American Lone Wolf in Linking

YouTube Edgar Wright talks to the cast of American Werewolf in London, one of his favorite films.
Vulture the latest Mad Men episode in 5 gifs - yeah, I know I'm late writing this one up (and there was so much movie business, too)
Guardian great prickly interview with Judy Davis who, rather shockingly, does not like her work in Husbands and Wives (only one of the great supporting actress performances of all time!)

Moviefone interviews Anthony Mackie who will play Falcon in Captain America Winter Soldier. And bless them for asking him about rap battles with Eminem in 8 Mile.
The Ochre has an interactive movie-oriented video. You choose once choices come up. Short and quite random. 
IndieWire film critics and the 20 minute rule 
Slate the purge of Netflix Instant Watch features and queues. I'm so sad about this. Why does Netflix hate us? I don't want to go back to the world pre-Netflix when every movie cost me money and movies were so hard to find.
and
... on Twitter and Facebook we've been we're talking about Kirsten Dunst's best work today on her 31st birthday. You'd know that if you were "following" or "liking" so join us.

Three More Things About The Tony Award Nominations Today Starting With This Tweet That Made Me LOL

NO #TONY NOMINATIONS FOR BOMBSHELL? #snub

— Dave Itzkoff (@ditzkoff) April 30, 2013

That's for you "Smash" fans... those of you who remain
The Film Experience I filled out that messy post on the nominations (sorry about that) with a little more commentary and a few photos
The Onion sticks a fork in the Awards with this hilariously titled piece "Loud Desperate Need For Approval Leads Tony Nominations" 

Finally...
Over at Towleroad I've interviewed the director Yen Tan about his new gay drama Pit Stop which has already picked up a couple of prizes at film festivals even before the LGBT film festival season (which starts in May) kicks off.  One of those was from my own jury at Nashville (previously discussed). The film stars Bill Heck and Marcus DeAnda as two gay men who are struggling to extricate themselves from failed relationships in rural Texas. We talked about the trials of "gay panic" when you're casting for LGBT films, realistic sex in movies and authenticity in dialogue when English is your second language. You can see a list of upcoming screenings here (festivals in Boston, Maryland, Oklahoma City, Ann Arbor, and San Diego are next). 

Fringe! Interview: Alan Brown on 'Five Dances'

David here, with an interview from Private Romeo director Alan Brown on his latest film Five Dances, which opened this year's Fringe! Film Festival in London, a celebration of multiple queer films and artists.

Chip (Ryan Steele) and Theo (Reed Luplau)

‘I purposely wanted to test myself – I wanted to work in a freer environment. And it was terrifying -  purposely so!’ Alan Brown laughs as he describes the genesis of his latest feature. Five Dances received its European premiere as the opening night of the third London Fringe! Film Festival, a volunteer-run festival that has quickly grown in stature since 2011.

Five Dances is Brown’s fourth feature, following the great success of his homo-Shakespeare adaptation Private Romeo, currently available to watch instantly on Netflix. Brown slides together dance and drama as he tells the story of Chip (Ryan Steele), a young dancer who’s moved from smalltown Kansas to the bright lights of New York and joins a small dance company rehearsing Anthony’s (Luke Murphy) new choreography. [more]

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Interview: Rich Moore on His Long Journey With "Wreck-It Ralph"

The Animated Feature Oscar race has been unusually competitive this year. In the final week of voting (ballots are due tomorrow) FYC ads and toys were still showing up in the mail. Which to play with first: Brave bow and arrows, Frankenweenie stuffed animal, or Wreck-It Ralph hands? That is the question. When I spoke with Rich Moore, a long time animation force who made his theatrical directing debut with Wreck-It Ralph, a few weeks back he was very contemplative. Awards season has been a "surreal" experience especially nomination morning.

You hope that they will but when they really do... it was fantastic!"
-Rich Moore on the surreal joy of Nomination Morning 

Moore never quite equated his own story with that of Wreck-It Ralph's but I couldn't help projecting and connecting the dots when he told his story. There was a sturdy sweetness to it, not unlike Ralph's own, as he repeatedly expressed loyalty and gratitude for each of his past projects and opportunities. After graduating from CalArts in the late 80s he went to work for 70s animation legend Ralph Bakshi on The New Adventures of Mighty Mouse -- which might not seem like a prime gig to us in retrospect but back then it was. "Those days there were not a lot of jobs for young animators," he explained.

"We were very very lucky to be hired onto that show by Ralph. Several of the people, my friends went on to form Pixar. [Bakshi] opened our eyes. If you could dream it it could happen because we would see Ralph do that on a daily basis. He is so passionate. And so crazy!" 

After his time with Bakshi he found himself at work on The Simpsons. And the experience still sounds shockingly fresh to hear him recall it. "I was 25 years old and somehow had the wherewithal to recognize that it was the chance of a lifetime - 'If I do not give this everything I've got I will not be able to live with myself.' It was gold."

He went on to marvel at how "antiquated" the idea was at the time -- it hadn't been done since The Jetsons. And I kept thinking of Wreck-It Ralph... an 8 bit game in a whole new world. Throughout his experiences with The Simpsons and then Futurama his CalArts friends who founded Pixar kept trying to woo him over. Finally the 'annual call' worked and he did some soul searching and stopped resisting, said a tough goodbye to one animation family for his original one. 

But, I wondered. How long had the Wreck-It Ralph idea been with him and how possessive did he feel about it animation being a hugely collaborative process and not exactly an auteurist medium. 

He calls it a "fine line to walk." Your precious idea, you have to let go and allow others to raise the child as strong as it can be. Here's how it worked. Moore pitched an idea for a story about a world of videogames where an old school character (then unnamed) had lost his passion for his work, and wonders about his station in life. "It began pretty much that simply," he explains. From there it shifted into a two person project for a year with he and screenwriter Phil Johnston. "From there it just begins to grow exponentially. You add more and more people to the mix. Last September there were up to 450 people - artistis, technicians, managers -- working on something that started as a pitch between John Lasseter and I four years ago."

Moore is suddenly contemplative and sounds a little sad. "To be the guy who walks through the whole thing from beginning to end is an interesting seat to have. When people talk about 'oh, it's journey'. It really is. it's a strange kind of trip you take. I find myself now at the end very reflective about the whole thing and appreciative to have been able to bring to Disney my contribution to this long line of films they've been making since the '30s. It's a very kind of profound feeling." 

As to that long line of films, Moore names Dumbo and Pinnocchio as his favorites from animation's early years and Toy Story 2 and The Iron Giant as his modern favorites. But as for his contribution -- he isn't quite ready to put Wreck-It Ralph behind him. He has dreams of a sequel and there's still Oscar night to get through. 

"I hated Christmas or Halloween to be over. oh no it's going to be done," Moore says recalling himself as a child. "I hate to let it go. That's where my head is right now. The 11th hour on Christmas day. You hate to see it come to a close but it's been a beautiful experience. It was so satisfying."

more on animated films
more interview 

Interview: Alexandre Desplat on Composing for "Argo" & "Zero Dark Thirty"

Matt here! Knowing my music background, Nathaniel asked me to speak with Alexandre Desplat for his fifth Oscar nomination. Desplat has composed scores for over 100 films including Fantastic Mr. Fox, The Curious Case of Benjamin Button, The King’s Speech, and The Tree of Life. This year alone, he wrote for Moonrise Kingdom, Rust and Bone, Rise of the Guardians, Zero Dark Thirty, and earned his latest Academy Award nomination for his work on Argo.

Desplat conducting his Rise of the Guardians score

Not only is Desplat impossibly prolific but he produces music of unprecedented diversity. Who could have guessed that the same man behind the jaunty storybook sounds of Fantastic Mr. Fox also wrote the cloudy chords at the end of Zero Dark Thirty? [more...]

Click to read more ...

Interviewlapalooza

pssst. 7 Days Until Oscar Nominations!

Oscar ballots are due tomorrow, and for whatever problems AMPAS had with its non beta-tested new online voting system, only one measly 24 hour extension came their way. So we have to start drawing barely visiblie lines in the blog sand and collect ourselves to look back now that we're in the before & after week... "This is where we've been!". Just in case you've missed any of this film year's interviews *thus far* here they are collected for you. (I'll update this index when more 2012 related interviews come our way, via DVD releases, continuing Oscar campaigns and whatnot.) 

Actors

Alan Cumming in Any Day Now
Ann Dowd in Compliance
Eddie Redmayne in Les Misérables
Kerry Washington in Django Unchained
Logan Lerman in The Perks of Being a Wallflower
Nicole Kidman in The Paperboy
Nicole Kidman on the 10th anniversary of her Oscar win in The Hours
William H Macy in The Sessions 

Behind the Screens 

Costume Designer Julie Weiss on Hitchcock
Documentarian Jeffrey Schwartz for Vito 
Documentarian Steve James (Hoop Dreams) on Head Games and Oscar's documentary branch
Writer/Director Ben Lewin for The Sessions 
Writer/Director Michel Franco for After Lucia
Writer/Director Jonathan Lisecki for Gayby
Writer/Director Travis Mathews for I Want Your Love

Impossibly Brief Chats

Kristen Stewart in On the Road
Jack Black in Bernie 

Last Season's Interviews: 
Charlize Theron, Jessica Chastain, David Cronenberg etc...

Meanwhile I'm getting dreamy about 2013. It hasn't quite begun for us here at TFE Headquarters. Oscar Nomination Morning (January 10th) is when Santa brings us our presents (and lumps of coal) and Oscar Night is our New Year's Eve. Then the new year (read: the film year) begins. 

Up next: the 12th annual FiLM BiTCH AWARDS and the actual OSCAR NOMINATIONS