Review: The Devil All The Time

by Juan Carlos

“Delusions.” 

 That is probably what you would say when you see people calling themselves Christians while raising half a million dollars for a domestic terrorist. Or when they continue to support a president that has no respect for human rights unless the human being in question is straight and white and male.

That is also Robert Pattinson’s most memorable line delivery in The Devil All The Time, a recently debuting Netflix original. Telling the sprawling story of religiosity and violence set in post-WWII and pre-Vietnam War America, the film attempts to trace a chain of events which branch out into several storylines which ultimately merge in tragic ways...

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Emmy Review: Limited Series

by Juan Carlos

"And the Emmy goes to Watchmen."

Truth be told, it is hard to see a scenario where any other nominee overtakes HBO's series, which is the most nominated this year. The second-most nominated limited series Hollywood (with 11 nominations) was not even nominated in this, the top category. All of the other shows have a crucial nomination missing. Watchmen’s nomination haul demonstrates overwhelming support. Interesting to note that all of the nominees in this category are female-driven stories. Here is one last take on the contenders for limited series…..

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Review: "Away" on Netflix

by new contributor Christopher James

What role does space play in our current world? Today, getting on a plane during COVID almost feels as risky as embarking on a mission to Mars. 

Netflix’s new bright, shiny and expensive looking drama, Away, tries to contextualize space travel in its pilot episode. At a press conference, a reporter asks the Atlas crew, “Why should we care more about Mars than our own planet.” Hilary Swank’s commanding officer, Emma Green, delivers an impassioned speech on how much the US spends on the military and war. Wouldn’t it be better if we repurpose these tools for “discovery, not destruction.” This sets the stage for an exciting space mission where traveling to Mars could possibly save us from ourselves. Unfortunately, Away dodges this interesting, if thornier, premise as if it were a meteor heading straight for its shift. Rather than take a risk, it heads into safer territory, being a digestible family drama...

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Yes No Maybe So: Boys in the Band (2020)

by new contributor Gabriel Mayora

This week Netflix released the trailer for the Ryan Murphy-branded second film adaptation of Matt Crowley’s iconic and controversial 1968 play The Boys in the Band. Crowley’s play is often seen as a landmark in mainstream gay representation though at the same time as it has developed a reputation as “dated.” This new adaptation is based on the hit 50th anniversary Broadway revival produced by Murphy and helmed by acclaimed Tony-winning director Joe Mantello (who also directs the new film), with the entire cast from the revival—all of whom are openly gay actors—reprising their roles. Here’s the official IMDB synopsis:

A group of gay men gather for a birthday party in 1968 New York City, only to find the drinks and laughs interrupted when a visitor from the host’s past turns the evening upside down.

Will the remake provide audiences with a fresh new perspective on a classic gay play? Netflix is releasing the film on September 30, so we don’t have to wait too long to find out. In the meantime, let’s give the trailer the Yes, No, Maybe So treatment...

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How Had I Never Seen... "Candyman"?

by Cláudio Alves

The Nia DaCosta-directed, Jordan Peele-produced, Candyman is scheduled to arrive in American theaters later this year. In the meantime, the original Candyman, a 1992 horror classic freely adapted from Clive Barker's The Forbidden, is newly streaming on Netflix. With all that in mind, this seemed like a great time to finally watch that acclaimed nightmare of 90s cinema, a picture I've long heard about and have considered one of my great blind spots as a fan of horror movies.

Despite astronomically high expectations, Candyman did not disappoint…

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