Stage Door: Wonderful Mare Winningham in 'Girl From the North Country'

Mini Intro: We've always wanted to launch a weekly theater column here so we're finally doing it. Though theater is not film (the focus of this site), it relates in many ways to the screen arts. So we'll end each column with screening recommendations!  In weeks where we don't get invited to shows, we'll get creative to keep it going. This will be a Monday night series from here on out. - Editor 

Mare Winningham in 'Girl From the North Country'. Photo © Matthew Murphy

by Nathaniel R

The Tony-nominated jukebox musical Girl From the North Country closes on Broadway tomorrow, Sunday June 19th with the 3:00 PM matinee. While it's too late to urge you to attend (unless you're right here in the five boroughs) there are still ways to enjoy the show in retrospect. The easiest of those is listening to the cast recording with its Tony-winning orchestrations. But the most crucial way to appreciate the show at the moment (happily it was filmed for posterity) is to join us in deep appreciation of its leading lady Mare Winningham...

Click to read more ...

Almost There: Bea Arthur in "Mame"

by Cláudio Alves

This past Sunday, the American Theatre Wing and The Broadway League celebrated the 75th Annual Tony Awards. Considering past intersections of Tony gold and Oscar success, it's fun to speculate which honorees might one day reprise their roles on the big screen and play a part in a different sort of awards season. Not that repeating an acclaimed stage performance for film leads to a surefire triumph with the Academy. For every Yul Brynner in The King and I and Viola Davis in Fences, there's a Robert Preston in The Music Man and Bea Arthur in Mame. That latter film saw 2022's Lifetime Achievement Tony Award winner Angela Lansbury ditched by Warner Bros. in favor of Lucille Ball, despite having originated the role to great acclaim on stage and already being a film star. It was a move everyone involved grew to regret. 

Thankfully, the studios didn't replace Arthur from the original Broadway cast, so there's still something to love about the misbegotten Mame…

Click to read more ...

75th Annual Tony Awards in Review

by Nathaniel R

© Theo Wargo/Getty for Tony Awards Production

Ariana DeBose, fresh off her Oscar win, hosted the Tony Awards with enough theater kid energy to make Anne Hathaway blush. No reviews  will be able to claim (in good faith) that she didn't work her ass off to entertain the audience. She was "on" in every moment, pulling faces, doing little dance moves, singing, and engaging with the celebrity audience. She mentioned the 75th Anniversary several times but in truth the show's Diamond anniversary wasn't any different than any other Tony show; they've always mixed a couple "special" reunion-style performances with showcases for the current musicals (the ones that are still open that is). Even the Sondheim tribute -- which we expected to be epic -- was just one number long: Bernadette Peters singing "Children Will Listen" from Into the Woods. 

Best Speech, Ticket-Boosters, A New "EGOT" winner, and more after the jump...

Click to read more ...

Judy Garland @ 100: "A Star Is Born"

Team Experience is revisiting nine Judy Garland movies for her Centennial. Here's Cláudio Alves on the star's first Oscar nomination.

A Star Is Born is Hollywood's favorite legend about itself, a mythic middle point between propaganda and self-critique filmed four different times from the 1930s to the 2010s. Five, if one considers George Cukor's What Price Hollywood? since that was likely the basis for the '37 version. Though flexible, the story remains mostly unchanged throughout its interpretations. Norman Maine, an alcoholic star on the decline, meets Esther Blodgett and immediately falls in love, with the woman and her undeniable talent. Opening doors for her in the entertainment industry, he watches as she's rebaptized Vicki Lester and rises to the top, far surpassing him. After their wedding and an awards night, whereupon Norman ruins Vicki's moment, she considers giving up her career to take care of him. Realizing this, he kills himself, intent on saving his beloved from his downfall. 

Though every A Star Is Born has its merits, the 1954 musical tends to be the consensus pick for the best iteration in no small part due to Judy Garland's performance in the titular role…

Click to read more ...

Judy Garland @ 100: "Summer Stock"

Team Experience is revisiting nine Judy Garland pictures for her Centennial. Here's Nathaniel R on a troubled moment in time...

Judy Garland's enduring legend comes not just from her rightful title as "The World's Greatest Entertainer" but for her troubled offscreen life. It's not that sadness, addictions, tragedy, and/or an early demise should fascinate the public more than the work itself but the fact is that they often do (see also Clift, Monroe, Ledger, Dean, Leigh, and many other stars throughout history). Judy's struggles only make her incredibly transcendent work in concert halls and movie screens more jaw-dropping; you rarely see anything other than megawatt talent and professional magic. That isn't quite the case with Summer Stock (1950) which makes it an anomaly in her filmography. It's a rare curious glimpse at Garland in-and-out of her magic, like a flickering but gorgeous light. For a time it even threatened to be her final picture...

Click to read more ...