Film Review: Downton Abbey: A New Era

The sprawling cast of "Downton Abbey" goes to France and gets into the movie business in this new sequel.By Christopher James

Martin Scorsese described Marvel movies as theme park rides, not films. As derisive as that is, there’s some truth to it. What are theme park rides other than rushes and thrills, zooming through a theme or story with the sole purpose of making you react and cheer? If Marvel movies are a roller coaster, Downton Abbey: A New Era is an ornate, hundred year old Merry-Go-Round. It’s a theme park ride in that it exists solely to take fans through the hallowed halls of Downton, rather than to make a grand cinematic statement. That’s what makes this installment much better than the previous film. It cycles through the greatest hits with tremendous efficiency and spirit. The large ensemble is all smiles as they sip tea and gossip. Penelope Wilton and Maggie Smith land every sassy remark with a knowing grin. Girls just want to have fun, and my is Downton Abbey: A New Era low thrills fun!

Like a schoolyard dodgeball game, Downton Abbey: A New Era sets up two sides and divides its characters up between the two plots hastily. No sooner does the wedding between Tom (Allen Leech) and Lucy (Tuppence Middleton) end before Violet Crawley, the Dowager Countess of Grantham (Maggie Smith) decides to upstage them with her own revelation.... 

Click to read more ...

Almost There: Maggie Smith in "The Best Exotic Marigold Hotel"

by Cláudio Alves

It's time to wish a happy anniversary to The Best Exotic Marigold Hotel. John Madden's unlikely box-office juggernaut was first screened ten years ago on the Sorrento Incontro Internazionale del Cinema. Truth be told, it's not a fantastic flick, adapting a Deborah Moggach novel into a toothless feel-good comedy that reeks of good intentions corroded by colonialist condescension. Where it triumphs, however, is in casting. Madden managed to gather a remarkable ensemble, made up of charismatic British thespians who could deliver great performances with their eyes closed and a hand tied behind their back: Judi Dench! Maggie Smith! Bill Nighy! Penelope Wilton! Tom Wilkinson! And more. 

Indeed, their collective work singlehandedly makes the movie into a middlebrow delight. From that collection of beloved British entertainers, Maggie Smith probably came closest to an Oscar nomination…

Click to read more ...

Smackdown '86: Tess, Piper, Mary Elizabeth, Dame Maggie, and Dianne Wiest!

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back to 1986.  

THE NOMINEES  For the 1986 film year the Academy honored three newbies (Tess Harper, Mary Elizabeth Mastrantonio, Dianne Wiest) the latter of whom would become a two-time winner, and welcomed back two veterans (two time winner Maggie Smith and previous nominee Piper Laurie). The characters assembled were a nosy cousin, a savvy girlfriend, a neurotic actress, a spinster chaperone, and an estranged mother.

THE PANELISTS Here to talk about these performances and films with your host Nathaniel are two regular TFE voices Cláudio Alves and Lynn Lee as well as civil rights attorney / cinephile Jonathan Diaz, and writer/cartoonist Rob Kirby.

 SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast is embedded in this post and can also be heard at Spotify, Stitcher, iTunes...

Click to read more ...

A Room With a View Pt 2: Sacred puddles and stuffy engagements

Previously in our deep dive retrospective into A Room With a View (1986), Cláudio considered Lucy Honeychurch's Florentine summer and the sharp storytelling instincts of one James Ivory in the director's chair.  Sensual Italy was viewed with both wonder and suspicion as proper English decorum played constant defence against passion. And, as Mr Emerson might add, played offense with its other sworn enemy "common sense". We also met the classic film's remarkable cast of characters (though there are three key introductions left).

A ROOM WITH A VIEW
(a three part miniseries)
part 2 by Nathaniel R

39:13 After Lucy and George's very decorum-breaking makeout sesh in the countryside, the parties involved have all high-tailed it back to their pensione to retire for the night. Their heads are still spinning from the events of the day. Particularly (poor) Charlotte's. "What is to be done? How do you propose to silence him?" is her four alarm question to Lucy. Lucy, for a delicious beat too long in the shot above, doesn't appear to be listening; we know exactly where her head is at.

Please note that this shot of Lucy comes brilliantly on the heels of a pan up from George running, elated, in the rain into stormy clouds. Cut to this beautiful frame of Helena Bonham Carter, her head still in that passionate storm, her glorious mane as wild as nature itself. Charlotte is brushing it so violently it's like she's trying to tame it...

Click to read more ...

A Room with a View Pt 1: A Florentine Summer

Occasionally we'll take a movie and baton pass it around the team and really dive in. If you missed past installments we've gone long and deep on Rebecca (1940), West Side Story (1961),  Who's Afraid of Virginia Woolf (1966), Rosemary's Baby (1968), Cabaret (1972), Silence of the Lambs (1991), Thelma & Louise (1991), Aladdin (1992) and A League of Their Own (1992).  

 

A ROOM WITH A VIEW
(a three part retrospective)
part 1 by Cláudio Alves

Ismael Merchant and James Ivory's breakthrough hit, A Room with a View, based on the 1908 novel by E.M. Forster marked the beginning of a new era of British costume pictures. It opened in both the UK and the US in the spring of 1986 (the year we're celebrating this month at The Film Experience) on its way to becoming a beloved modern classic.

The movie won the BAFTA for Best Film and was nominated for 8 Academy Awards, including Best Picture. Since it's currently streaming on both HBOMax and the Criterion Channel, it's a perfect time to revisit. Let's dive in...

Click to read more ...