A slow week at the box office. What did you see?

What did you see this past week/weekend?  

Weekend Box Office December 3rd-5th 🔺 = new or expanding | ★ = recommended
WIDE RELEASE	LIMITED RELEASE
HOUSE OF GUCCI	LICORICE PIZZA
1 ENCANTO ★ $13.1 (cum. $58.3) Songs ranked	1 C'MON C'MON  ★🔺$565k on 565 screens (cum. $1.1) Jason's Review
2  GHOSTBUSTERS AFTERLIFE  $10.3 (cum. $102.2)	2 LICORICE PIZZA ★ $241k on 4 screens (cum. $779k)
3 HOUSE OF GUCCI  $7 (cum. $33.8) Lady Gaga's Costumes, Capsule Review	3 BENEDETTA ★🔺$136k on 201 screens (cum. $136k)  Jason's Review
4 ETERNALS   $4 (cum. $156.6) Nathaniel's Review	4 ALINE  $90k on 72 screens (cum. $380k)
5 RESIDENT EVIL: WELCOME TO RACOON CITY  $2.6 (cum. $13.2)	5 WOLF 🔺 $82k on 308 screens Jason's Review

The box office was down for everything, which is typical for the weekend after a holiday weekend. But it's not all bad news for Hollywood. Ghostbusters and Dune both broke the $100 million domestic barrier, Licorice Pizza continues to pack theaters (albeit only 4 of them), and Encanto is a solid performer though Disney is barely giving it any time to earn money in theaters since it hits Disney+ on Christmas Eve.

This Friday Things really heat up. Steven Spielberg's remake of West Side Story opens in wide release (with high expectations). Sean Baker's latest fringe comedy Red Rocket opens in limited release. The new Sandra Bullock Unforgiveable begins streaming on Netflix. The new Riz Ahmed Encounter beings streaming on Amazon. And, on a last note, two more Best Picture Oscar hopefuls the political satire Don't Look Up and the showbiz drama Being the Ricardos get their theatrical qualifying releases before moving to their streaming platforms, Netflix and Amazon, in time for Christmas.

"Licorice Pizza" it is for NBR

by Nathaniel R

The National Board of Review has spoken naming Paul Thomas Anderson's Licorice Pizza, the best of the year. The meandering 'California in the 70s' romantic comedy between a directionless 25 year old woman and a 15 year old child star/entrepeneur has delighted critics since it started screening and the NBR (though they're not a critics group) also felt the vibes. It's still shocking to me, personally that the internet isn't outraged about the plot alone (even though the film is careful about not really going there) while at the same time the internet loves to harass fully-grown adult stars with age differences. But... that's a distraction since social media outrage is a very different thing than awards organization proclivities.

The full list of winners, Oscar stats, and more NBR history including their 'recency bias' problems follow after the jump...

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Magic Mike's Last Link

• Stabroek News "Not a King but a Queenmaker" interesting take on King Richard
• Thrillist Esther Zuckerman talks to Paul Thomas Anderson about shooting a key scene in Licorice Pizza inside her childhood home
• Deadline Penelope Cruz teaming with Pedro's production company for a four-part documentary series on the global problem of child marriages
• Vulture on that impossible tracking shot in The French Dispatch
• InStyle Rita Moreno looks back on her career before hitting the big 9-0

More after the jump including Zendaya, Sondheim and New York City, C'mon C'mon, and the return of Magic Mike... 

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Best Picture, Directors, Screenplays. Where are we at?

by Nathaniel R

With virtually every late year release, save arguably House of Gucci, meeting an enthusiastic response even if they weren't quite expected to (hello showbiz drama Being the Ricardos and all star satire Don't Look Up) and two more potential behemoths about to start screening (West Side Story and Nightmare Alley) the Best Picture race is yet more crowded and confusing. Let's break it all down...

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Yes No Maybe So: P.T. Anderson's "Licorice Pizza"

by Nathaniel R

Paul Thomas Anderson's ninth feature film is almost upon us. As one of America's most singular auteurs that's reason to celebrate whether or not this turns out to be top tier Anderson or his nadir. Licorice Pizza (which went by the equally odd title Soggy Bottom previously) is due to open on November 26th in select cities followed by a nationwide bow around Christmas. The trailer uses "Life on Mars" by David Bowie from 1971 as its primary soundtrack. The presence of hairdresser turned movie producer Jon Peters (Bradley Cooper) in his Barbra Streisand phase places us even more specifically in the mid 1970s during the peak of Bab's movie stardom when practically every film was a smash hit (Peters and Streisand started dating in '73 and he helped produce A Star is Born in 1976) so on the timeline we're sandwiched directly inbetween Anderson's Inherent Vice and Boogie Nights if you want to rewatch his movies chronologically as they take place for kicks. 

Let's break down the trailer with our Yes No Maybe So system after the jump...

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