First Look at Best Makeup and Hairstyling

Kieran, here. The three films nominated for Best Makeup and Hairstyling at the Oscars this are an interesting bunch.  The Academy had a lot of options to choose from and it almost feels miraculous that they didn’t default nominate things like The Danish Girl or Black Mass, which (questions of merit aside) are practically begging the viewer to notice the makeup work in both cases.  Even if they’re not yours, it’s a respectable crop of nominees. An aside: if we’re going to get five original song nominees every year no matter what, why only three nominees in this category? Curious…

 Mad Max: Fury Road – Lesley Vanderwalt, Elka Wardega, Damian Martin

Previous Work: A lot of features with both George Miller and Baz Luhrmann, but as supervisors (makeup supervisors don’t get nominated, so they weren’t cited when Moulin Rouge! was nominated in 2001)

How They Got Nominated: It almost feels like a silly thing to ponder when looking at the rich tapestry of character designs populating Mad Max: Fury Road. In a way, it could have all felt very random and directionless, but manages to feel cohesive in an “organized chaos” kind of way. It all feels of a piece, even if the makeup work varies greatly from character-to-character. Lesley Vanderwalt has stated that Miss Giddy was the character who took the longest to create, with her intricate, other-worldly body etchings.

 The 100-Year-Old-Man Who Climbed Out the Window and Disappeared – Love Larson, Eva Von Bahr

Previous Work: Many Swedish films, though they did work on David Fincher’s The Girl With the Dragon Tattoo (not the original Swedish language version, oddly enough).

How They Got Nominated: Our Alone, Yet Not Alone nominee of 2015 in that “Who? For what?” kind of way. Few were predicting this to get in, though we probably should have been.  Old age makeup is to the makeup branch what gunfire is to the sound branch—its mere presence in a film automatically makes it a contender. Not to say that there’s undeserving makeup work at play in The 100 Year-Old-Man Who Climbed Out the Window and Disappeared (it’s on Amazon for anyone who wants to check it out). The old age makeup here is…about as good as old age makeup should look in a major motion picture. It’s not wholly convincing in terms of believability, nor is it Benjamin Button-level absurd in how over-the-top it is. And (just in case you were wondering) this film has not replaced Who is Harry Kellerman and Why is He Saying Those Terrible Things About Me? as the longest title of an Academy Award-nominated film.

 The Revenant – Siân Grigg, Duncan Jarman, Robert A. Pandini

Previous Work: Siân Grigg is basically Leonardo DiCaprio’s J. Roy Helland. He’s been his makeup artist on every film since Titanic. If the campaign is not playing up this angle already, they really should be. And here's hoping Leo thanks him in his speech.

How They Got Nominated: The Academy clearly liked The Revenant a whole lot. But, even setting aside the films massive nomination tally, there is good makeup work going on here. In fact, of all The Revenant’s 37 nominations, this is the one it arguably deserves the most (sorry, Leo). The team is in it to win it, too. They’re already making the rounds about how Leo sat in hair and makeup for an exhausting five hours each day to apply the wounds and gashes, which do look pretty impressive.

 What’s your pick to win among these nominees? What missed out on a nomination that was deserving?

ASC Nominations for Best Cinematography & Adjacent Oscar Histories

John Seale and George Miller on the set of Mad Max Fury Road. Two 70somethings showing everyone how its done. The American Society of Cinemotagraphers have voted on the best of 2015's theatrical features. It's a year that can only be described as a filthy rich in terms of this artform. One only has to peruse the work of lower profile contenders that didn't make it to feel staggered by the abundance of worthy creative work being done in the field. 

But the rising talents -- and even some of the older giants -- in this arguable new golden age of the artform will have to wait another year for ASC and possibly Oscar honors. The guild went with a murderer's row of international legends this year. The ASC Nominees hail from five different countries (UK, Poland, Mexico, their average age is 62½  and between them they've amassed 31 Oscar nominations, 5 Oscar statues, 8 BAFTAs, and 5 Spirit Awards. That's a whole lotta statuary honoring their influential careers. 

Cinematography history and more on the nominees after the jump...  

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Academy's Make Up and Hairstyling Branch Triple-Down on Tom Hardy

Glenn here. If there's one thing we know about the Academy's make up and hairstyling branch it's that we know nothing about what they will or will not like. Evidence of that is quite clear in this year's preliminary shortlist of seven contenders, of which three will be selected as the nominees. As we are all aware, the make up and hairstyling category remains the only one with three nominees each year - give or take a slow year in the world of animation - despite every film having it in some capacity and despite being one of the few categories that doesn't have a predetermined sway towards prestige.

This year's field of seven is as wholly unexpected as we have come to expect from both the branch and from this year in general. The list of films in contention for a nomination who will get to present their works to the branch, include Tom Hardy, Tom Hardy, and Tom Hardy. [More...]

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Awards Update: "Mad Max" for OFCS / "Youth" for EFA

Michael Caine finally takes a prize for YOUTH. But is it too little too late for Oscar to notice?ICYMI in Awardage
"Previously on The Precursors..."  Gotham, Spirit, OFCS, NBR, NYFCC, LAFCA, BSFC, SAG Noms, SAG Ensemble, Golden Globes, Nominee Reactions, BFCA Noms

The Online Film Critics Society jumped on Furiousa's rig to go on George Miller's wild apocalyptic ride.  Mad Max Fury Road took 4 prizes, the clear winner of their annual honors. Carol won both acting awards for women because that's the world we live in... I could see this happening at Oscar too if they also embrace Rooney Mara's fraudulent "supporting" campaign (sigh). I love both of those performances so I want to be happy about it but... you know... it ain't right. Unless they actually tie for Best Actress. But that's only happened once, so...

Kudos to OFCS for breaking the critical sweep for Amy in documentary -- it seemed strange given the hundreds of documentaries released each year that only one film would win things. They went with The Look of Silence.

More on online critics and the European Film winners after the jump...

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Critics Choice Nominations: "Fury Road" Leads and Category Fraud Refuses to Die.

Furiosa is coming to devour your Critics Choice AwardsThough I am a member of the BFCA, the organization behind the Critics Choice Awards, I can't say I'm often too pleased with their choices. Their penchant for attempting to predict the Oscars rather than voting based on earlier reviews continues to be the source of endless frustration. For example: everyone thought the SAG nominations were insane when they were announced but just a week later, the BFCA is repeating them despite lukewarm reviews (at best) for films like Trumbo. And though the reviews for Joy have been anything but great they gave it two major nominations, surely based on a year of Oscar expectations for it. Their difficulty in looking past mainstream pictures even in categories ripe for invasion from indies is also truly unfortunate (Tangerine and What We Do in the Shadows for example have 96% and 97% approval ratings from critics on Rotten Tomatoes and NONE of the BFCA's nominees for Best Comedy come anywhere close to those scores. Hell, Joy is currently at only 56% which is not good. And BFCA members are part of the Tomatometer so what does that tell you?

Unfortunately the members also embraced all the Category Fraud contenders in their studio preferred categories despite the BFCA endorsing a lead vote for Rooney Mara before voting began and somewhat suggesting that maybe Alicia Vikander didn't belong in supporting either. I understand from voting members of the OFCS that this exact situation preceded their vote. It's tough to root out Category Fraud when people have been so conditioned by the studios to believe that anything goes.

The complete list of nominees for film and television (with commentary is after the jump)

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