Podcast Nom Reactions Pt 2: All Category Run Through

I've had bizarre trouble in getting this last two-part podcast up! I am technologically inept I suppose. I never can explain / figure out what happens when things go wrong but nevertheless here is finally part two of that Post-Nomination discussion. In Pt. 1 Joe, Katey, Nick and I (Nathaniel) discussed the big eight categories and answered reader questions.  

Pt 2:  Animated Feature, What happened to The Impossible?, Best Pictures, Small Pictures and Craft Categories, Best Makeup (and Hairstyling!), Costumes, Best Actor,  is Cinematography the "Supporting Actor" of the craft categories this year?, and lots of praise for Amour.

You can download the podcast on iTunes or listen right here at the end of the post. 

Category Run Through

Raven Haired "Mama"

Jose here. By the time this weekend's over, Jessica Chastain will have finished taking over the world her latest movies in the first and second spots of the box office (help me out here, has this happened before?), which might not mean she's a money-making sensation (at least not yet) but will undoubtedly expose her brilliance to a broader audience. The Oscar nominated Zero Dark Thirty, whose commercial success is undoubtedly owed to the torture controversy, dropped to second place, while the horror movie Mama is set to open as number one with a figure in the mid-twenty millions

http://thefilmexperience.net/blog/2013/1/20/raven-haired-mama.html

The Guillermo del Toro-produced movie seems to be a good 'ole "mediocre January horror flick" but it's actually not half bad. I saw it earlier today and was shocked upon realizing I hadn't rolled my eyes a single time. The Chastainite in me wants to say the movie owes itself to her, but in reality, the direction and cinematography seem like a breath of fresh air compared to what this genre has given us lately. [More Chastain after the jump...]

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The "Makeup and Hairstyling" Seven

Another day, another Oscar decision. The Academy's Makeup branch has narrowed the field in their annual bakeoffs and selected the following seven films as the best of the best in the Oscar category of Makeup and Hairstyling. They'll be whittled down to three for Nomination Morning on January 10th.

Will it be Les Miz's abused poor or Lincoln's bewigged politicians for the Hair and Makeup Oscar?

They are:

• Hitchcock
• The Hobbit: An Unexpected Journey
• Lincoln
• Looper
• Men in Black 3
• Les Misérables
• Snow White and the Huntsman 

HAPPINESS! I'm shocked ("Best" usually meaning "Most" with Oscar) but ever so relieved that I'll never have to look at those hideous faces from Cloud Atlas again; Tom Hanks' yellow buck teeth and various facial hairdonts will haunt me forever even without clip reels!

Among these potential nominees I think Les Misérables and Lincoln are obviously worthy choices for films with extensive and great spell-casting in this particular arena of movie magic. I'm also glad that my early pundit insistence that Snow White and the Huntsmen would be taken seriously by the guilds has come to pass despite some people feeling I was high at the time.

INDIFFERENCE! I don't really thrill to the makeup work in Hitchcock, but I realize that that might have more to do with my issues with Sir Anthony Hopkins who isn't particularly gifted at mimicry, than at the prosthetics aimed to create the illusion of the ressurection of The Master of Suspense. 

SADNESS! I had hoped against hope to see Holy Motors among the actual nominees on January 10th since so much of the film's narrative involves Denis Lavant's makeup applications. (I hoped for it in the way I hoped for The Devil Wears Prada to win a rare contemporary nomination for costume design but that time there was a happy ending.) And I even had a only-in-my-imagination debate about who would get the nomination if The Paperboy made it to the finals. After all those statements about Lee Daniels forcing Nicole Kidman to do her own hair and makeup, would Nicole Kidman be eligible for two Oscar nominations for her latest flirtation with her own bonafide genius?

FYC BFCA

'Critics Choice' Ballots are due today at 3 PM EST and I challenge my BFCA brethren and sisters to squeeze in one more screener / screening before sending off their ballots. I'll unfortunately have to send mine off without having screened Django Unchained (which I'm seeing as ballots are due) but I did not choose to have the flu this last weekend of voting when it finally started screening.

FYC #1 - Nicole Kidman in The Paperboy. Nicole Kidman is 5'11" and wears massive heels but even seated, squatting or horizontal this performance towers over most of the Supporting Actress Field. 
FYC#2 - Michael Fassbender in Prometheus. He's not being talked up in the Best Supporting Actor race because Oscar taste in acting doesn't ever stretch to androids but you can vote for him in the Best Actor in an Action Movie acting race. FWIW he's on both of those ballots for me because I won't be constrained by Oscar buzz; I'm voting "best" not "most likely to be nominated". 
FYC #3 - Remember that the Young Actor (Under 21) prize has more viable contenders than just Hushpuppy from Beasts of the Southern Wild. Also age-relevant and therefor eligible: Logan Lerman & Ezra Miller from The Perks of Being a Wallflower, Tom Holland from The Impossible, Elle & Alice from Ginger & Rosa and the kids from Moonrise Kingdom. This has the potential to be an amazing category if voters don't get lazy. 
FYC #4 -Weep that they don't televise half the categories because that makes them essentially useless as critical causes go (unless you count fine print on fyc ads) but vote strong anyway: Holy Motors, Les Misérables and Lincoln for Best Makeup! 

Swag Watch: Lincoln Cooks, Brave Looks

Two yummy gifts arrived, courtesy no doubt of my BFCA membership. But I always pretend the gifts are bribes (don't judge) since I am CLOTHED IN IMMENSE POWERS OF FOR YOUR CONSIDERATIONING. I thought you might enjoy peeks at these.

Lincoln has been going all out. They have an elegant info-heavy free download app for everyone who wants to learn more about the movie and this week a cookbook arrived. The cookbook isn't new -- it existed before the movie -- but why not?

Lincoln isn't really a foodie movie but the recipes are from the Presidential Library -- some of them from Lincoln's own lifetime and family. The subtitle is "a cookbook of epic portions" but really I can't see Honest Abe eating all that much. So lanky.

The very first recipe in for caramel ice cream so I have no choice but to approve.

Brave gifted us with "The Art of Disney Pixar BRAVE" which is a book filled with info about the development of the movie and amazing artwork along the way. I've barely made it through the preface and forward but the moody paintings thus far are awesome.

I'll leave you with  two images, one that delighted me and one that grabbed my attention.

This pencil sketch is by Director Brenda Chapman's own daughter, six years before the film as we know it was released. The indelible pairing of feisty ginger Merida and mama bear were already a part of their lives. Emma Rose was Brenda's inspiration for the movie after all. She writes:

When I came up with the idea of Brave, my predominant inspiration was the bundle of passion, stubbornness, determination and strength of character that is my daughter. Having been a shy and submissive child myself (wink), I was completely unprepared for the impact she had on my life. We locked horns, we butted heads, and we control-freaked each other to distraction. And this was when she was only five! I wondered what she was going to be like as a teenager.

And here's two early sketches of Merida by the artist Steve Purcell back when he envisioned her much younger than she ended up being in the final version of the story. I love that her hair grew and grew and grew until the final version of the character. Hair so big it's full of secrets.