After the jump, I've selected 7 of their most important performances each (excluding current roles) and, to make it more fun, they're in chronological order so you can see how the careers overlap. Sound off on these beauties in the comments.
Jason from MNPP here with this week's "Beauty vs Beast" for your consideration -- Jennifer Jason Leigh will be celebrating her 54th birthday this upcoming Friday February 5th, after finally earning a long overdue Oscar nomination this year with her joyously profane work as "Daisy Dahmer-goo" (sorry I can only type it like Kurt Russell says it) in Quentin Tarantino's The Hateful Eight.
But Daisy's hardly my favorite villainous turn from the actress - she's always been willing to tap into the crazy, and that was a willingness that reaped righteously trashy rewards with 1992's psycho-roomate-thriller Single White Female, one of my favorites from the "psycho [fill in the blank] genre" that dominated in the early 90s. And meeting her all the way was a terrifically sweet and dazed Bridget Fonda (good god I miss Bridget Fonda), slinking around foolishly in that silver coat that haunts my dreams.
PREVIOUSLY Last week's actressy showdown didn't incolve Steven Weber getting a high heel to the forehead (much to Clouds of Sils Maria's detriment, obviously) but it did involve an incredibly close race from start to finish, and just ekeing it out in the end was (drumroll please) Kristen Stewart, with literally half of a percentage point lead over The Binoche! Talk about a photo finish. Said AndPeggy:
"This result is just testament to how great these two actresses are together. Their interplay and chemistry is what makes the film so memorable."
Randomness Film School Rejects it's all about talking animals who sound just like celebrities this year Towleroad ABC rejects a TV ad for Carol because (GASP) naked lesbian shoulders John August shares depressing box office stats on why we get so many sequels Guardian picks 5 best moment of Jane Fonda in the movies - bizarre choices beyond her Oscar winning roles Guardian investigation of why movie posters are so terrible in comparison to their aged counterparts The Wrap TV adaptation of American Gods (a must read from Neil Gaiman) has cast Ricky Whittle (the 100) in the leading role MNPP ...goes all out with an endless gratuitous post celebrating Whittle Awards Daily Awesome crusading Senator Elizabeth Warren loves The Big Short
New Projects Tracking Board Chan-wook Park to direct the adapation of sci-fi novel Genocidal Organ about homemade nuclear devices Coming Soon Oscar winning director Kathryn Bigelow and writer Mark Boal (The Hurt Locker) are reteaming for a film about the 1967 Detroit Riots. Shooting to start this summer Variety Ruh-roh Jennifer Aniston is doing a true life sports drama called The Fixer -- she's got her eyes on The Blind Side's surprise prize if you know what I mean Coming Soon(sigh) Dear Toni Collette's Agent, WHAT IS WRONG WITH YOU? I know we ask this all the time but you have not answered. (Toni is now signed to do a bureaucrat role in xXx: The Return of Xander Cage because Hollywood weirdly believes we want every Vin Diesel franchise revived) /Film Stretch Armstrong series (yes, the boys doll with stretchy arms) is going to Netflix. For kids. Variety Meg Ryann behind the camera. Her first film Ithaca did not yet find distribution which is weird (all star cast) but she's signed to direct a second, a romantic comedy even, called The Book
Theatre People Playbill Zachary Quinto, about to reprise his Spock role on the big screen, on why he prefers theater to film or television Playbill Dominic Cooper returning to the stage for a new production of The Libertine about the hedonistic Earl of Rochester in 1670s London. Did any of you ever see that Johnny Depp film version of the play?
Today's Watch A well timed brief history of white actors playing ethnic roles from Screen Crush. (Minor Quibble: Technically some consider Russian born Yul Brynner as Asian -- he claimed Mongolian heritage but others denied it was true)
Awards Update Everyone's making their final moves -- Oscar ballots out on Feb 12th. Jennifer Jason Leigh is getting a tribute at the American Cinematheque. They'll be screening Hateful Eight, Georgia (the closest she ever came to a nom' previously), her divisive Mrs Parker and the Vicious Circle (she's excellent), Single White Female and breakout hit Fast Times at Ridgmont High.
Finally, the ACE Eddie Awards were handed out last night. The winners:
When the cats away the mice will play? Something like that. This week's two part podcast marks the very first without your host (none of you needed to hear me whine about The Hateful Eight again! -- plus I was sick the day of the recording). So let's see what Nick, Katey and Joe think of it in this sure to be exciting conversation; I only have a vague notion of what they each thought of it so can't wait to listen with all of you!
24 minutes 00:01 Introductions & Teasings 02:00 Quentin Tarantino's The Hateful Eight: moviegoing crowds, racial & gender controveries, Agatha Christie mysteries 19:00 Reader Question: Three comedy performances that went wildly underappreciated this past year. Nick, Katey and Joe each pick a favorite.
Part 2 will be up shortly
You can listen to the podcast here at the bottom of the post or download from iTunes.
Tim here. The biggest strength of Anomalisa is that it's the most prominent, prestigious animated feature made in the U.S. for an exclusively adult audience in ages and ages. Since Fritz the Cat, probably; maybe even of all time. The film is the brainchild of Charlie Kaufman, who initially wrote it as an audio-driven stageplay performed by the same cast as the movie; he turned it into a stop-motion feature with the help of co-director Duke Johnson, a veteran of the dark Adult Swim satire Moral Orel. Oddly, it's perhaps the least outré film of Kaufman's career, despite being animated. Or maybe it's exactly the dirty trick of the movie that Kaufman's most ruthlessly realistic story ever would also be the one that is the least objectively "real" of all of them.
That story centers on Michael Stone (David Thewlis), a melancholy author traveling to Cincinnati to give the keynote speech at a conference for customer service representatives. Michael is not a happy man, a fact omnipresent in every facet of the film, from Thewlis's perfectly drained line deliveries, those of a man who could do with a good cry and is too tired even for that, to the painfully bland color palette of the film. [More...]
Friday, February 5, 2016 at 12:24AM 
