Trifurcated Link

actressssssssss
Buzzfeed Nine magical photos of Nicole Kidman's hair in the Eighties
/Film Kristen Wiig's new comedy film Welcome to Me gets a slew of new cast members including just-Emmy nominated Linda Cardellini (from Mad Men & Freaks and Geeks)
Jacket Copy Reese Witherspoon will play the leadiest of leads in Wild, (in that she'll be onscreen every second without much in the way of co-stars) based on the best seller about a woman hiking 1000 miles alone after her mother's death
Guardian on the climactic row between Julie Delpy & Ethan Hawke in Before Midnight and acceptance vs. resignation in relationships
i09 check out Hailee Steinfeld's geeky nail art for Comic Con

tv mania
Vulture Matt Zoller Seitz on the pleasures and brilliance of "Suits" and why critics ignore it
Pajiba on the 25 best series which were never nominated for best comedy or best drama series in their runs. (Honestly I still look it up every time I hear that Roseanne was never nominated for Best Comedy. It seems so patently absurd that I resist the fact every time and scurry off to fact-check. But a fact it is.)
Slate *TODAY'S MUST READ* an excellent piece, arguing as I like to and have right here, that it's stupid to argue that "tv is better than cinema these days" for a variety of reasons but mostly for the dishonesty of this ubiquitous context-free argument.

it's Comic Con time so it's all genre all the time
Timothy Brayton reviews Pacific Rim. Kaiju dig it? 
i09 on the first ten minutes of Terry Gilliams Zero Theorem which they memorably describe as "Blade Runner meets Sesame Street"
Superhero Hype huge gallery of cosplay photos from Comic Con - my favorites are these gender-flipped X-Men boys, The Princess Bride couple and this tiny Hulk
The Playlist shares the very inspired teaser poster for Gareth Edwards reboot of Godzilla
MNPP which is hotter: Lee Pace blonde or blonder?
Towleroad Jamie Foxx "Electro" teaser for The Amazing Spider-Man 2. Shit, guys, I was kidding about the looking like Mr Freeze part but now that I see more of him it's even moreso!
Coming Soon Character posters from X-Men Days of Future Past including Bishop (Omar Sy)
Cinema Blend the Sentinels design from X-Men Days of Future Past which will merge the superhero genre with the giant fucking robots genre at long last*

*that was facetious even though i'm a huge fan of that arc in the X-Men comics. 

Why Do Zombie Movies Never Win Makeup Nominations With Oscar?

This is a question I've never been able to fully answer but one that I've asked myself (and probably you) on occasion. Since "Best" quite often means "Most" when it comes to awardage of any kind, what does the Oscar's makeup branch have against the undead?  This question came to mind again while watching Warm Bodies, a minor hit earlier this year which is now on DVD.

Please consider this post an early FYC

After the movie I found myself watching the extras and especially enjoyed "Extreme Zombie Makeover" which charts the evolution of the makeup design by Adrien Morot (who was Oscar nominated recently for Barney's Wedding). It's easy to make Nicholas Hoult look beautiful but how do you make him look sexy AND undead? It's a silly question but the answer is crucial to the success of this particular horror/romance hybrid. Adrien had to make sure he looked like the same species as the other zombies but also sexier. Where do you place the scars? How do you keep the veins in the same exact spot every day? How do you keep your leading man's mouth looking unhealthy without making him unkissable? 

The answer to the latter question involves "zombie juice" --black food coloring with mouthwash! After the juice, the makeup artist would then fuss over Hoults mouth with a q-tip to clean his teeth so you'd still wanna makeout with him despite him being, you know, a rotten corpse. 

The inside of the lip being black is still considered to be sexy somehow but having green teeth that doesn't work!

Hoult preferred his zombie juice strawberry or vanilla flavored. The more you know... ⌒★

P.S. Since zombie movies are still all the rage I loved this little aside from the director when watching the big makeup team transform 100 or so extras at once.

You know it's funny because extras -- when they're playing humans, sometimes extras can overract a little bit. But when they're dressed as zombies and in zombie makeup, they're all like Meryl Streep. They're all just really in character and amazing. 

Early Bird Oscar Predix Nearly Finished !

Working as fast as I can through the first wave of Oscar charts. I realize 'fast as I can' this year is snail-paced but you have to agree that this year has been a slow-starter anyway. Not that things haven't started now. Cannes is in full swing and in addition to the awards speculation for the Palme D'Or, Cannes prompts film sales, too, and thus distributor shuffling. Stephen Frears Philomena (currently in post) was picked up by the Weinstein Company and given that they had a full slate already -- especially for Best Actress since they're also representing Streep & Kidman in August and Grace -- it must have been more than Judi Dench that prompted the high priced sale. I've added it to the previously completed charts because it's just one of those projects that felt right to me when I first heard about it. Isn't it about time for Stephen Frears to get his mojo back? I've added that new contender to the prediction charts.

But for now, let's talk about the visual and aural categories. What follows is not my predictions but just a few thoughts to kick off a conversation. You can see predictions on the charts here (for visuals) and here (for sound) 

Cinematography
It may finally be Emmanuel Lubezki's year. The truly great cinematographer has always been overshadowed by non-discriminatory love for competing films in his nominated years -- in fact he's one of the very rare frequent below the title nominees that does not require any degree of Best Picture heat to be in the conversation. In fact only 20% of his nominations come from Best Picture nominated films. So you know they really love his work and it's not just coattails from the movies. This year he has the now-important advantage (sigh) of working with a ton of visual effects with his frequent collaborator Alfonso Cuarón's Gravity. For reasons that are still unclear to me Oscar voters now view Cinematography as an extension of the Visual Effects category; in the last four years the winners of both categories have been the exact same film. This is a terrible trend since cinematography is an art that's been producing myriad breathtaking works long before anybody had ever heard of CGI. Still... if this is what it takes to finally get Lubezki the Oscar... [more]

Click to read more ...

Charlize. Tough Chick Chic

Is it even possible for Charlize Theron to not look spectacular? (Her hair was all buzzed off for the Mad Max reboot with Tom Hardy but she's made the most of it here).

Next up for Charlize:

• Mad Max: Fury Road (in 2014)
• A Million Ways to Die in the West (2014? 2015?)
• Sympathy for Lady Vengeance (2015? Remake of the Park Chan-wook movie)

Three other rumored projects (a horror film Two Eyes Staring, a thriller generically titled Murder Mystery and the sequel Snow White and the Hunstman 2 though it would be really weird if Queen Ravenna was suddenly alive again) could also go before cameras. As per usual, Charlize makes us wait between movies. Such a cruel beauty, that one. 

29 Days 'til Oscar: Best Make-Up & Hairstyling

The Academy recently changed the name of the Best Makeup category to Best Makeup & Hairstyling but in truth hairstyling, wigs and whatnots have long been part of the diverse criteria for which Oscar voters are meant to reward Achievements in Makeup. But how does one define "achievement"? True to awards season in general (it's not just Oscar voters, mind you) the definition is usually "most=best". Sadly nearly almost all the golden statuettes in this category have gone to prosthetic effects -- werewolves, dwarves, you name it! It's the one category other than visual effects where genre films regularly lord it over more "noble-minded" efforts... (though strangely zombie pictures are the exception since they never even make the finalist list). 

So, how refreshing would it be if the Oscar went to the Hair and Makeup team of Les Misérables this year? I was surprised to hear on the podcast that my co-conspirators were almost universally opposed to this particular nomination but I actually think it's the strongest nominee in this category. It's got a very consistent boldly stylized feel and a shit ton of traditional wigs and prosthetics work if you're also looking for "Most" in your "Best". They've aged Hugh Jackman and scarred him up, imagined really putrid diseased miserables of many sorts, made Cosette even prettier than usual, and even dipped Helena Bonham-Carter's wigs in coffee and tea for "more character" - though I suspect it's not the first time her head has been dipped in vats of dangerously hot liquids.

More traditional nominees can be found in The Hobbit and Hitchcock this year...

...wherein actors are heavily buried in prosthetics to appropriate the look of inhuman things: dwarves, orcs, master auteurs. 

My advocacy for Les Miz might have a little to do with the fact that I love the film, but I do try and differentiate individual categories from overall feelings as much as I humanly can (as all awards voters should since great work is found in bad films and vice versa) but mostly it has to do with the actual achievement. And, as a bonus points, Les Miz also wins by virtue of my tiebreaker manifesto "Spread the Wealth!". I assume that The Hobbit is the frontrunner given voting habits in this category and yet I don't wish for the Oscars to become the Emmys and just hand the same statues to the same series each year as their small screen counterparts do. Given Peter Jackson's shameless story stretching for billions, this category could be tied up for decades if they keep handing Middle Earth Makeup Oscars (it's already won twice). Under the umbrella of "spread the wealth" it's also worth noting that the Les Miz team (Lisa Westcott & Julie Dartnell) is the only nominated team that has no Oscars among them*: Hitchcock's Howard Berger previously won the gold for The Chronicles of Narnia (as well as an Emmy for The Walking Dead); Peter King and Tami Lane on The Hobbit team both already have Oscars, his for this particular franchise and hers for The Chronicles of Narnia. 

Q: Why does Lisa Westcott have no Oscars despite two nominations (Her Majesty Mrs Brown, Shakespeare in Love) prior to Les Miz?
A: Because she doesn't do werewolves or fantasy creatures. 

Can we call a one year moratorium on dwarves, elves, monsters and prosthetic biopics in this category and give it to the zombie whores and scarred bread thieves for once !?!

While we're on the topic... here are the Film Bitch Award's Makeup Nominees for 2012