 72nd edition of the world's most famous festival has officially begun. We'll try to bring you comprehensive daily coverage by astral projecting ourselves across the ocean (i.e. watching online videos from France and following critics on Twitter). Earlier today the president of this year's main jury Alejandro González Iñárritu arrived with his gender-balanced fellow jurors in tow (or "classmates," as Maimouna N'Diaye so charmingly put it in the preference conference)... 

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