Valentine's - A Room With a View

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Lynn Lee on an 80s classic

Great Moments in Screen Kisses #20, Julian Sands and Helena Bonham CarterEveryone who loves this film remembers The Kiss.  It’s the moment proper Edwardian girl Lucy Honeychurch (a very young Helena Bonham-Carter), vacationing in Italy, discovers romantic passion for the first time.  She doesn’t know it yet, but the odd free-thinking young man she’s only recently met (Julian Sands) is her soulmate.  He knows it, though.

Besides being (literally) storybook-romantic—a sun-drenched poppy field in Italy! lush soprano aria in the background!—the kiss is also wreathed in comedy, as the film cuts back and forth between Lucy, wending her way uncertainly towards George, and her fussy chaperone Charlotte (Maggie Smith) bonding with another fellow tourist, a hacky romance novelist (Judi Dench), over scandalous love stories before she starts to worry about Lucy.  Meanwhile, the Italian driver who led Lucy to George looks on in amusement at what he has wrought.  He knows what’s up, his own public display of affection having been previously smacked down by these uptight Brits.  But the Kiss will not be denied.

It’s also the kiss that keeps on giving for the rest of the movie.  Its memory haunts Lucy during her utter failure of a first kiss with her fiancé, Cecil (Daniel Day-Lewis, vying for comic MVP with Maggie Smith), in England.  It reappears again at a critical and exquisitely awkward moment as a passage in a terrible romance novel, penned by none other than Charlotte’s novelist friend, that the clueless Cecil just happens to read out loud to none other than Lucy and George.  The tension that was simmering since George’s reentry into Lucy’s life then comes to full boil, precipitating a chain of events that eventually forces out in the open what Lucy’s been denying for too long: she and George belong together. 

All thanks to one glorious kiss.

Our Valentine's Series
Shakespeare in Love (1998)
Before Sunset (2004)
The Painted Veil (2006)
Love Songs (2007)
(500) Days of Summer (2009)
Beyond the Lights (2014)

Who's Your Favorite Dame?

Imelda Staunton. Photographed by David Rose. [Source]Here's Murtada on his favorite subject; British ladies of a certain age who delight on screen and stage.

Happy New Year! Some Brits usher in the new year celebrating their newly bestowed knighthoods. This year Queen Elizabeth II honors, among others, Idris Elba and David Oyelowo. There are different designations to the honor. For example Imelda Staunton became a CBE i.e. not yet a Dame but well on her way. It’s obvious The Queen hasn’t ventured out to the theater in 2015 or Staunton would be Dame Squared for her triumphant Mama Rose alone.

This year’s newly minted Dames are British TV stalwart Barbara Windsor (EastEnders, the Carry On movies) and Welsh stage veteran Sian Phillips (Daniel Day Lewis’ mother in The Age of Innocence), who was once Mrs. Peter O’Toole.

But when we talk dames we mostly talk about the holy trinity who still have vibrant movie careers: Judi, Maggie and Helen. No last names necessary if you say Dame first. Oscars and other awards, big successes on the boards on both sides of the Atlantic and long thriving careers for all three.

But who is your favorite? To help you decide let’s dig a bit deeper. [More...]

Click to read more ...

What a Link. What a Lovely Link

BFI Check out the Sight & Sound poll for 2015. Not pleased that The Assassin topped the immeasurably finer twofer of Carol & Mad Max Fury Road but it is what it is. Perennial critical darling peculiarities abound like Blackhat placing about Ex Machina. Oh please. I didn't hate the former like some but one must assume that's solely on Michael Mann's reputation, the way some filmmakers get a competition spot at Cannes simply because they directed something.
HuffPo Reid Ewing from Modern Family talks about body dysmorphia and getting frequent plastic surgery
The Guardian on a Carol gift-wrapping promotion - it breaks my heart that people keep thinking this is a watch it on DVD film. It's SO breathtakingly cinematic. GO TO THE THEATER.
/Film Gremlins may take a page from Jurassic World/Creed and continue the story decades later

 

Coming Soon latest Star Wars The Force Awakens news & rumors if you're into that sort of thing. We made a very conscious choice not to watch anything beyond the teaser or to cover it until ti opens. We want to preserve the mystery and thus the possible joy.
Antagony & Ecstasy reviews the original Star Wars trilogy
MNPP Matt Bomer may play The Last Tycoon for Amazon
Vanity Fair Ryan Gosling may play Neil Armstrong for Damien Chazelle
In Contention how the critic awards can boost players in the Oscar race
/Film there are competing Evel Knievel movies on the way one from (possibly Martin Scorsese) and one from Channing Tatum. Do kids today know who Knievel is?
AV Club Michael B Jordan is up for another Creed movie. The movie is set to make back its budget this Thanksgiving weekend
Serving Cinema in defense of Angelina Jolie's By the Sea
Lip Sync Battle Anthony Mackie "2 Legit 2 Quit" versus Joseph Gordon-Levitt's "Rhythm Nation"
New York Times ABC actually cancelled a show! But this is a rare with TV's new ratings math
Towleroad two Brazilian actors share a kiss on live tv to combat homophobia. Our Brazilian readers should tell us if these two are as famous as this article implies.
The Hollywood Reporter has an articles about LGBT cinema losing its edge. That's a topic that can be argued about certainly but Carol is an absolutely terrible example since Todd Haynes hasn't lost one iota of his power or daring and the "frostiness" that people complain about with that movie is hardly pandering, you know.
Kevin O'Keefe skewers the article with one well placed barb.

Perhaps you are not the optimal person to be writing about CAROL then! https://t.co/16uLFtBVLF pic.twitter.com/v2NsDNGIgi

— Kevin O'Keeffe (@kevinpokeeffe) November 24, 2015

"Category Fraud" Has Gone Mainstream
I can't remember if I coined the term -- let's just say I did -- but I've been preaching against its evil like an obnoxiously pious mad prophet the entire time I've been Oscar blogging... which is quite a long time now. I've been seeing articles about it everywhere this year including this new one from The Hollywood Reporter. You know how when you love an obscure band and then everyone "discovers" them after the fact and you feel kind of betrayed? That. Don't get me wrong: I'm glad people are paying attention now -- perhaps we reached some sort of peak fraudulence where it became impossible to deny the problem anymore? But I also do not like that articles about this never address the media's own hand in creating this monster. (For this next sentence you'll remember that Nathaniel is playing the role of a mad pious prophet in this story and forgive his superiority complex). Other than The Film Experience practically every awards pundit /  site has actively encouraged this 'all fraud all the time / end justifies the means world we're living in by regularly rationalizing leading roles as supporting in articles and actively encouraging studios and publicists to pursue fraudulent campaigns for "better Oscar chances"

Weekend Watch
Jake Gyllenhaal discussses his progressive upbringing and Brokeback Mountain. I love this. Yes, we'll be celebrating the movie soon for its 10th anniversary in December.

Sir Ian McKellen talks Dame Maggie Smith and Oscar good luck charms from his stage show in Los Angeles last weekend "Women I've Filmed With"

AFI Fest: Lady in the Van

Anne Marie here reporting from Hollywood & Highland.

Let's be honest: there's probably only one reason you (or anyone) is interested in The Lady in the Van. If you own a copy of The Best Exotic Marigold Hotel, if you kept watching Downton Abbey even after Julian Fellowes killed two main characters and the series lost focus, then I have good news for you: you will love The Lady in the Van. Dame Maggie Smith is in top form, and the movie is devoted to giving her a variety of small acting moments that pop up in awards show montages and internet gifsets. Even if the rest of Nicholas Hytner's movie is unrelentingly average, Dame Maggie Smith is a delight.

First, let's talk about Maggie. In the last 20 years, the Dame has made a career of playing colorful, curmudgeonly women, effectively destroying - along with her Dames in Arms Helen Mirren, Judi Dench, and Angela Lansbury - the idea that older actresses aren't interesting. (There's a question to be asked about why all of these successful, terribly interesting older actresses are British, but that's a tangent for another day.) As the titular homeless woman who parks in the driveway of a put-upon playwright (Alex Jennings) for 15 years, Maggie Smith continues this fine tradition. Alternately infuriating and empathetic, crazy and charismatic, disgusting and distinguished, Smith creates a character so bizarrely contradictory that you understand why the writer allowed himself to be inconvenienced for almost two decades beginning in the 1970s. Sitting next to Nathaniel and eurocheese, I don't know that I've seen a festival audience react as gleefully to a moment so small as when Dame Maggie Smith, clad in a nightdress and a smelly rain coat, cracked a small private smile while riding a duck on a merry go round.

The rest of the movie is about what you'd expect from a BBC drama - familiar character actors, comedy stemming from British polite timidity - with one exception. The playwright Alan Bennett (who adapted his own play for the screen) splits himself into two characters: the man living the events, and the writer observing them. At first, the conceit is fun, since it gives the observing ego a chance to make the snide remarks that polite British gentlemen just won't say. However, as with many movies that rely on narration, eventually the writer gets didactic, and begins informing the audience how to think and feel about his story. But what he refuses to comment on is more interesting. While he was busy belaboring the connection between his guilt over his ailing mother and the homeless woman he allows to sleep in his yard, I was more curious about his closeted sexuality in Margaret Thatcher's England. 

Ultimately, as a showpiece for Dame Maggie Smith, The Lady in the Van delivers. As a BBC drama, it's a little more interesting than usual. Jim Broadbent, Dominic Cooper, and James Corden all make appearances, but are criminally underused. There's one reason to see The Lady in the Van. But it's a good reason in itself.

Grade: Maggie Smith A / Rest of the movie C+ Total = B

Oscar Chances: In a less competitive year, Dame Maggie Smith would be a shoe-in for a Best Actress nomination. As it is, she probably won't make the cut.

Magic Carpet Link

NY Times talks to David O. Russell about Joy... which still is not screening. The mystery of it all
Playbill Aladdin flew through the streets of NYC on his magic carpet recently. How's that for marketing?
Gold Standard Character actors get their own award "The Carneys"... we wouldn't need this if the Academy remembered why they invited the Supporting Acting categories. The first recipients:  Bob Balaban, Michael Ealy, Bruce McGill, David Paymer and CCH Pounder
THR wishes Toni Collette a happy birthday with fun facts

/Film Jennifer Aniston hasn't made a good film in 10 years. Can What Alice Forgot change her course?
Guardian suggests that appointment franchise cinema will end with Hunger Games: Mockinjay Part 2. "IF ONLY!" says all of us who year for movies to be movies rather than expensive television series
Variety talks to Karl Glusman about his first day on the set of Gaspar Noé's Love -- they started with the ejaculation scene. Yikes
Variety interesting. The very talented Pablo Larraín (No) is making a movie about Jackie Kennedy and Natalie Portman stars with Peter Sarsgaard, and Greta Gerwig in support
Graham Norton talks to Maggie Smith who isn't sad to say goodbye to Downton Abbey 
Variety selects under the rader performances that "deserve" Oscar buzz. While it's nice to see more props for Kristen Stewart's great work in Clouds of Sils Maria, it's tough to take this seriously: Helen Mirren in Woman in Gold? Good god did she ever phone that one in! Ruffalo "reinventing" himself for Spotlight? Try repeating himself! 

Halloween Hangover
Crave Bryan Fuller (Hannibal) chooses the most stylish horror films from Repulsion to The Haunting
HitFix they polled several writers/directors/critics to list their fav horror films. Not enough actresses on the list but I LOL'ed that Elvira gave herself the #1 position
Gothamist photos from the Village Halloween parade
TFE Facebook / TFE Twitter  in case you missed it I was goofing with counting down my 15 favorite horror films last night from Whatever Happened to Baby Jane? to Silence of the Lambs -- "it puts the fuckin' movie on the list. It does this whenever it's told."

Also if you aren't liking / following / sharing The Film Experience on social media... why you wanna hurt us like dat?

Finally... 
Did you hear there's a fully poseable Michaelangelo's David action-figure? Want! Also why is there not a movie about the creation of this work of art?  

Would you watch a movie about the making of Michelangelo's David?

Yes. I'm all about the Italian Renaissance

Entirely depend on the casting of David.

No. I'll just look at the nude gifs on the internet.

Poll Maker