The Ultimate "You Can't Sit With Us"

Jose here. True story, in ealy 1998 I was obsessed with the two women to the right. Julia was the star of the first non-animated movie I owned on VHS (My Best Friend's Wedding) and Gwynnie was my straight-crush du jour having stolen my heart in Great Expectations. That year I deemed them both as my favorite actresses (I was 12) and had forgotten all about how giddy they made me until I saw them together in this picture (taken at some gala celebrating Sean Penn). Of course, I started fantasizing/thinking about all of my favorite random celebrity couplings pictures (this one of Madonna making Pé drink champagne is a very close second), not to mention thinking about how Goldie would fare as Violet in August... but before I go down an endless pit of actressing, let us know:

What are some of your favorite random celebrity pictures? Which celebrities you'd like to see hanging out together?

Vanity Fair 2014 "The Hollywood Issue" (Part 1)

Ah, our favorite magazine tradition. Vanity Fair's 20th Annual Hollywood Issue is upon us and the dozen stars selected they've selected are very carefully placed (they've read their own reviews). Instead of an all white lineup with a person of color shoved onto the back fold, this is an extremely careful, as if everything has been weighed on a scale: 12 actors, exactly equally split between both men and women, and skin color.

Of course both of those 50/50 visual situations are grossly unreflective of the actual business of Hollywood movies but we're not here to complain but to praise, it's fun to see the cover shaken up ever so slightly. If we were here to complain we'd probably say something about the lack of Asian actors (they never get their due here in America) but no one has ever asked The Film Experience to guest art-direct a cover. 

If they did ask me I would pitch things that wouldn't move copies (which is reason #203 why no one would ever ask me) but which would definitely be fun one-offs: An all senior lineup (Dernsy!, Shirley and all the Dames), an all instantly recognizable supporting/character actor lineup (Like... I dunno Margo Martindale, John Goodman, Jacki Weaver on the cover with Judy Greer sprawled out on the floor on the gatefold with Celia Weston and Bob Balaban and Irrfan Khan behind her... I could go on and on. Someone stop me). An all foreign language imported legends lineup (Bardem, Binoche, Leung, Deneuve, Loren, etcetera), and my personal ultimate fantasy cover, which we'd call "always a bridesmaid" devoted to people who always lose the Oscars they're up for: Amy Adams, Michelle Pfeiffer, Glenn Close, Albert Finney, Ralph Fiennes, Annette Bening, Sigourney Weaver, Ed Harris, Julianne Moore, Marsha Mason, Jane Alexander, and Joan Allen. GOOD LUCK DECIDING WHO GETS THE ACTUAL COVER ON THAT FOLDOUT LINEUP OF TWELVE!

In other words I wouldn't go with people who are always on magazine covers like Julia Roberts and George Clooney. But enough about fantasies. On to reality.  Let's take a closer look, starting with the actual cover

Chiwetel Ejiofor, a British actor whose film debut was in Steven Spielberg's Amistad (1997), is finally getting his due after steadily-rising film work. That's thanks to his incredibly haunted and well judged work in 12 Years a Slave. But we've loved him since Serenity (2005... which incidentally also featured his 12 Years co-star Sarah Paulson) in which his screen presence was impossible to deny.
Stats: 25 Films. 36 Years Old. 1 Oscar Nomination.
Previous Essentials: Dirty Pretty Things, Talk To Me, Children of Men
Next Up for Chiwetel: Z for Zachariah, a sci-fi drama with Margot Robbie (also on this cover) and Chris Pine

Julia Roberts, "America's (Former) Sweetheart", is Oscar resurgent for her "Supporting" [cough] role in August: Osage County wherein she swiped 'Best in Show' reviews from Meryl Streep. Of all the stars gathered for this cover she looks the happiest to be there. But wouldn't you if you were sitting on Idris Elba's lap? 
Stats: 41 Films. 46 Years Old. 4 Oscar Nominations, 1 win.
Previous Essentials: Pretty Woman, My Best Friend's Wedding, Erin Brockovich
Next Up for Julia: She's doing Ellen Barkin's angry screaming doctor/Tony winning role in the TV adaptation of the seminal AIDS play The Normal Heart 

Idris Elba, another British import, recently headlined Mandela which won him a Golden Globe nomination, his fourth. After two major critically acclaimed successes on television, he's on many a casting director's list for the movies. 
Stats: 24 Films + A Lot of Television. 41 Years Old. Not Yet Oscar-Nominated. 
Previous Essentials: Luther (TV Series), The Wire (TV Series) 
Next Up For Idris: Three movies in the can coming soon which are No Good Deed, a thriller with Taraji P Henson, The Gunman, a crime drama with Sean Penn and Javier Bardem, and Second Coming a British family drama

George Clooney, who surely needs no recapping as to his profile. Though, as great as he looks in a tux, I was hoping for a fresher choice of a cover subject since he's been so ubiquitous for so long.
Stats: 36ish(?) Films and Lots of TV, 52 Years Old. 8 Oscar Nominations (Directing/Acting/Producing/Writing), 2 wins (Producing/Acting)
Previous Essentials: Out of Sight, Oceans 11, Good Night and Good Luck, Up in the Air
Next Up for Clooney: Monuments Men which he directed and stars in, is about to open, which probably explains the cover. In 2015 he headlines Brad Bird's Disney scifi film Tomorrowland about a former boy-genius inventor.

Do you like the new cover? Here's PART TWO of the closeup breakdown

Oscar Symposium: The Fifth Spot (Part One)

In which a new Film Experience tradition begins. A pre-nomination mini-symposium about fifth spot battles...

NATHANIEL R: Things that are awesome that come in sets of five: fingers, boy bands, the filmography of John Cazale, golden rings to be used for Olympics or in song, toes, Oscar nominees... It always comes back to the Oscars here at The Film Experience, don't you know?

I never thought of myself as any more averse to change than the average person but when the Academy changed the Best Picture system in 2009 and 2010 to a top ten and then to anything between 5 and 10, the magic number suddenly becoming 9 in both 2011 and 2012, it felt like a direct attack on my sanity. But Oscar categories come in fives!!! I've never stopped internally protesting and whenever anyone suggests that the acting categories should widen as well, a little part of me dies inside or reaches for smelling salts. I've taken solace in recent rule changes that bring Original Song and Visual Effects to a clean five-wide system as well and I pray that Hair and Makeup eventually goes there, too. I need the clarity of that organizing number.

This year we're starting a new mini-symposium tradition at the Film Experience in which we gather to discuss the fifth spot. There's no point in debating the locks but usually at least one spot is up for grabs. Please welcome our panel of five: Kurt Osenlund (The House Next Door), Nathaniel R (The Film Experience, c'est moi), Christopher Rosen (Huffington Post), Sasha Stone (Awards Daily) and You (in the comments). These "what ifs" we're discussing become moot on January 16th when the nominations are announced but they're fun while they last (10 more days!). Eventually each year's acting shortlists take on a feeling of inevitability in retrospect... even the "surprise" nominees that didn't have much support in the precursors.

Are any of you feeling bullish about a surprise nominee that you think will seem inevitable once their name is read on Nomination Morning? [Supporting Categories after the jump...]

Chris, Kurt, Nathaniel, Sasha and You

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Say What? Winners

Since we're very serious about cinema here at The Film Experience, we earn our silly. I've been remiss in choosing winners for the last few Say What goofs so let's do that after the jump...

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Oscar Voting Begins! Three Suggestions for Academy Members

And so we've come to it! Oscar ballots go out today and voting begins. That's potentially great timing for The Wolf of Wall Street and (maybe) Saving Mr Banks neither of which have done well in the "precursors" -an awful reductive name, sure, but an accurate one since we're long past the days when awards groups weren't primarily existing to either influence or predict the Oscar race. Both of those late blooming films could still find Oscar favor if voters are taken with them over this holiday break. The timing is also probably good news for American Hustle which is doing strong box office and doesn't have that 'shrugged off' by precursors feeling to overcome. 

But, if early predictions from the vast array of pundits hold, this is going to be yet another year that reminds distributors that October is a really great time to release Oscar contenders (Captain Phillips, 12 Years a Slave, Gravity) and maybe not everything needs to wait until the last week of the year. 

THREE SUGGESTIONS FOR THOSE BLESSED WITH BALLOTS

01 Watch two more screeners before voting. You can do it. For those in the acting branch might I suggest Short Term 12 and Enough Said? For those in technical fields, why not try Spring Breakers or The Grand Master or something else off the beaten path? Sometimes the small, weird or foreign movies that can't afford huge campaigns have incredible performances and brilliant craftsmanship. Gravity doesn't need your votes anyway. It's safe.

Throw in a couple more screeners. You can find 3 and a ½ hours this week.

02 PLEASE STOP CATEGORY FRAUD IN ITS TRACKS. The only cure for this madness is for you, the most important movie awards voters on the planet, to reject it. You have the power. If you think Julia Roberts is brilliant in August: Osage County vote for her in Best Actress. Even the author of that film refers to her as "the protagonist" Remember that when you pretend that leading movie stars are supporting, you are in point of fact, penalizing the hardworking character actors for whom the supporting categories were created in 1936. And with so many great supporting ladies available to you this year (Sally Hawkins, Léa Seydoux, Sarah Paulson are all under-loved and why is that?) why waste one of the five spots on a leading performer. Leading ladies have their own category. Vote for Julia there! 

03 Ignore the precursors. If you want to vote for James Franco in Spring Breakers or Blue is the Warmest Color for anything or, if you're in the costuming or production design branches and really believe in the work that's happening in a contemporary or out of time film like Stoker or Her or The Bling Ring or whatever but you feel like you're wasting your vote, do it anyway! Longshots can win Oscar nominations but they only can when people like you go with your true favorites and not with whatever high profile accomplishments are happening within the presumed Best Picture nominees. 

What three things would you ask AMPAS to consider?