Will "Wind River" Find a Second Life?

by Nathaniel R

Last night word spread round that this summer's sleeper success Wind River, about a rape/murder investigation on an reservation, had possibly found a new lease on life. It was a Weinstein Company release this summer -- their only "hit" this year actually -- and that connection was thought to have obviously doomed its chances this awards season following Harvey Weinstein's banishment from Hollywood after the numerous sexual harrassment and rape allegations. 

If you remove that associative stain, though, the film is, in essence, a non-genre sleeper hit aimed squarely at adults and thus theoretically Oscar compatible...

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C O N S I D E R - Favorite Actors of 2017, 3rd Qtr

With only three months of the year to go - eep! -- it's time to look back on the past three months for movies we saw from July through September (excluding films with firm release dates in the next three months). Herewith Nathaniel's 17 favorite male performances from the year's third quarter (plus first week of October to keep us up-to-date), divvied up into three categories.  (Movies with asterisks have not yet been released.)

Did these men speak to you with their turns? 

7 LEADING ACTORS

Daniel Gimenez Cacho as "Don Diego de Zama" in Zama*
One of my favorite Mexican actors. Though I found the film impenetrable, he's always strong.

Harris Dickinson as "Frankie" in Beach Rats
Here's to debuts that reveal both fully-formed star charisma and film-carrying craft

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Review: Hell or High Water

by Eric Blume

With their new film, director David Mackenzie (Young Adam, Starred Up) and screenwriter Taylor Sheridan (Sicario) make one thing abundantly clear: they really, really hate banks.  Hell or High Water is a sort of southwest answer to The Big Short, a tale of rural Texas poor on a Robin Hood mission. 

Sheridan’s script was the winner of the 2012 Black List prize for best unproduced screenplay, a fact which feels surprising during the cliché friendly first half hour.  Brothers Toby and Tanner Howard are characters we’ve seen many times before, with a sibling dynamic that’s not new either.  Tanner (Ben Foster) is the wild bro released from prison, complete with a violent streak and true-blue redneck energy.  Toby (Chris Pine) is the tender brother, a taciturn and emotionally bruised man trying to make things right.  Together, they start robbing small Texas banks to secure money to save the family farm.  As Counterpoint we have two Texas rangers on their case:  Marcus Hamilton (Jeff Bridges), for whom this is the last big one before retirement(!), and partner Alberto (Gil Birmingham), the sage Native American sidekick. 

For about the first thirty minutes, you sit in fear that this is all the film will be, a simple chase to the inevitable populated with stock characters. The only hope it has is to somehow deepen.  Fortunately, it does...

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