Horror Actressing: Marissa Anita in "Impetigore"

by Jason Adams

Impetigore's Tara Basro (L) as "Maya" and Marissa Anita (R) as "Dini"

The concept of the "Funny Best Friend" is nothing new, but I always tend to think of the role in the context of the Romantic Comedy. Think Laura San Giacomo in Pretty Woman, who gets to be so hysterically vulgar and dumb, all the better to make Julia Roberts seem in turn like the classy and smart one. That's what these roles are there in the script for -- these Falstaffian sidekicks, who throw our lead characters' highs and lows into contrast.

But Horror Films have a storied history with these roles as well and this week Shudder premiered one of the best I've seen in awhile -- Marissa Anita playing "Dini" in Indonesian director Joko Anwar's latest fright flick Impetigore. You can drop Anita right down alongside Rose McGowan in Scream, Greta Gerwig in House of the Devil, Paula Prentiss in The Stepford Wives -- she's that terrific.

We meet Dini right at the start...

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The many faces of Hannibal Lecter

by Cláudio Alves

1991's The Silence of the Lambs won five Academy Awards, including Best Picture, thus becoming the only horror movie to ever conquer that much-coveted prize. Still, overall, the film seems to owe more to the crime thriller, the police procedural and investigative manhunt than it does to the horror genre. However, one element plunges it right into the depths of cinematic nightmares. It's a character so malevolent that it often feels larger than life, like a primordial evil closer to the divine than to the human. We're talking about the monster that tops the AFI's greatest movie villains list, the role that earned Anthony Hopkins his Oscar and made us never look at Fava beans the same way ever again – Hannibal 'The Cannibal' Lecter…

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Horror Actressing: Jodie Foster in "The Silence of the Lambs"

by Jason Adams

When I think back on Jodie Foster's Oscar-winning turn playing Clarice Starling in The Silence of the Lambs in 1991 I tend to think of a overwhelmed young woman -- Demme is constantly framing Foster as the smallest person in the room -- but one who musters up unimaginable courage. She pushes deeper into that blacked-out basement as another young woman and an injured dog shriek from the bottom of a blood-streaked pit. And I tend to think of that same small and overwhelmed young woman standing in room after room after room of big dope-faced men staring down at her, eyes narrowed, disbelieving. 

What I don't particularly tend to think of first is Clarice Starling smiling. And yet she does... Often and broadly!

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Horror Actressing: Eva Green in "Dark Shadows"

by Jason Adams

I don't think before today that I've written of a terrific performance trapped inside a truly terrible movie for our "Great Moments in Horror Actressing" series. (No Frankenhooker is actually a terrific movie, don't you dare.) But we do what we have to in order to bow down to a stellar queen like Eva Green here on the occasion of her 40th birthday, and unfortunately for me that meant suffering through for a second time Tim Burton's 2012 big-screen flop of a reboot of the Dark Shadows television soap opera. Oh the exquisite agony, but she really is that good...

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Horror Actressing: Isabelle Adjani in "Possession" (1981)

by Jason Adams

The dissolution of a marriage rendered palpable, ectoplasmic -- Andrzej Zulawski’s 1981 cult freak-out slash Cannes winner Possession was birthed mid-divorce from the director, and the labor pains are writ like arterial sprays across its every frame. It's Bergman via Jodorowsky; Scenes From a Marriage on a severe acid trip. The screen's awash in Evil Dead amounts of gunk, puss, a sparkling rainbow of ejaculatory fluids -- several squishy mattresses and one murder scene contingent on barfing later his star Isabelle Adjani takes to the hallway of a West Berlin subway station and acts so much that her insides literally come spilling out of her ears. 

Possession is, it must be said, a lot...

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