Box Office Special. A Sticky Cartoon Strip-a-Thon !

I didn't cover the box office last weekend in one of it's most interesting episodes. What's wrong with me? So today in honor of Channing Tatum's third consecutive $35 million plus opening last weekend (expect him to be offered every part for a 25-40 year old man in the next year, even the ones he's totally wrong for) a Magic Mike themed box office countdown to kick off Stripper Week. I'm pretending that the nation's #1 movie featured a musical stripping sequences a la Magic Mike. Just go with it. (File under: Anything to keep the commerce part of movie-going interesting. Cuz that's so notthe interesting part!)

Inappropriate Spider-Man cartoon (I made it*!) 

Box office chart after the jump...

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True Blood 5.1 "Turn! Turn! Turn!"

I had such a good time covering True Blood last year that I decided early on that I'd chime in again this year. Unfortunately those slutty Bon Temps whackjobs and their blaspheming god (Alan Ball) did not reward me with a fine debut. Cliffhangers are rarely the best way to end a TV season -- especially one with a really devout fanbase that's coming back anyway. They invariably make the return feel like less of a drunken celebration and more like the clean up after A Lost Weekend. No one remembers how things got so messy but excuse us while we mop up.

Turn Turn Turn... TARA? The angriest bartender in Bon Temps won't be happy about this.

There's so much clean up. Sookie's house had not one but two dead girls to dispose of (Tara and Debby) and icky leftovers (the tooth!) but to avoid Tara's death being a true one, Sookie bargains with Vampire Pam to turn her. This is a terrible terrible decision but Sookie makes notoriously terrible decisions and almost always for selfish reasons so this is par for the course. More after the jump including the usual NSFW shenanigans of those Bon Temps hookers...

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Twins: "You and I... we're exactly the same"

Since we're celebrating twins until the stars move on from Gemini, I wanted to give a shout out to the figurative kind as well.

Due to sad circumstances offline I'm way behind on "Hit Me With Your Best Shot"  though I did watch Joan Crawford in Possessed recently to catch up. Crawford's camp icon status got me to thinking about the best camp masterpiece in the past 25 years, one that we already covered in the first season of the best shot series. (Showgirls is hard-wired into my neural pathways so it's very easy to access). The legendary so-bad-it's-good movie pits "Goddess" superstar Cristal Connors (Oscar-worthy Gina Gershon... and I'm 100% sincere) against naive crazyperson Nomi Malone (Razzie winner Elizabeth Berkley). Cristal insists repeatedly that they're one and the same, virtually identical. Nomi vehemently disagrees but the movie itself is in Cristal's headspace through and through.

The best shot from the movie? Cristal, Nomi, and Nipples after the jump...

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The Fabulous Linker Boy

Forbes an awesomely nerdy calculation of Smaug's wealth from The Hobbit. It's from the "fictional fifteen" of the wealthiest characters from movies, books, and tv. 
Grantland looks at the end of the full frontal wang era, which peaked with Shame last year and will supposedly die with Magic Mike this summer.
Los Angeles Times Two of the stars of the Tribeca winning Una Noche have defected from Cuba and are seeking asylum in the US. They're a couple in real life and siblings on the screen.
Movie|Line asks everyone to calm down with their "best picture!" proclamations in April. Oopsie. We just completed all of our predictions. But at least The Film Experience has never been driven to "lock!" proclamations before movies are even finished.

The Wrap Any Day Now, a gay adoption drama starring two fine actors (Garrett Dillahunt & Alan Cumming) won the audience award at Tribeca
My New Plaid Pants James Franco and Michael Shannon in compromising positions for The Broken Tower 
24 Frames Henry Selick still hush hush about his Coraline follow up, another spooky sweet stop motion film. It will probably be released in 2013. Scribble it down on your Oscar predictions for next next year. Then he's doing Neil Gaiman's The Graveyard Book.
The Mary Sue eye makeup looks inspired by The Avengers. As colorful as any superhero comic.
Collider yes, they're still planning to reboot The Fantastic Four
Guardian Olivia Williams isn't one for "flamboyant self display". Perhaps she'll rethink that if she wants Oscar traction this year for Hyde Park on Hudson.

Finally...

if you follow the Oscar race religiously and have for at least a few years you've probably discovered that the craft categories are inherently like the acting categories in that some giants of the trade can't seem to win the gold man despite rich filmographies and stunning year-best work. The Oscars require some luck as well. So I'm very happy to congratulate Michael Ballhaus, pictured above, an amazing cinematographer for his lifetime achievement award at Germany's Lolas this past week. 

His Oscar nominations came for The Fabulous Baker Boys (1989), Gangs of New York (2002), and Broadcast News (1987) but he also lit Bram Stoker's Dracula (1992), The Age of Innocence (1993), and The Bitter Tears of Petra Von Kant (1972)... and that's only a handful of the visual wonders he's produced. The Film Experience ♥s him and has ever since La Pfeiffer spun around on that piano and Made Whoopie. We congratulate him sincerely on this career honor.

Mad Men @ the Movies: Charlton Heston Starkers and "A Star is Born"

In "Mad Men @ the Movies" we look at the best show on television through the lens of its movie-loving ways. Obviously there are spoilers.

5.3 "Tea Leaves"
In the third episode of the season Betty Draper Francis (January Jones) returns and there's more of her to love to hate! She's been packing on the pounds. At first there's a thyroid scare but it turns out Betty is just depressed and fat. The episode ends with Betty helping herself to a second ice cream sundae (to the tune of The Sound of Music's "I Am Sixteen"). Why not? 

One of the themes of the new season is aging and the rise of youth culture is evident. Betty is referred to as middle-aged by her doctor. Don, previously an icon of cool, is now 'so square he's got corners' to both his younger wife (she's 20, he's 40) and the young teenagers he meets at a Rolling Stones concert (he's there with Harry Crane on business). When the teens hear that the men are in advertising they instantly think of Bewitched. "You're Derwood and He's Mr. Cravitz."

Later after smoking a joint Harry is trying to impress the teens with celebrity stories. 

Charlton Heston and Esther Blodgett after the jump

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