I am normally loathe to share soundbyte interviews from TV -- especially when I have full delicious ones to offer with a whole slew of actors (soon, darlings, soon) -- but this little bit with Meryl Streep explaining what it's like to play Violet Weston is choice. The 'shiv in her hair' reference is perfect. But mostly I dug her enthusiasm about Into the Woods. Hey I'd squeal too if Sondheim wrote a new song for me!
He only asks that Meryl not fuck it up. (That's all we ask too) Which delights her. Because Meryl is delightful.
Uncensored as they come to me... thoughts on the first on the first still from Into the Woods
This image gives me hope and I need it with this movie which could easily be a disaster because Rob Marshall
"blue hair"... no longer a euphemism!
Someone needs a manicure. (The place I go for my mani-pedis services Marcia Gay Harden. The manicurist couldn't speak English but obviously knew her client was a celebrity because she'd plastered her photo all around her station -- and was beaming when I acknowledged them. This has nothing to do with Meryl Streep but you know whoever does her manicures feels like they won the Oscar of nail polishing!
If they were going to give her the puffy black shoulder sleeves THANK GODDESS they surprised with the hair otherwise it could've been confused as an outtake from her eccentric auntie cameo in Lemony Snicket
Colleen Atwood's 11th nomination and 4th win for Best Costume Design? I'd call her the Meryl Streep of that category except that there are two Streeps of that category. The other being Sandy Powell (who also have 10 noms and 3 wins)
I love La Streep's singing voice. I mean LOVE it. I still regularly listen to her songs from Postcards from the Edge, Ironweed, Death Becomes Her and that wonderful undersung practically sung-through performance in A Prairie Home Companion. So I'm happy she's doing a real musical and not Mamma Mia 2: More Screaming, More Running, More OverActing
Since Into the Woods is SUCH a creation of the stage I hope they find a way to transfer it happily to this new medium. I'm hoping they really use the title setting wisely. Woods can look beautiful, eery, earthy, surreal... they're so flexible and rangey; they're the Meryl Streep of Nature.
Next Movie can you recite all of Mean Girls in half an hour? This guy in a pink shirt can. AV Club Netflix knows you're lying about all those highbrow films you claim you watch! Pop Matters this is a pretty great interview with Courtney Love about her short but fascinating career as an actress with The People Vs Larry Flynt as its focus The Playlist Woody Allen needs the right idea for his eventual "shot in Sweden" film -- he's already done his Bergman riff (Interiors) so what could he do? Dark Horizons on how they're filming Quicksilver (Evan Peters) super-speed for the new X-Men flick
Playbill It looks like Clint Eastwood's A Star is Born has been shoved aside for a different musical he's interested in since he's set to start filming his take on Jersey Boys later this month. Several cast members have been plucked from the stage show including Tony winning John Lloyd Young Empire a new Legolas still from The Hobbit: The Desolation of Smaug (I shudder every time I type that title. Such a horrible title) Esquire What I've Learned: Woody Allen Edition
YouTube you've heard that 8 year old Nicki Minaj-addict Sophia Rose Grace got the Little Red Riding Hood role in Into the Woods right? This furthers my wariness about the movie. That's actually kind of a tricky part which is usually cast older since uh... her whole plot is kind of a sexual metaphor Coming Soon filming began today on Black Sea, the latest from Kevin Macdonald (The Last King of Scotland) an treasure-hunt thriller starring Jude Law In Contention reminds that This is Martin Bonner comes out this week. I thought it was already out but no matter. Go see it. It's good. MovieWeb a television series based on The Exorcist may be on the way. No word on what happened to the previous series based on The Exorcist (from Martha Marcy May Marlene's Sean Durkin) that was supposed to be heading our way.
Deadline Happy news! Billy Magnussen, who is fabulously funny on Broadway in Vanya & Sonya & Masha & Spike (I reviewed it) will play Rapunzel's Prince in the film version of Into the Woods Variety I started with happy news because ABC Family cancelled Bunheads which is just killing me right now. Another singular piece of entertainment shuttered too soon because networks don't have the guts to support shows that aren't entirely formulaic and interchangeable with other shows concurrently airing. They say "we took extra time to try and find ways to bring the series back for another season" but I see no evidence that they did that. Signs and Sirens a provocative think piece on Melissa McCarthy's aggressive rise to the top of film comedy
Los Angeles Times RIP Actor Dennis Farina (Get Shorty, Midnight Run, Law & Order) AV Club bless them for publishing this list of 22 Best Picture winners that were released in the first six months of their years. This topic is dear to my heart and I'm always trying to sell it to Hollywood and nobody seems to believe me. Maybe people will believe the AV Club? New York Times on Woody Allen's gift with vivid female characters Cinema Blend The Freddie Mercury biopic is falling apart because surviving Queen members want it to be PG clean? Oy. Best that this project falls apart! Movie City News David Poland does some thinking aloud about Netflix. I love reading about this even though he loses me once he starts getting into a fast food analogy. But I wish someone would address the issue of accessibility. I really am having nightmares about this post-Netflix world when suddenly it's so complicated to find movies again. For a short while, the first few years of Netflix it seemed like ANY movie was available for watching and for only one monthly price. It was heaven. Now it's constricting again and you have to really search for movies and pay per view instead of subscription fees. I hate it! I do not want to have to look at Hulu, Amazon, iTunes, and Netflix and godknows what else every time I want to seek out a piece of Oscar history. Each new technology change we lose pieces of the history of the movies. It happened with VHS to DVD and it's happening now with DVD to the splintering market of Streaming. It saddens me.
Finally... Another day, sorta disingenuous Kickstarter plea to get a rich celebrity funding for a movie that they claim they couldn't make within the system even though they got a lot of shit made through the system in years past! Spike Lee is the latest millionaire asking his fans for cash. Now, I respect Spike Lee as a filmmaker far more than the guy who popularized this trend - Lee has made several provocative ballsy movies outside of and within the system that only he could have made. Some of his joints are even incredible movies (Do the Right Thing, 25th Hour) and even his failures tend to be interesting!
This is a mothafuckin body of work right here
I like Spike Lee and I am not against asking for money as my sidebar reminds but asking for money is for people who don't have it ;) People who earn a substantial living doing what they do -- should they really be the same ones shaking tin cans on the street? It's a distortion of the point of crowdfunding. The people who can't get movies made within the system are the ones that Hollywood doesn't know exist, not the ones Hollywood already supports with paychecks. I wouldn't find this trend so distasteful if even one of these celebrities would just speak the truth which is this:
'I COULD get the movie I wanted to make made within the system and get paid for it but it might take a longer time than I'd like and I heard this is an easy way to do it and I don't want to part with my own money -- remember when Francis Ford Coppola went bankrupt with 'One From the Heart'? So just give me some, okay?
I realize it's only* voicework but I'm bit sad that Samantha Morton's voice has been removed from the upcoming Spike Jonze picture Her. She was to voice the operating system that Joaquin Phoenix falls in love with in lieu of, one supposes, flesh and blood options. I thought Samantha was brilliant in insert anything from her filmography here, and even though it was only* voicework, I was anxious to "see" her again.
Morton has the most terrible ratio of talent-to-role opportunities. I don't quite get what's happened to her career as she's one of the best screen actors alive. Still, since the world has a very short memory I didn't notice much mourning online about her replacement when the news broke. Or maybe that's just because Scarlett Johansson, her replacement, is early Aughts popular again. Scarlett weathered the storm of a lame but lucrative patch in her career in which she seemed more model/spokesperson/celebrity than talent. She seems interested in actually ACTING again (see multiple trips to the stage and a wonderful spin on Black Widow the second time around) so I am free to root for her again, too.
Scarlett's voice is a wonder, it's true. But also quite an expected choice for this type of role since her timbre is so effortlessly sexy. I guess I didn't quite expect the obvious from Spike Jonze which is why I'm still processing this news.
Anyway, do you miss Samantha Morton? If you're asking "who?"... please state your age! She couldn't have faded from collective memory that quickly, could she?
When it comes to singing actresses, I'm as greedy as Ursula! In other Beautiful Voice News, Anna Kendrick has been cast as Cinderella in Rob Marshall's adaptation of Stephen Sondheim's fairytale mashup classic Into the Woods (2014)... a movie we're tracking closely but very worried about.
Since we first fell in love with Kendrick as evil scheming Sondheim-singing Fritzi in Camp (2003) and haven't ever felt quite that proprietary/excited about her again (but loved hearing the voice again in Pitch Perfect), this is potentially very good news. With Into the Woods and The Last Five Years (just discussed) both arriving in (presumably) 2014, and so quickly after Kendrick's first real success as a headliner (Pitch Perfect) will she be the first modern actress to really embrace becoming a star of film musicals?
Can you already here her version of "At the Palace"? (♥ that song!)
He's a very smart Prince,
He's a Prince who prepares.
Knowing this time I'd run from him,
He spread pitch on the stairs.
I was caught unawares.
And I thought: well, he cares-
This is more than just malice.
Better stop and take stock
While you're standing here stuck
On the steps of the palace.
-Cinderella in "Into the Woods"
Everyone else in Mainstream Hollywood seems to think of musicals as one-off larks, something to do to say that you've done it or to demonstrate how "game" you are to mix things up. (Though Anne Hathaway won an Oscar that way she's built her massive career on diversity of genre so I'd say she's unlikely to stick to the form or even return to it for some time. Sad face. CZJ was obviously born to do them but it took how many years between Chicago and Rock of Ages?) If Kendrick makes a success of both of her plum movie musical gigs next year, I shall build a shrine to her.
* I realize "only voicework" might enrage some readers and some voice actors! I don't mean it derogatorialy but for whatever reason I've observed that many TFE readers really value voice-only work in movies more than I do. Is this generational and tied to the second golden age of animation? I wonder... I mean I don't want there to be a whole Oscar category (do you?) but I do agree that brilliance is possible within the limitations of acting with one's voice alone.
Tuesday, November 26, 2013 at 10:41PM 
I am normally loathe to share soundbyte interviews from TV -- especially when I have full delicious ones to offer with a whole slew of actors (soon, darlings, soon) -- but this little bit with Meryl Streep explaining what it's like to play Violet Weston is choice. The 'shiv in her hair' reference is perfect. But mostly I dug her enthusiasm about Into the Woods. Hey I'd squeal too if Sondheim wrote a new song for me!
