Yes No Maybe So: Boys in the Band (2020)

by new contributor Gabriel Mayora

This week Netflix released the trailer for the Ryan Murphy-branded second film adaptation of Matt Crowley’s iconic and controversial 1968 play The Boys in the Band. Crowley’s play is often seen as a landmark in mainstream gay representation though at the same time as it has developed a reputation as “dated.” This new adaptation is based on the hit 50th anniversary Broadway revival produced by Murphy and helmed by acclaimed Tony-winning director Joe Mantello (who also directs the new film), with the entire cast from the revival—all of whom are openly gay actors—reprising their roles. Here’s the official IMDB synopsis:

A group of gay men gather for a birthday party in 1968 New York City, only to find the drinks and laughs interrupted when a visitor from the host’s past turns the evening upside down.

Will the remake provide audiences with a fresh new perspective on a classic gay play? Netflix is releasing the film on September 30, so we don’t have to wait too long to find out. In the meantime, let’s give the trailer the Yes, No, Maybe So treatment...

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How Had I Never Seen... "Candyman"?

by Cláudio Alves

The Nia DaCosta-directed, Jordan Peele-produced, Candyman is scheduled to arrive in American theaters later this year. In the meantime, the original Candyman, a 1992 horror classic freely adapted from Clive Barker's The Forbidden, is newly streaming on Netflix. With all that in mind, this seemed like a great time to finally watch that acclaimed nightmare of 90s cinema, a picture I've long heard about and have considered one of my great blind spots as a fan of horror movies.

Despite astronomically high expectations, Candyman did not disappoint…

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Emmy Review: Period Costumes

by Cláudio Alves

In the past three seasons, The Crown and The Marvelous Mrs. Maisel have won the Best Period Costumes Emmy. This year, they are again competing for the prize. If history repeats itself, Netflix's royalty porn will triumph over Maisel's midcentury stylings, but we never know. After all, two new contenders are joining the race in the form of two Emmy-loved limited series Hollywood and Mrs. America. Pose  is also there, but the FX show seems to bound to go the Mad Men route, always a worthy nominee, never a winner…

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First images from the surely misbegotten remake of "Rebecca"

by Nathaniel R

Armie Hammer and Lily James as Mr and Mrs de Winter

Netflix has released the first four images from their remake of Hitchcock's Rebecca which begins streaming on October 21st ---  Excuse us, Daphne du Maurier's Rebecca. People will be quick to note that it's less sacrilegious to adapt the novel than the 1940 best Picture winner. Now, we understand that remakes are not automatically "bad," but there are numerous reasons why remaking Hitchcock films, of all things, is a spectacularly dumb thing to do. For one, auteurs that get adjectives named ever them are inimitable and so you lose the distinct personality. For another, Hitchcock movies have (mostly) aged terrifically well; there's a reason people still watch a wide swath of them and so many are still easily available to the public, referenced in so many modern movies, and an intrinsic part of culture...

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Revisiting "Spotlight" on Netflix

Please welcome new contributor Juan Carlos Ojano

As the 88th Oscars neared its conclusion, the anticipation for the Best Picture winner was high: The Revenant had previously won the DGA and three Oscars including Directing, The Big Short had momentum, the PGA win, and an Oscar for Adapted Screenplay, and Spotlight had previously won SAG and on the big night Original Screenplay. Meanwhile, the critics had rallied behind Mad Max: Fury Road and it just kept winning Oscars that night. But ultimately, it was Spotlight that prevailed, winning the top prize. With the film now streaming on Netflix, it's worth a revisit...

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