Manuel Gives Thanks

Manuel here. Has it really been a year since the last time I gave thanks (not coincidentally with another pic of Ms Blanchett)? I feel as though I should be giving thanks in front of some sort of food, so imagine I’ve come with a full dozen donuts from Donut Time.

I’m thankful…

- For unabashedly queer Christmas flicks featuring fab ladies.
- For having had the chance to see over twenty-four films at the New York Film Festival (and having been in the same room as Kate Winslet!!)
- For Wiig, in all and every incarnation. 
- For Joy and Joy (and consequently, Amy Poehler and Brie Larson).

- For all the delicious food on Please Like Me, a show you should all be watching!
- For Mad Men’s beautiful and perfect ending.
- For Twelve Angry Men Inside Amy Schumer, one of the greatest TV episodes this year.
- For Ben Whishaw, in all and every incarnation. (What a year he's had: Spectre, Suffragette, The Lobster, etcetera)
- For Sutton Foster, National Treasure, who was luminous in The Wild Party.
- For Adele’s laughter (and music).
- For Anna Kendrick, whose “Still Hurting” is still making me ache.

- For TV’s funny ladies. And really, that image doesn't do justice to the amazing talent on display this year (Gina! Constance! Tracee! Ellie! Amy! Ilana! Abbi! The entire Orange is the New Black cast!)

And lastly...

 - For all of you who comment and indulge me as I gab about gay things on HBO. Can you believe it's been a full six months since I started this cultural history? It definitely wouldn't be the same without the engaging and generous TFE community, so thank you all for following along!

Manuel Betancourt (News / HBO LGBT) 
An avid moviegoer, this academically minded Colombian wrote an entire dissertation on queer film fandom as, perhaps, a way of reconciling his inner critic and inner fan. Both thankfully, are given plenty of room to play here at TFE & at Manuel's own blog where he puts his queer theory training to work. His favorite film genre is "soul-crushingly depressing if beautifully lensed relationship dramas with juicy parts for actresses." Follow him on Twitter!

Small Screen MVPs: Damaged Surgeons, Haunted Houses, Coming Out

Who or what was your MVP of this past week on your tv screens?

A couple of weeks ago we polled Team Experience to share their MVPs from shows they were currently watching. You liked it so we'll attempt to do it weekly or at least bi-weekly. In this new world of infinite screens and schedules, whether you're bingeing, right up-to-date, or on demand surfing, we're all probably on different time tables so please do share yours as well.

If you watch these shows would you pick the same most valuable player?

MVPs of the Week

Agents of S.H.I.E.L.D.'s Director
It's taken this show a while to get to a place where it feels confidence in taking artistic risks, but last week’s episode, ‘4,722 Hours’, saw the once meek show taking its most audacious move yet under the helm of director Jesse Bochco. When Simmons (Elizabeth Henstridge) was snatched by the Monolith in season two’s brutal stinger, I never expected that the show would tackle the aftermath in such sober, thoughtful form. Bochco even dares to omit the regular title card, using a simpler, more elegant logo atop a vista of the deep blue planet.

Immediately, then, Bochco marks ‘4,722 Hours’ as a singular artistic endeavour, a quite remarkable thing in a Marvel Studios empire that has continually driven away individualist directors. Alright, so the episode still fits within the show’s larger template and is constructed with tropes familiar from many lone survivor sci-fi tales, but it feels full of personality, submerged in the midnight blue light of eternal night, allowing Henstridge to dig into Simmons’ psychological trauma that the show had presented to us in the previous episodes. It’s an episode full of confidence and trust in both character and audience. Let's hope it’s one that signals an even brighter future for a series going from strength to strength. - David Upton

The Walking Dead's Executive Producer
Thank you, Robert Kirkman, for backing the hell off. [More...]

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Queer Horror Night: You're Killing Me

Manuel here to talk about a new entry in that ever-growing queer horror genre, just in time for Halloween!

What if you were so steeped in irony that, when a random (but totally hot) stranger creeps up to you, admits to stalking you and having killed his ex-boyfriend you think it’s the funniest thing in the world, because, like, who even says things like that?

“Well, he’s not scary. He’s gorgeous! He just has a weird sense of humor…”

That’s the premise behind Jim Hansen and Jeffery Self’s You’re Killing Me, a horror comedy playing at NewFest just in time for Halloween.

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Q&A: Sexy Vampires & Dolled-Up Monsters

For this week's Q&A we asked for questions that would get us in the Halloween spirit. So let's talk sexual vampires, scary monsters, queer horror, and unsettling auteurs.

Let's jump right in to nine creepy spooky occasionally queer questions, shall we? 

Ryan T: What are your favorite vampire performances onscreen, film and TV?

The glut of bad vampire movies over the past couple of decades may have killed my former passion for bloodsuckers but nothing can kill the love of great acting so this must be answered. With due respect to the Lugosis, Schrecks and Lees who pioneered, let's fast forward to contemporary-ish cinema and television after the jump...

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Belated Thoughts on "Freeheld"

Freeheld, the civil rights drama based on the Oscar-winning documentary short of the same name, hasn't made an impact at the box office or with critics but it really should've been featured on The Film Experience of all places. We apologize for the delay but better late than never... especially when it involves dying wishes!

First a wee bit of background: Autospell keeps trying to change the title to "Freehold". For what it's worth the Freeholders, a local county governing board, are the antagonists of the picture. They're a group of men who deny local hero cop Laurel Hester (Julianne Moore) her dying wish that her pension go to her domestic partner Stacie Andree (Ellen Page) when she dies. The only thing that keeps the Freeholders in the human realm and away from cartoon moustache-twirling is Bryan Kelder (Josh Charles), the most conflicted of them who doesn't see what the big deal is about granting her wish but also isn't conflicted enough to put his career on the line and he's running for a bigger office soon. The boards refusal stirs up a firestorm of activism in her home county in New Jersey

Here are a handful of thoughts on the movie...

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