Box Office: Stacey Jaxx is Flop?

Even with a big drop for Conversation Starter Prometheus, the two new wide releases couldn't make a big dent; nobody was holding up their lighter for Tom Cruise or sending Father's Day cards to Sandler. But I'm still curious to see if Rock of Ages can pick up any guilty pleasure WOM and have a non disastrous second weekend. Truth: I always root for musical success -- even when the musicals aren't great -- because I can't live without musicals. Sometimes you gotta take one for the team. If you want more musicals on screen, go see them all!

The best news this weekend was for Moonrise Kingdom which is expanding quite successfully. Your Sister's Sister had the weekend's best per screen average for a brand new film.

box office top five (actuals)
01 MADAGASCAR 3 $34 (cum. $119)
02 PROMETHEUS  $20.7  (cum. $89.3) Premiere Fashions
03 ROCK OF AGES new $14.4 Review & Premiere Fashions
04 THAT'S MY BOY new $13.4 
05 SNOW WHITE & THE HUNTSMAN $13.2 (cum $122) Review & Sequel Plans

What did you see this past weekend?
Did you take your father? Or maybe you just watched father figures on the big screen? The weekend's best opening, 

Rock of Ages Will Rock You... (Or At Least Lightly Jostle You)

This review was originally published in my column at Towleroad

At a recent press screening in Manhattan, heavily attended by the gays, the choreographer turned So You Think You Can Dance judge turned movie director Adam Shankman cheerfully introduced the screening of his latest stage-to-screen musical Rock of Ages. It's his first musical since the exuberant Hairspray (2007) and he charmingly expressed his nerves and excitement about showing it off. He invited the assembled crowd to not take the movie too seriously, "dumb fun!", and sing along with it if they felt the urge. I was sitting near the front and as Shankman bounded up the stairs to exit from the back, he shouted out  'Oh, and I'm gay' as a "no shit" style punchline. The crowd laughed and the lights went out. 

The energy of Shankman's introduction can't have hurt the screening but his invitation to sing-along proved redundant. It doesn't take long for the movie to send out its own karaoke invitation.  In the jukebox movie musical's very first number we meet a small town girl, living in a lonely world, who takes a midnight train bus going anywhere. Her name is Sherry Christian (Julianne Hough) but she's not exactly going anywhere. She's purposefully headed to Los Angeles to try to make it in the music business. No sooner has she begun singing "Sister Christian" (get it? Um… haha?) than the unnamed extras on the bus start grabbing solo lines from the verses until the whole bus is singing about Sister Christian. Her time has come!  

Upon her arrival in the big city, this girl from the sticks lands both a new job and a new bartender/songwriter boyfriend (Cam Gigandet) at a famous club operated by a beleaguered old pro (Cher) and her gayish sidekick (Stanley Tucci). The club is having financial trouble thanks in part to a mercenary money man (Eric Dane) and hopes that a big voice (Christina Aguilera) will resurrect its fortu--- NO, WAIT. THAT'S BURLESQUE! More after the jump...

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and I can't fight this linking anymore... I've forgotten what I started fighting for ♪ ♫

Vulture the best grimaces and grins from Mad Men season 5. Good stuff
Tim Robey interviews the great Danish actor Mads Mikkelsen on his very busy career (Thor 2, Hannibal TV series, A Royal Affair and more...)
Liz Smith on the Friar's Club roast of Tom Cruise (opening quote via Alec Baldwin) 
EW Jeremy Jordan (Broadway's Newsies and Bonnie & Clyde) joins the cast of Smash. They're really shuffling players for Season 2. Which still won't solve the problem of treating Megan Hilty like she's not the Starriest of Stars on the show. (sigh)
Hollywood and Fine "why I love/hate Rock of Ages" point of view from former rock critic. 

Stale Popcorn on Yentl "Barbra I can hear you". I also like this movie, haters begone.
Movies.com Here's the actor who's playing Osama Bin Laden in Kathryn Bigelow's Zero Dark Thirty 
Pop Watch Prometheus deleted scene still. Who is "the engineer" talking with? 
The Mary Sue on the trials and tribulations of superhero costumes
My New Plaid Pants does the only sensible thing and screencaps the red band Magic Mike trailer. Even with all the goodness inherent in such an effort my favorite thing is this comment from a reader named "Paco":

I am starting a petition to have this movie remade every year, with a rotating cast of actors.

Pass that petition right over. Reboot With Depantsing!

Appropos of nothing, it's Sam Hargraves, Chris Evans stunt double!Finally, the Thought Catalog has "The Life of Someone Who Didn't Like The Avengers"  Funny read.

You didn’t hate it, but you wanted to like it more, and you knew that thinking it “wasn’t terrible” wouldn’t be good enough. Like that time that you saw The Dark Knight and pointed out the badly-choreographed fight scenes to your friend who proceeded to have a hissy fit in the theater lobby...

It does get lonely out there if you don't like a universally beloved thing (like me with Forrest Gump/Braveheart. OMG I hate those movies). I never shared this tidbit from my family time away from the blog a few weeks back but my sister didn't like The Avengers at all. Sadly she didn't say why. It's so hard talking movies in depth with my family. They never explain themselves. Perhaps that's one of the reasons I talk out into the void via The Film Experience? 

Burning Questions: Broadway's Cinematic Potential?

Michael C. here in the aftermath of the Tony's to return the focus to where it belongs: Movies.

The film version of Porgy & Bess (1959) is rarely seen. Audra McDonald & Norm Lewis in the Broadway show, with movie star looks and thrilling voices, suggest its cinematic potential

As I've written before in this column, as a rule I don't go in for the sort of rose-colored nostalgia that assumes pop culture is on some kind of inexorable decline into the sewer and if only we could return the Golden Age of the 30's or the 70's or whenever then we would experience some kind of artistic renaissance. It is now as it ever was - a little quality, lots of junk.

But one trend I do resist, one that I mark as the undeniable decay of the natural order of things, is the movement toward reverse-engineering successful movies into Broadway shows and away from the reverse. I will fight this trend to my dying breath, or at least I will stand outside the stage production of Ghost and shake my old man cane at it like Carl from Up. 

Yet there is hope. With Les Miserables finally landing in theaters this December, and August: Osage County getting the Streep treatment as we speak, maybe there is still a chance to return to the glory days of stage to screen transfers the way that Thespis intended. But with only so many big Broadway titles left unfilmed that brings me to this week's Burning Question: Are there any current Broadway shows that deserve the big screen treatment? 

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Tony Awards 2012

Neil Patrick Harris sang and danced and wisecracked and otherwise hung out (har dee har har... see Spider-Man gag to the left) at the Tony Awards last night.

Did you watch?

 If so what delighted you most? I'll admit right up front that this may be the season from which I'd seen the least amount of nominated shows in the past decade. I only saw three: Bonnie & Clyde (terrible), Porgy & Bess (strong) and Follies (genius/wondrous I saw it twice despite barely going to Broadway shows this year.) Porgy & Bess and Once (based on the great movie about the budding romance between two musicians) stole many of the trophies Follies might have won if the Tonys loved Stephen Sondheim shows as much as his legion of obsessive fans do. 

Since I am very very tired today, herewight ten highlight tweets via me (and photos and winners) from last night as sort of retroactive fake live blogging...

Awww. it's Mrs Hugh Jackman. (According to Hugh, she's terrible at keeping secrets)

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