Tony Award Nominations! "Some Like It Hot" leads

by Nathaniel R

Christian Borle and J Harrison Ghee are 2 of "Some Like It Hot"'s 13 nominations

Lea Michele, still treading the boards in Funny Girl, and Myles Frost who won Best Actor in a Musical last season for the Michael Jackson musical "MJ" announced the Tony Award nominations this morning honoring the current season on Broadway. The nomination leader, far out front, was the musical adaptation of movie classic Some Like It Hot (review coming soon!) with 13 nominations. Jessica Chastain scored her first Tony nominations (with her second Broadway show) though other screen stars weren't as lucky this year. Though the Tony Awards are gendered for acting, two non-binary performers became the first to score nods for acting with their work in popular musicals: Alex Newell (Shucked) and J Harrison Ghee (Some Like It Hot). 

Nominations are after the jump...

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Interview: Stephanie Hsu. The year's breakout star on her insane year, stage history, and working with legends.

by Nathaniel R

Stephanie Hsu as "Jobu Tupaki" in Everything Everywhere All At Once2022's wildest film was also it's most unlikely mainstream success. For sheer invention it Everything Everywhere All At Once, outdid the animated Spider-Verse and the Marvel Cinematic Universe in the suddenly flourishing subgenre of multi-verse hopping. At the center of its chaotic maelstorm, is Jobu Tupaki (Stephanie Hsu), the nihilistic variant of depressed Joy Wang, a young queer woman with a tense relationship to her overly critical mother Evelyn(Michelle Yeoh). Stephanie Hsu, 32, is not an overnight sensation but she is a sensation. 2022 essentially served as a mainstream coming out party for the gifted actress after years treading the boards in experimental theater and musical comedy, as well as season-long or guest episode TV gigs.

Back in October I had the change to moderate a Q&A for Everything Everywhere All At Once at which Hsu received a "Rising Star Award". Over the course of the day we met three times and talked Broadway theater, being dramaturgy nerds, forgetting your lines, wild costumes, and various movies that are competing with hers at awards shows (off the record of course!). What follows is the conversation we had as we met, shortly before we went on stage [edited for length and clarity]...

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Dorothy Dandridge @ 100: "Carmen Jones"

Team Experience is revisiting a few Dorothy Dandridge movies for her centennial

by Baby Clyde

Groucho Marks famously described Grace Kelly’s Best Actress win at the 1954 Oscars as ‘The greatest robbery since Brinks’. I think we can all agree that a terrible crime was committed, but Judy Garland wasn’t the only victim on the night of March 30th, 1955. Dorothy Dandridge was a sensation in Carmen Jones becoming the first Black woman to receive a Best Actress nomination. In any other year, her loss would be seen as a huge scandal but because of Judy’s legendary star turn in A Star Is Born the fact that Ms Dandridge was also deserving has been almost entirely overshadowed...

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Streaming Roulette (Oct 21st-27th): A school for Good and Evil in the woods

A weekly series in which we survey new-to-streaming titles (on various services) freezing the scroll bar at random and sharing what comes up. 

So you're saying -- I can't believe I'm actually saying this -- if Sophie were to kiss her true love...

THE SCHOOL FOR GOOD AND EVIL (2022) on Netflix
Came to this one with high hopes given that Paul Feig often makes blissfully funny and stylish movies (Spy, Bridesmaids, A Simple Favor) and the source material (yes, I've read it) is great fun...

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NYFF Review: João Pedro Rodrigues’ Will-o’-the-Wisp Gives Wood As Good As It's Got

by Jason Adams

How many wood puns would a reviewer chuck into his review of a movie about wood puns? Admittedly not quite as tight a tongue-twister as the “how much wood would a woodchuck” original, but we work with what we’ve got. And I’ll try to rein myself in when it comes to queer sensualist and provocateur João Pedro Rodrigues’ Will-o’-the-Wisp (aka Fogo-Fátuo) as far as such woody things go, but when he’s got his own characters talking about the trees being “tumescent with sap” I can only be so discreet. But I know when I’ve been beaten, and this wood master already beat me at my own game. Point João once more!

At sixty-seven minutes Will-o’-the-Wisp is as slight as is its central figure, a dazzled Portuguese princeling named Alfredo (Mauro Costa) in an alternate-reality timeline...

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