Yes, No, Maybe So: "Joyful Noise"

Warning: I am kind of unfairly in hate with this movie through no fault of its own. I accidentally deleted this entire post after it was all written, photo'ed and scheduled to publish. Argh. In the process of rewriting and reconstructing the likely disposability of it all became aggravating. But I sally dolly forth! 

When i hear the rare words "new musical" I immediately perk up. But, given the difficulties of making a good one, the perking-up is chased by a flurry of "who? when? what kind? how so?"  panic. Have you even heard of this new film from Todd Graff starring Dolly Parton and Queen Latifah? It's called Joyful Noise. If it's as fun as Burlesque -- which it will inevitably be compared -- than we're in for a treat.

Don't let that screencap fool you. Though this appears to be a jukebox musical in which only already famous songs are sung (argh! the sub genre has replaced its parent genre entirely) Dolly will not be singing the Ultimate Gay Showtune "I Am What I Am" from La Cage Aux Folles even though I could totally see Queen Latifah as George and Dolly would make a great "Zaza".

In fact, I misheard the line. She actually says "I am who I am" to which Queen Latifah mouths back.

Maybe you were five procedures ago."

Um. Ha ha?

Let's watch the trailer and break it down with our Yes No Maybe So™ system after the jump.

Click to read more ...

TIFF Award Winners

The list as they came in [thanks to The Lost Boy]

BEST CANADIAN FIRST FEATURE Edwin Boyd, directed by Nathan Morlando (Paolo's review, Amir's review)
BEST CANADIAN FEATURE Monsieur Lazhar, directed by Philippe Falardeau
BEST CANADIAN SHORT FILM Doubles With Slight Pepper by Ian Harnarine
PEOPLE'S CHOICE MIDNIGHT MADNESS The Raid, directed by Gareth Huw Evans
PEOPLE'S CHOICE DOCUMENTARY The Island President by Jon Shenk
INTERNATIONAL CRITICS SPECIAL PRESENTATIONS The First Man, directed by Gianni Amelio
INTERNATIONAL CRITICS DISCOVERY SECTION Avalon directed by Axel Petersen 

And the biggie, the PEOPLE'S CHOICE AWARD, which often signifies Oscar attention in either Best Picture or Foreign Film categories is WHERE DO WE GO NOW? the musical from Lebanon which is from the director of Caramel. It was recently submitted for Oscar consideration for Best Foreign Language Film.

UPDATE: Here's the international trailer.

It's officially one to watch now, a very likely nominee if past awards are indication. Runners up in this category were Iran's very buzzy marital drama A Separation and Ken Scott's Starbuck. 

Get Link Soon

Being sick would be awesome if one didn't feel like crap whilst staying in bed all day watching movies,  reading blogs, playing iPhone games, and snuggling with the cat. 

IndieWire has an interesting chart of which Toronto People's Choice Winners scored big at the box office after the fest. Adjusted for inflation American Beauty (1999) is still the champ. Or Slumdog Millionaire (2008) without any fancy maths. But those People's Choice winners sure do have a good track record at winning Oscar attention.
Parade has an interview excerpts piece up about Brad Pitt. I don't want to get too sentimental about it but I consider it a huge blessing when very famous and very rich celebrities actually reveals themselves to be good souls, too. The things he has to say about religion and federal government and affordable housing and adoption and all of these things... they are so spot on. I really don't get the bad rap that charitable celebrities often get -- is it just self-loathing turned outward when people realize they wouldn't be even a tenth as altruistic if they were wealthy? Is it jealousy of good fortune? I don't know. But my point is Brad & Angie: love 'em. 
Just Jared Bizarre contest alert. Seems you can enter/audition to be a voice in the animated musical Dorothy of Oz starring Lea Michele (first photos of characters are also present). The closer all these Oz movies get to theaters (I keep losing track of how many there are), the more naive the producers of the celluloid transfer of Broadway's Wicked look. How on earth do you sit on that golden goose property (which has already outgrossed most of the biggest blockbuster films ever) long enough to let an animated film --they take forever!-- beat you to theaters and live off, profit from and burn out the renewed Wizard of Oz fever that you yourselves stoked? Sometimes the Hare and not the Tortoise wins.

Speaking of Brad Pitt, somewhere in this past week I missed the Oscar Fever rise of his candidacy for Moneyball. It would be so weird if the Best Actor race was all hunky across the board: DiCaprio, Gosling, Fassbender, Pitt, DuJardin, and Clooney? 

Awards Daily snapped photos of Julianne Moore and Ed Harris in a Game Change preview. Disturbing it was (I saw the same one) with Julianne being so spitting image of that one celebritician
Ultra Culture opens the PR package for The Change-Up. Big LOLS ensue.
Nicks Flick Picks starts his beloved "Fifties" column, i.e. best of the year thus far. As always his choices and writeups make you rethink the work... which is what great critics do.
Empire Colin Firth, whose career is still giant-sized post A Single King Man's Speech, will next star in The Railway Man, a POW drama. That is after Tinker Tailor. 
Towleroad my latest movie column in which I order people around. Go see Drive.
Stale Popcorn remembers the character actress Frances Bay (RIP) from The Golden Girls to Twin Peaks

October News and Request For Reader Input
When I was reading this article on Everything I Know...  in which Mr. Caggiano who teaches courses in musical theater history and the neuropsychology of music (?!?) asks his incoming students to name the best musical of all time, I remembered that next month marks the 50th anniversary of my personal favorite (WEST SIDE STORY). The film version of West Side Story, which first hit the big screen on October 18th, 1961 went on to become a huge hit and one of the biggest Oscar champs of all time (11 noms, 10 wins losing only its screenplay nomination as musicals tend to.). On the classic movies note, I wondered, for younger readers especially (and please do speak up if you have feelings about this), if I use too much of a shotgun approach when discussing old movies here? I sometimes suspect you have too many titles flying at you all the time to really decide what to get familiar with (like in those huge "all time" lists). So perhaps we should focus more going forward? Maybe we should try Classic of the Month style loose themes? It would be boring to talk about the same movie -- any movie -- for an entire month but perhaps a loose theme could include all sorts of detours that tie in but aren't too much of the same thing (Oscar competitions, influences, actor careers.

Sound off in the comments... I guess I'm interested to know if you liked the previous theme weeks like Aliens or the films of Tennessee Williams or Moulin Rouge! this summer or if you had to already know and love the movies to enjoy those?

INTERVIEW: Ludivine Sagnier on "Love Crime", Her Star Persona and Catherine Deneuve

If you first discovered Ludivine Sagnier, as many movie lovers did in the early 00s through the films of François Ozon, the sensation was something like wide-eyed whiplash. One moment she was the exuberant tomboyish daughter of Catherine Deneuve in the musical 8 Women and the next she was anything but as a lusty bikini-clad (or unclad) vixen causing trouble for Charlotte Rampling in the thriller Swimming Pool. Both films were international hits and her turn as "Tinker Bell" in the UK/USA/Australia production of Peter Pan further upped her profile.  Sagnier has been a movie star in France ever since. 

 Ludivine Sagnier in Alain Courbet's Love Crime

Currently both The Devil's Double in which she plays leading lady to a Dominic Cooper double-act and the thriller Love Crime  in which she plays headgames with Kristin Scott Thomas are now in theaters and  Beloved with Catherine Deneuve will undoubtedly follow; consider her international profile revived. 

I sat down to talk with one of my favorite French actresses earlier this year during New York City's annual Rendezvous with French Cinema event. After introductions and a bit of small talk about French cinema and The Film Experience's actressy nature, we got down to business. 

NATHANIEL: You started so young Cyrano de Bergerac (1990). You were all of 9 or 10! 

LUDIVINE: People always ask me how I got started. My story is so common that it's a bit tiring. I went to an audition with my sister who wanted to be an actress and they asked me if I wanted to do an audition and they picked me and didn't take her. It happens so many times in the industry. I've talked to a lot of actresses...

Deneuve and Sagnier in Cannes in MayNATHANIEL: So when you were first coming up as an actor in France were you conscious of this great legacy. Like you're next in line after Huppert and Deneuve and well, so many actresses... France makes great ones.

LUDIVINE: NO! I Didn't see myself that concretely... I didn't like myself that much in the beginning. But it's funny because I just shot a movie where I was playing Catherine Deneuve in the 1960s and she is playing me older. It's Beloved from Christophe Honoré who I did Love Songs with. Maybe this time I had the feeling that we are part of the same family, that we have a common story. First she was my mom in 8 Women. Then I was Chiara's sister in Love Songs and Chiara is her daughter. And now Chiara is my daughter in Beloved. Everything is so mixed up!!!

And now I dare think we share the same history. When I started... NO.

Continue For Ludivine's Feelings on Star Persona, International Careers and Genre Hopping 

Click to read more ...

This & That: Oscar's Reunion, Hardy's Trapezius, Rudolph's Princess

So... before he starts filming the Tom Hooper directed film version of smash hit epic musical Les Miserables (more on that in a second) we're going to have to sit through one of the most ridiculous movies of all time (that's a guess) just to satiate our love of Mr. Jackman. The things we do for Hugh.

Here's the poster for Real Steel. 

I almost want to remove those arm bandages (tenderly!) and reapply them to the face mummy style, so as to save that wonderful movie star mug from B-film embarrasments. If you're going genre, go all out: wouldn't it awesome if a mummy was training boxing robots?

The Wrap In other Hugh Jackman news, we're getting our post Oscar 2009 ceremony wish: Anne Hathaway will probably be playing Fantine in the film version of Les Miserables. Ah, Hugh & Anne singing again. Together. Sort of. I can't recall if they have any songs together but I don't care. They're both finally doing a musical!
My New Plaid Pants Good Morning World, it's Joseph Gordon-Levitt
Twitch Film Josh Brolin confirmed to lead Spike Lee's remake of Oldboy. I am one of those rare souls that hates the original movie but they're still going to have a tough time surpassing its chutzpah, you know?
Just Jared Tom Hardy in the new issue of Dazed and Confused on this 'manpanion' trainer and more (I personally wish he'd lay off the bulk a little; his trapezius in Warrior is frighteningly over-sized...

poll by twiigs.com

Playbill Sadface. Looks like that Nicole Kidman / James Franco Broadway revival of Sweet Bird of Youth is off. I do think it's wise that Franco starts dropping projects from his ridiculously overbooked calendar (you have to have time to do things right, you know) but I hope Kidman still pursues it. Would love to see her take on that classic role.
Awards Daily I knew this would happen but it doesn't make it any less painful to see Ides of March trading in its excellent and interesting teaser poster -- the one with the magazine half faces -- for something so boring I already forgot what it looked like the second I started typing this sentence.
SplitSider a review of the porn parody of The Big Lebowski. Yes, really.

And I'm very happy to share this video of Maya Rudolph's Prince cover band Princess -- i didn't know there was such a thing (thx WoW) -- but I love them instantly. Here they are doing "Darling Nikki" once of Prince's most infamous numbers.

Come back Nikki! Come back!!! ♪

Finally, I have no idea why there's a sudden rush of Captain America postings but here ya go...
Austin Translation "Thor Loser"
Art of the Title Sequence on Captain America: The First Avenger
Comic Book Movie Curious. Joss Whedon will digitally resurrect the 40s actress Joan Leslie for The Avengers.