"Hello Gorgeous" How Many Streisands Have You Seen?

Today is the 70th birthday of the legendary Barbra Streisand who we always call Babs. We were chastized in the comments for not celebrating and we get it. There's only one of her, a national treasure. In fact, just a few weeks ago I watched Funny Girl (for the 6th or 7th time) and Funny Lady (for the 2nd time) almost back to back and that double feature is astounding. The first would have to be in the top ten Pure Star Vehicles ever made (♥) and the second one is just... just no, Barbra!

Like Jane Fonda, another screen icon from the 1970s who is on our way back to us, we're über pleased that she's suddenly decided she's an actress again even if we haven't seen the results yet. Barbra's big picture this year is Guilt Trip (co-starring Seth Rogen. November Release) which happens to be her first leading role since the stoney end stone age. Advanced word is positive but you never know who is doing the talking when it comes to advanced word so we're anxious. Comedy was always her forte  and there's no reason that La Streep should be the only elderly giant who younger audiences completely "get" as a Funny Girl.

So for today's big day, let's republish an old article called "Posterized Babs". 

Funny Girl (1968. Best Actress Winner Oscars & Globes) | Hello Dolly (1969. Best Actress Musical Comedy Golden Globe Nomination) | On a Clear Day You Can See Forever (1970))

15 more films and brief commentary after the jump

Click to read more ...

Django Unchained, Poster Teased.

It's a pity that there are 257 days left until Christmas. Am I right?

Isn't it wonderful when a movie can be sold on the name of their auteur alone? 

Wouldn't it be wonderful if final movie posters were ever as graphically bold as teaser posters?

Burning Questions: Lifetime Passes

Michael C. here. This week’s Burning Question came to me when my heart sank upon seeing the poster for Woody Allen’s latest.

Maybe it's the inexplicably prominent placement of Roberto Benigni. Maybe it's because the Committee to Blandify Movie Titles reduced the movie's name from the interesting The Bop Decameron to the acceptable Nero Fiddled to the yawn-inducing To Rome With Love. Or maybe it was just the beige Nancy Meyers-ness of the whole thing. Whatever the reason, my gut tells me this is a return to the lifeless, script-out-of-the-bottom-drawer rehashes that have been the rule and not the exception for Woody’s output over the last decade. 

Of course this would all be a lot less distressing if I didn’t know there was no way I would miss seeing it. Why? Because I, like many others, have issued Mr. Allen a lifetime pass out of gratitude for Annie Hall and Manhattan and a dozen other titles that constitute a large chunk of the foundation of my love of movies. Therefore I will keep setting myself up for disappointment, like Charlie Brown forever returning to kick that football.

Annie Hall by Al Hirschfeld

Would it not make more sense to ignore the completist in me that insists I see every title Woody releases even when it's an obvious gutterball? Does anyone really deserve a lifetime pass?

First off, lets be clear what constitutes a lifetime pass...

Click to read more ...

I Want To Make Love To The Moonrise Kingdom Poster

JA from MNPP here. Is that weird? I want to lay down beside a roaring fire, a bottle of wine, some Barry White on the record player, and be gentle yet firm, slow but steady, with the poster for Wes Anderson's new movie Moonrise Kingdom. (via) It's okay if you tell me I am being weird. I have been told I'm weird before and I'll be told I'm weird again, especially if I'm the sort of guy that's driven mad with lust by a rectangle. But the curly yellow font! The names that the curly yellow font spells! (Bill! Tilda! Frances!) The toadstools and the owl! The brook bubbling sensually in the distance! It's too much, too much, I must have my way with it immediately. 

We Should Read "The Paperboy"

Herewith a few notes on the newly released poster for The Paperboy which looks good enough to... read. The movie is about a reporter (Matthew McConaughey) and his troubled brother (Zac Efron) investigating a death row inmate (John Cusack) who is involved in a steamy correspondence with a femme fatale (Nicole Kidman).

Is Zac Efron sending me a personal message by working with La Pfeiffer & Nic' back to back? 

        [plugs ears] lalalalalalalala ican'thearyou

I was once a paperboy. It's true. For years! Paperboys have gone the way of the milk man but when I was a kid this was a common job for suburban boys and girls to have. Then you'd do your collecting and spend all your hard-earned quarters at the arcade.

Nicole Kidman looks trashy delishusssss. Love the lusty smirk, like she's going to eat Zac right up --  not for his pleasure (!) but just to wield her own sexual power. Billing is always an interesting matter. If you can't be first, be last. Or rather "AND..." last. So Matthew & Nic' win.

Speaking of billing... I find it kind of interesting that the poster preferences the novelist and screenwriter above the Oscar nominated Lee Daniels (Precious) like it's a subliminal reminder of how great Precious was. Implied titles  The Paperboy: Based on the Novel "The Paperboy" by Pete Dexter.

I think the color scheme is really helping. It's like the movie is summertime hot but someone left the paperback on the beach and it got all washed out. The retro craze for teaser posters is really on, isn't it? Just like the retro craze is really on onscreen (at least three of the Best Picture hopefuls). I suppose ANYTHING is better than dread contemporary poster aesthetics: big floating movie star heads or those imagination-prison horizontal stripes. This poster manages to include all the stars (if that's McConaughey out of focus but I can never recognize him with his shirt on) without resorting to the stripes at all. Well, except for that last insert of John Cusack's threatening eyeliner. But even that plays like a fun "to be continued" comic book panel.

If the movie is as good as this poster, I shall write it steamy letters from my apartment prison.

I think we should read the novel while we wait for this because you know Lee Daniels isn't a copy & paste kind of director but someone who likes to play with visuals.  Who is with me? If so, say so... we need lots of blog projects to do it up real big like for 2012 before the apocalypse.