TIFF Review: "Wildlife"

by Chris Feil

Paul Dano’s directorial debut Wildlife is a period domestic drama with a fire in its gut. It’s the kind of piercing portrait of a family that makes you want to marinate in all of its surprising details just as you desperately want to escape its breathlessly realized pain.

Picturing an emotionally desolate suburban America of shitty lawns and ranch style homes, Dano strikes a balance between toughness and compassion, cruelty and honesty. It's as if its family was built on the fault line of two massive tectonic plates and no matter how violent the inevitable eruption that is to come, it might be sadly better that they be ripped apart. For everyone.

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Jake Gyllenhaal and Steven Spielberg playing with the legacy of Leonard Bernstein

by Nathaniel R

Have you heard the news that there's a Leonard Bernstein biopic coming? There's good news and there's bad news. The good news is that there's a Leonard Bernstein biopic coming at all! I mean... he's only a bonafide genius of the 20th century. Even better Jake Gyllenhaal is attached to star. Even better Cary Joji Fukunaga (Jane Eyre, Beasts of No Nation, True Detective) will be directing! Gyllenhaal gives quote:

Like many people, Leonard Bernstein found his way into my life and heart through West Side Story when I was a kid. But as I got older and started to learn about the scope of his work, I began to understand the extent of his unparalleled contribution and the debt of gratitude modern American culture owes him. As a man, Bernstein was a fascinating figure—full of genius and contradiction—and it will be an incredible honor to tell his story with a talent and friend like Cary.”

More after the jump...

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Beauty vs Beast: To Boston With Love

Jason from MNPP here with this week's "Beauty vs Beast" - the director David Gordon Green is turning 43 today, so while we wait to see what he does with his Halloween sequel-o-sorts later this year let's cast an eye  a millimeter backwards towards his last movie, the very fine but somewhat overlooked Stronger. I personally was pretty sad the movie never gained any footing during the awards season for its stars Jake Gyllenhaal and Tatiana Maslany or for Miranda Richardson in Supporting - they were all worthy in my book (and Jake made the Bronze in Nathaniel's Film Bitch Awards). But time will be kind to all of them, I think. The film isn't easy on any of its characters - it refuses to sanctify the terror victim or the "supporting girlfriend" at its heart at every turn. These are complicated people in an extremely complicated situation.

panel management

PREVIOUSLY Toss a bone up and see where it lands - last week we wished Stanely Kubrick's 2001 a happy 50 and y'all surprised me with your love for humanity of all things (this is Kubrick, people!), giving Keir Dullea's space-babe a 4% victory over the dead red eye of HAL-9000. Said MARIAH, perhaps summing many of our votes up (Keir was a piece, it's true):

"I am voting for Dave because I am a homosexual male."

All the Big Sick in the World Whilst Crying Over Globe Snubs

by Nathaniel R (and friends)

Tomorrow we'll have some group commentary fun with the Globe nominations but tonight let's cry ourselves to sleep about the things we won't see celebrated on Globe night. There's still time to say a prayer to your Higher Movie Powers that they won't be as seriously stiffed with SAG or Oscar. So today I asked friends of The Film Experience and team members to tell us about the exclusion that most upset them. Since no one said Jake Gyllenhaal in Stronger (my choice) I'm giving him the lead photo treatment here because he is amazing in that movie -- so vulnerable and lived-in and present and messy. He's one of our best working actors, despite his completely inexcusable lack of awards show love over the years.

In addition to collective snub tears, I've also corralled theories as to what happened with All the Money in the World and what DIDN'T happen with The Big Sick after the jump. Do join the conversation, won't you...

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The New York Times' Great Performers' Shorts, Ranked

by Ilich Mejia

Every year, The New York Times Magazine picks their greatest performers of the year. This year's top ten each got to star in their own silent, "Horror Show" themed short. Italian-Canadian photographer Floria Sigismondi directed the group as characters that wouldn't be out of place in Beyoncé's haunted house. Hopefully next year, the magazine will branch out and recognize some of television's equally terrific performances. Check out the spooky standouts after the cut...

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