First annual (?) "Super" Awards

by Nathaniel R

The Old Guard takes "best superhero film" honors

We're still trying to wrap our heads around the absolutely bizarre decision by the executives of the Critics Choice Association to launch a genre-specific awards show (think the Saturn Awards only from talking heads at various outlets rather than the fans) in the very year where most of those kinds of movies didn't actually open and in which none of the big stars would be able to actually attend. It's a head scratcher in so many ways though happily two good movies (Palm Springs and Soul) led with the most prizes.

Here are the winners (no, we did not vote)...

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Showbiz History: Hurston's work, Nicole's night, and Fame's debut

7 random things that happened on this day, January 7th, in showbiz history

1891 Best-selling author Zora Neale Hurston is born in Alabama. Where's her biopic? Hell, where are the movies based on her books and plentiful short stories? The only movie length adaptation has been the TV movie Their Eyes Were Watching God (2005). 

1971 Today is the big "5-0" for Jeremy Renner, twice Oscar nominated (The Hurt Locker, The Town), but whose promising gifts were completely swallowed up by a desire to become a franchise star which was both successful in a supporting sense (9 years and counting as Hawkeye in the MCU) and not in the headliner sense (Mission: Impossible... Tom Cruise quickly taking the franchise back, Hansel & Gretel... one and done, The Bourne Legacy... Matt Damon quickly taking the franchise back)...

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Review: Guatemala's Oscar submission "La Llorona"

by Nick Taylor

Three cheers for the Boston Society of Film Critics, who kicked off this year’s wave of critics prizes with an amazingly idiosyncratic list of winners and runners-up. Capping their day off with their Foreign Language Film category, they honored Jayro Bustamente’s political ghost story La Llorona, with The Painted Bird in second place. La Llorona has been selected as Guatemala’s submission for International Film at the Oscars, making this the second of Bustamente’s films to be submitted after his astonishing debut Ixcanul in 2015. Three more cheers for Cláudio Alves, whose heroically long FYC thread on Twitter has informed a lot of my recent choices for which 2020 films to catch up with.

La Llorona’s opening credits are delivered over a black background with white text, while a woman’s quiet, hurried, forceful prayers can be heard. Our first real image of the film is a close-up on the speaker’s face, revealed to be an older white woman (Margarita Kenéfic), back straight and eyes unwavering as she stares directly into the lens and asks for protection for herself and her family against those who seek them harm...

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BIFA Nominations: "Saint Maud" leads the horror friendly pack

by Nathaniel R

The British Independent Film Awards have announced their nominations for the year. 27 films received at least one nomination but the bulk of the nominations went to Saint Maud (17), His House (16), and Rocks (15). UPDATE: Rocks and His House later emerged as the big winners. Higher profile Oscar hopefuls like The Father (6) and Ammonite (2) didn't do as well though The Father eventually won 3 of its 6 categories. Due to the category divisions BIFA has a lot of people that are double or triple nominated this year (they have the regular categories plus "debut" style categories). The BIFAs have a unique process in that the nominations are juried and then winners are decided in two separate ways. All BIFA vote by secret ballot to decide the winners of the nine craft categories plus Best Film, Best International Film, Discovery Award, and Short Film. But everything else is decided by discussion of individual juries separate from the juries who picked the nomination! Confusing right?! 

THIS POST HAS BEEN UPDATED WITH THE WINNERS 02/19/21

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Horror Actressing: Natalie Portman in "Black Swan"

by Jason Adams

We're in between seasons of our "Great Moments in Horror Actressing" series, taking the post-Halloween holidays off, but I decided to spring out from under my self-appointed mothballs to celebrate this week's 10th anniversary of Darren Aronofsky's le grande trash Black Swan -- to spring out, to do a lustily precise pirouette, and to plunk down some love here for Natalie Portman's spectacular and much-deserved Oscar-winning turn as the prima ballerina Nina Sayers, our favorite sweet girl slash toe-crunching psycho.

Over this past weekend I randomly ended up re-watching two seemingly disparate horror films that you might not immediately sense a sister-bond between... 

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